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Mark Twain's Speeches, Part 1

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<h1> MARK TWAIN’S SPEECHES </h1> <h2> by Mark Twain </h2> <hr /> <blockquote> <big>CONTENTS</big> INTRODUCTION PREFACE THE STORY OF A SPEECH PLYMOUTH ROCK AND THE PILGRIMS COMPLIMENTS AND DEGREES BOOKS, AUTHORS, AND HATS DEDICATION SPEECH DIE SCHRECKEN DER DEUTSCHEN SPRACHE GERMAN FOR THE HUNGARIANS A NEW GERMAN WORD UNCONSCIOUS PLAGIARISM THE WEATHER THE BABIES OUR CHILDREN AND GREAT DISCOVERIES EDUCATING THEATRE-GOERS THE EDUCATIONAL THEATRE POETS AS POLICEMEN PUDD’NHEAD WILSON DRAMATIZED DALY THEATRE THE DRESS OF CIVILIZED WOMAN DRESS REFORM AND COPYRIGHT COLLEGE GIRLS GIRLS THE LADIES WOMAN’S PRESS CLUB VOTES FOR WOMEN WOMAN-AN OPINION ADVICE TO GIRLS TAXES AND MORALS TAMMANY AND CROKER MUNICIPAL CORRUPTION MUNICIPAL GOVERNMENT CHINA AND THE PHILIPPINES THEORETICAL MORALS LAYMAN’S SERMON UNIVERSITY SETTLEMENT SOCIETY PUBLIC EDUCATION ASSOCIATION EDUCATION AND CITIZENSHIP COURAGE THE DINNER TO MR. CHOATE ON STANLEY AND LIVINGSTONE HENRY M. STANLEY DINNER TO MR. JEROME HENRY IRVING DINNER TO HAMILTON W. MABIE INTRODUCING NYE AND RILEY DINNER TO WHITELAW REID ROGERS AND RAILROADS THE OLD-FASHIONED PRINTER SOCIETY OF AMERICAN AUTHORS READING-ROOM OPENING LITERATURE DISAPPEARANCE OF LITERATURE THE NEW YORK PRESS CLUB DINNER THE ALPHABET AND SIMPLIFIED SPELLING SPELLING AND PICTURES BOOKS AND BURGLARS AUTHORS’ CLUB BOOKSELLERS “MARK TWAIN’S FIRST APPEARANCE” MORALS AND MEMORY QUEEN VICTORIA JOAN OF ARC ACCIDENT INSURANCE—ETC. OSTEOPATHY WATER-SUPPLY MISTAKEN IDENTITY CATS AND CANDY OBITUARY POETRY CIGARS AND TOBACCO BILLIARDS THE UNION RIGHT OR WRONG AN IDEAL FRENCH ADDRESS STATISTICS GALVESTON ORPHAN BAZAAR SAN FRANCISCO EARTHQUAKE CHARITY AND ACTORS RUSSIAN REPUBLIC RUSSIAN SUFFERERS WATTERSON AND TWAIN AS REBELS ROBERT FULTON FUND FULTON DAY, JAMESTOWN LOTOS CLUB DINNER IN HONOR OF MARK TWAIN COPYRIGHT IN AID OF THE BLIND DR. MARK TWAIN, FARMEOPATH MISSOURI UNIVERSITY SPEECH BUSINESS CARNEGIE THE BENEFACTOR ON POETRY, VERACITY, AND SUICIDE WELCOME HOME AN UNDELIVERED SPEECH SIXTY-SEVENTH BIRTHDAY TO THE WHITEFRIARS THE ASCOT GOLD CUP THE SAVAGE CLUB DINNER GENERAL MILES AND THE DOG WHEN IN DOUBT, TELL THE TRUTH THE DAY WE CELEBRATE INDEPENDENCE DAY AMERICANS AND THE ENGLISH ABOUT LONDON PRINCETON THE ST. LOUIS HARBOR-BOAT “MARK TWAIN” SEVENTIETH BIRTHDAY </blockquote> <hr /> <h2> INTRODUCTION </h2> These speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author’s words; and he was a great actor as well as a great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at second hand. I never heard Clemens speak when I thought he quite failed; some burst or spurt redeemed him when he seemed flagging short of the goal, and, whoever else was in the running, he came in ahead. His near-failures were the error of a rare trust to the spontaneity in which other speakers confide, or are believed to confide, when they are on their feet. He knew that from the beginning of oratory the orator’s spontaneity was for the silence and solitude of the closet where he mused his words to an imagined audience; that this was the use of orators from Demosthenes and Cicero up and down. He studied every word and syllable, and memorized them by a system of mnemonics peculiar to himself, consisting of an arbitrary arrangement of things on a table—knives, forks, salt-cellars; inkstands, pens, boxes, or whatever was at hand—which stood for points and clauses and climaxes, and were at once indelible diction and constant suggestion. He studied every tone and every gesture, and he forecast the result with the real audience from its result with that imagined audience. Therefore, it was beautiful to see him and to hear him; he rejoiced in the pleasure he gave and the blows of surprise which he dealt; and because he had his end in mind, he knew when to stop. I have been talking of his method and manner; the matter the reader has here before him; and it is good matter, glad, honest, kind, just. W. D. HOWELLS. <div style="break-after:column;"></div>

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