<h2 id="c3"><span class="small">CHAPTER III</span> <br/>The Elevator</h2>
<p>Mr. Talcott returned to the middle room
and looked more carefully at the disturbed
condition of things around and on Mr.
Gately’s desk.</p>
<p>“It is certain that Mr. Gately left the room in
haste,” he said, “for here is what is undoubtedly
a private and personal checkbook left open. I shall
take on myself the responsibility of putting it
away, for the moment, at least.”</p>
<p>Mr. Talcott closed the checkbook and put it in
a small drawer of the desk.</p>
<p>“Why don’t you put away that hatpin, too?”
suggested Norah, eying the pin curiously. “I don’t
think it belongs to Miss Raynor.”</p>
<p>“Take it up by the edge,” I warned; “I may be
jumping to conclusions, but there is a possibility
that a crime has been committed, and we must preserve
what <i>may</i> be evidence.”</p>
<div class="pb" id="Page_43">[43]</div>
<p>“Quite right, Mr. Brice,” agreed Talcott, and
he gingerly picked up the pin by taking the edges
of its ornate head between his thumb and forefinger.
The head was an Egyptian scarab,—whether
a real one or not I couldn’t tell,—and was
set on a flat backing of gold. This back might
easily retain the thumb print of the woman who
had drawn that pin from her hat in Mr. Gately’s
office. And who, Norah surmised, was the person
who had fired the pistol that I had heard discharged.</p>
<p>Placing the hatpin in the drawer with the checkbook,
Mr. Talcott locked the drawer and slipped
the key in his pocket.</p>
<p>I wondered if he had seen some entry in the book
that made him wish to hide Mr. Gately’s private
affairs from curious eyes.</p>
<p>“There is indeed a possibility of something
wrong,” he went on, “at first I couldn’t think it,
but seeing this room, that overturned chair and
upset telephone, in connection with the shooting,
as you heard it, Mr. Brice, it certainly seems ominous.
And most mysterious! Two people quarreling,
a shot fired by one or other of them, and
no sign of the assailant, his victim, or his weapon!
Now, there are three propositions, one of which
<i>must</i> be the truth. Mr. Gately is alive and well,
he is wounded, or he is killed. The last seems impossible,
as his body could not have been taken
away without discovery; if he were wounded, I
think that, too, would have to be known; so, I still
feel that things are all right. But until we can
prove that, we must continue our search.”</p>
<p>“Yes,” I agreed, “search for Mr. Gately and
also, search for the man who was here and who
quarreled with him.”</p>
<p>“Or the woman,” insisted Norah.</p>
<div class="pb" id="Page_44">[44]</div>
<p>“I can’t think it was a woman,” I said. “Although
the shadow was indistinct, it struck me as
that of a man, the motions and attitudes were masculine,
as I recall them. The hatpin may have been
left here this morning or any time.”</p>
<p>“The visitor must be found,” declared Mr. Talcott,
“but I don’t know how to go about it.”</p>
<p>“Ask the elevator girls,” I suggested; “one of
them must have brought the caller up here.”</p>
<p>We did this, but the attendants of the three elevators
all denied having brought anyone up to Mr.
Gately’s offices since the old man and the elderly
lady who had been mentioned by Jenