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<h2> CHAPTER XXIII </h2>
<p>Madame Merle, who had come to Florence on Mrs. Touchett's arrival at the
invitation of this lady—Mrs. Touchett offering her for a month the
hospitality of Palazzo Crescentini—the judicious Madame Merle spoke
to Isabel afresh about Gilbert Osmond and expressed the hope she might
know him; making, however, no such point of the matter as we have seen her
do in recommending the girl herself to Mr. Osmond's attention. The reason
of this was perhaps that Isabel offered no resistance whatever to Madame
Merle's proposal. In Italy, as in England, the lady had a multitude of
friends, both among the natives of the country and its heterogeneous
visitors. She had mentioned to Isabel most of the people the girl would
find it well to "meet"—of course, she said, Isabel could know
whomever in the wide world she would—and had placed Mr. Osmond near
the top of the list. He was an old friend of her own; she had known him
these dozen years; he was one of the cleverest and most agreeable men—well,
in Europe simply. He was altogether above the respectable average; quite
another affair. He wasn't a professional charmer—far from it, and
the effect he produced depended a good deal on the state of his nerves and
his spirits. When not in the right mood he could fall as low as any one,
saved only by his looking at such hours rather like a demoralised prince
in exile. But if he cared or was interested or rightly challenged—just
exactly rightly it had to be—then one felt his cleverness and his
distinction. Those qualities didn't depend, in him, as in so many people,
on his not committing or exposing himself. He had his perversities—which
indeed Isabel would find to be the case with all the men really worth
knowing—and didn't cause his light to shine equally for all persons.
Madame Merle, however, thought she could undertake that for Isabel he
would be brilliant. He was easily bored, too easily, and dull people
always put him out; but a quick and cultivated girl like Isabel would give
him a stimulus which was too absent from his life. At any rate he was a
person not to miss. One shouldn't attempt to live in Italy without making
a friend of Gilbert Osmond, who knew more about the country than any one
except two or three German professors. And if they had more knowledge than
he it was he who had most perception and taste—being artistic
through and through. Isabel remembered that her friend had spoken of him
during their plunge, at Gardencourt, into the deeps of talk, and wondered
a little what was the nature of the tie binding these superior spirits.
She felt that Madame Merle's ties always somehow had histories, and such
an impression was part of the interest created by this inordinate woman.
As regards her relations with Mr. Osmond, however, she hinted at nothing
but a long-established calm friendship. Isabel said she should be happy to
know a person who had enjoyed so high a confidence for so many years. "You
ought to see a great many men," Madame Merle remarked; "you ought to see
as many as possible, so as to get used to them."</p>
<p>"Used to them?" Isabel repeated with that solemn stare which sometimes
seemed to proclaim her deficient in the sense of comedy. "Why, I'm not
afraid of them—I'm as used to them as the cook to the butcher-boys."</p>
<p>"Used to them, I mean, so as to despise them. That's what one comes to
with most of them. You'll pick out, for your society, the few whom you
don't despise."</p>
<p>This was a note of cynicism that Madame Merle didn't often allow herself
to sound; but Isabel was not alarmed, for she had never supposed that as
one saw more of the world the sentiment of respect became the most active
of one's emotions. It was excited, none the less, by the beautiful city of
Florence, which pleased her not less than Madame Merle had promised; and
if her unassisted perception had not been able to gauge its charms she had
clever companions as priests to the mystery. She was—in no want
indeed of esthetic illumination, for Ralph found it a joy that renewed his
own early passion to act as cicerone to his eager young kinswoman. Madame
Merle remained at home; she had seen the treasures of Florence again and
again and had always something else to do. But she talked of all things
with remarkable vividness of memory—she recalled the right-hand
corner of the large Perugino and the position of the hands of the Saint
Elizabeth in the picture next to it. She had her opinions as to the
character of many famous works of art, differing often from Ralph with
great sharpness and defending her interpretations with as much ingenuity
as good-humour. Isabel listened to the discussions taking place between
the two with a sense that she might derive much benefit from them and that
they were among the advantages she couldn't have enjoyed for instance in
Albany. In the clear May mornings before the formal breakfast—this
repast at Mrs. Touchett's was served at twelve o'clock—she wandered
with her cousin through the narrow and sombre Florentine streets, resting
a while in the thicker dusk of some historic church or the vaulted
chambers of some dispeopled convent. She went to the galleries and
palaces; she looked at the pictures and statues that had hitherto been
great names to her, and exchanged for a knowledge which was sometimes a
limitation a presentiment which proved usually to have been a blank. She
performed all those acts of mental prostration in which, on a first visit
to Italy, youth and enthusiasm so freely indulge; she felt her heart beat
in the presence of immortal genius and knew the sweetness of rising tears
in eyes to which faded fresco and darkened marble grew dim. But the
return, every day, was even pleasanter than the going forth; the return
into the wide, monumental court of the great house in which Mrs. Touchett,
many years before, had established herself, and into the high, cool rooms
where the carven rafters and pompous frescoes of the sixteenth century
looked down on the familiar commodities of the age of advertisement. Mrs.
Touchett inhabited an historic building in a narrow street whose very name
recalled the strife of medieval factions; and found compensation for the
darkness of her frontage in the modicity of her rent and the brightness of
a garden where nature itself looked as archaic as the rugged architecture
of the palace and which cleared and scented the rooms in regular use. To
live in such a place was, for Isabel, to hold to her ear all day a shell
of the sea of the past. This vague eternal rumour kept her imagination
awake.</p>
<p>Gilbert Osmond came to see Madame Merle, who presented him to the young
lady lurking at the other side of the room. Isabel took on this occasion
little part in the talk; she scarcely even smiled when the others turned
to her invitingly; she sat there as if she had been at the play and had
paid even a large sum for her place. Mrs. Touchett was not present, and
these two had it, for the effect of brilliancy, all their own way. They
talked of the Florentine, the Roman, the cosmopolite world, and might have
been distinguished performers figuring for a charity. It all had the rich
readiness that would have come from rehearsal. Madame Merle appealed to
her as if she had been on the stage, but she could ignore any learnt cue
without spoiling the scene—though of course she thus put dreadfully
in the wrong the friend who had told Mr. Osmond she could be depended on.
This was no matter for once; even if more had been involved she could have
made no attempt to shine. There was something in the visitor that checked
her and held her in suspense—made it more important she should get
an impression of him than that she should produce one herself. Besides,
she had little skill in producing an impression which she knew to be
expected: nothing could be happier, in general, than to seem dazzling, but
she had a perverse unwillingness to glitter by arrangement. Mr. Osmond, to
do him justice, had a well-bred air of expecting nothing, a quiet ease
that covered everything, even the first show of his own wit. This was the
more grateful as his face, his head, was sensitive; he was not handsome,
but he was fine, as fine as one of the drawings in the long gallery above
the bridge of the Uffizi. And his very voice was fine—the more
strangely that, with its clearness, it yet somehow wasn't sweet. This had
had really to do with making her abstain from interference. His utterance
was the vibration of glass, and if she had put out her finger she might
have changed the pitch and spoiled the concert. Yet before he went she had
to speak.</p>
<p>"Madame Merle," he said, "consents to come up to my hill-top some day next
week and drink tea in my garden. It would give me much pleasure if you
would come with her. It's thought rather pretty—there's what they
call a general view. My daughter too would be so glad—or rather, for
she's too young to have strong emotions, I should be so glad—so very
glad." And Mr. Osmond paused with a slight air of embarrassment, leaving
his sentence unfinished. "I should be so happy if you could know my
daughter," he went on a moment afterwards.</p>
<p>Isabel replied that she should be delighted to see Miss Osmond and that if
Madame Merle would show her the way to the hill-top she should be very
grateful. Upon this assurance the visitor took his leave; after which
Isabel fully expected her friend would scold her for having been so
stupid. But to her surprise that lady, who indeed never fell into the mere
matter-of-course, said to her in a few moments,</p>
<p>"You were charming, my dear; you were just as one would have wished you.
You're never disappointing."</p>
<p>A rebuke might possibly have been irritating, though it is much more
probable that Isabel would have taken it in good part; but, strange to
say, the words that Madame Merle actually used caused her the first
feeling of displeasure she had known this ally to excite. "That's more
than I intended," she answered coldly. "I'm under no obligation that I
know of to charm Mr. Osmond."</p>
<p>Madame Merle perceptibly flushed, but we know it was not her habit to
retract. "My dear child, I didn't speak for him, poor man; I spoke for
yourself. It's not of course a question as to his liking you; it matters
little whether he likes you or not! But I thought you liked HIM."</p>
<p>"I did," said Isabel honestly. "But I don't see what that matters either."</p>
<p>"Everything that concerns you matters to me," Madame Merle returned with
her weary nobleness; "especially when at the same time another old
friend's concerned."</p>
<p>Whatever Isabel's obligations may have been to Mr. Osmond, it must be
admitted that she found them sufficient to lead her to put to Ralph sundry
questions about him. She thought Ralph's judgements distorted by his
trials, but she flattered herself she had learned to make allowance for
that.</p>
<p>"Do I know him?" said her cousin. "Oh, yes, I 'know' him; not well, but on
the whole enough. I've never cultivated his society, and he apparently has
never found mine indispensable to his happiness. Who is he, what is he?
He's a vague, unexplained American who has been living these thirty years,
or less, in Italy. Why do I call him unexplained? Only as a cover for my
ignorance; I don't know his antecedents, his family, his origin. For all I
do know he may be a prince in disguise; he rather looks like one, by the
way—like a prince who has abdicated in a fit of fastidiousness and
has been in a state of disgust ever since. He used to live in Rome; but of
late years he has taken up his abode here; I remember hearing him say that
Rome has grown vulgar. He has a great dread of vulgarity; that's his
special line; he hasn't any other that I know of. He lives on his income,
which I suspect of not being vulgarly large. He's a poor but honest
gentleman that's what he calls himself. He married young and lost his
wife, and I believe he has a daughter. He also has a sister, who's married
to some small Count or other, of these parts; I remember meeting her of
old. She's nicer than he, I should think, but rather impossible. I
remember there used to be some stories about her. I don't think I
recommend you to know her. But why don't you ask Madame Merle about these
people? She knows them all much better than I."</p>
<p>"I ask you because I want your opinion as well as hers," said Isabel.</p>
<p>"A fig for my opinion! If you fall in love with Mr. Osmond what will you
care for that?"</p>
<p>"Not much, probably. But meanwhile it has a certain importance. The more
information one has about one's dangers the better."</p>
<p>"I don't agree to that—it may make them dangers. We know too much
about people in these days; we hear too much. Our ears, our minds, our
mouths, are stuffed with personalities. Don't mind anything any one tells
you about any one else. Judge everyone and everything for yourself."</p>
<p>"That's what I try to do," said Isabel "but when you do that people call
you conceited."</p>
<p>"You're not to mind them—that's precisely my argument; not to mind
what they say about yourself any more than what they say about your friend
or your enemy."</p>
<p>Isabel considered. "I think you're right; but there are some things I
can't help minding: for instance when my friend's attacked or when I
myself am praised."</p>
<p>"Of course you're always at liberty to judge the critic. Judge people as
critics, however," Ralph added, "and you'll condemn them all!"</p>
<p>"I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay
him a visit."</p>
<p>"To pay him a visit?"</p>
<p>"To go and see his view, his pictures, his daughter—I don't know
exactly what. Madame Merle's to take me; she tells me a great many ladies
call on him."</p>
<p>"Ah, with Madame Merle you may go anywhere, de confiance," said Ralph.
"She knows none but the best people."</p>
<p>Isabel said no more about Mr. Osmond, but she presently remarked to her
cousin that she was not satisfied with his tone about Madame Merle. "It
seems to me you insinuate things about her. I don't know what you mean,
but if you've any grounds for disliking her I think you should either
mention them frankly or else say nothing at all."</p>
<p>Ralph, however, resented this charge with more apparent earnestness than
he commonly used. "I speak of Madame Merle exactly as I speak to her: with
an even exaggerated respect."</p>
<p>"Exaggerated, precisely. That's what I complain of."</p>
<p>"I do so because Madame Merle's merits are exaggerated."</p>
<p>"By whom, pray? By me? If so I do her a poor service."</p>
<p>"No, no; by herself."</p>
<p>"Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who
made small claims—!"</p>
<p>"You put your finger on it," Ralph interrupted. "Her modesty's
exaggerated. She has no business with small claims—she has a perfect
right to make large ones."</p>
<p>"Her merits are large then. You contradict yourself."</p>
<p>"Her merits are immense," said Ralph. "She's indescribably blameless; a
pathless desert of virtue; the only woman I know who never gives one a
chance."</p>
<p>"A chance for what?"</p>
<p>"Well, say to call her a fool! She's the only woman I know who has but
that one little fault."</p>
<p>Isabel turned away with impatience. "I don't understand you; you're too
paradoxical for my plain mind."</p>
<p>"Let me explain. When I say she exaggerates I don't mean it in the vulgar
sense—that she boasts, overstates, gives too fine an account of
herself. I mean literally that she pushes the search for perfection too
far—that her merits are in themselves overstrained. She's too good,
too kind, too clever, too learned, too accomplished, too everything. She's
too complete, in a word. I confess to you that she acts on my nerves and
that I feel about her a good deal as that intensely human Athenian felt
about Aristides the Just."</p>
<p>Isabel looked hard at her cousin; but the mocking spirit, if it lurked in
his words, failed on this occasion to peep from his face. "Do you wish
Madame Merle to be banished?"</p>
<p>"By no means. She's much too good company. I delight in Madame Merle,"
said Ralph Touchett simply.</p>
<p>"You're very odious, sir!" Isabel exclaimed. And then she asked him if he
knew anything that was not to the honour of her brilliant friend.</p>
<p>"Nothing whatever. Don't you see that's just what I mean? On the character
of every one else you may find some little black speck; if I were to take
half an hour to it, some day, I've no doubt I should be able to find one
on yours. For my own, of course, I'm spotted like a leopard. But on Madame
Merle's nothing, nothing, nothing!"</p>
<p>"That's just what I think!" said Isabel with a toss of her head. "That is
why I like her so much."</p>
<p>"She's a capital person for you to know. Since you wish to see the world
you couldn't have a better guide."</p>
<p>"I suppose you mean by that that she's worldly?"</p>
<p>"Worldly? No," said Ralph, "she's the great round world itself!"</p>
<p>It had certainly not, as Isabel for the moment took it into her head to
believe, been a refinement of malice in him to say that he delighted in
Madame Merle. Ralph Touchett took his refreshment wherever he could find
it, and he would not have forgiven himself if he had been left wholly
unbeguiled by such a mistress of the social art. There are deep-lying
sympathies and antipathies, and it may have been that, in spite of the
administered justice she enjoyed at his hands, her absence from his
mother's house would not have made life barren to him. But Ralph Touchett
had learned more or less inscrutably to attend, and there could have been
nothing so "sustained" to attend to as the general performance of Madame
Merle. He tasted her in sips, he let her stand, with an opportuneness she
herself could not have surpassed. There were moments when he felt almost
sorry for her; and these, oddly enough, were the moments when his kindness
was least demonstrative. He was sure she had been yearningly ambitious and
that what she had visibly accomplished was far below her secret measure.
She had got herself into perfect training, but had won none of the prizes.
She was always plain Madame Merle, the widow of a Swiss negociant, with a
small income and a large acquaintance, who stayed with people a great deal
and was almost as universally "liked" as some new volume of smooth
twaddle. The contrast between this position and any one of some half-dozen
others that he supposed to have at various moments engaged her hope had an
element of the tragical. His mother thought he got on beautifully with
their genial guest; to Mrs. Touchett's sense two persons who dealt so
largely in too-ingenious theories of conduct—that is of their own—would
have much in common. He had given due consideration to Isabel's intimacy
with her eminent friend, having long since made up his mind that he could
not, without opposition, keep his cousin to himself; and he made the best
of it, as he had done of worse things. He believed it would take care of
itself; it wouldn't last forever. Neither of these two superior persons
knew the other as well as she supposed, and when each had made an
important discovery or two there would be, if not a rupture, at least a
relaxation. Meanwhile he was quite willing to admit that the conversation
of the elder lady was an advantage to the younger, who had a great deal to
learn and would doubtless learn it better from Madame Merle than from some
other instructors of the young. It was not probable that Isabel would be
injured.</p>
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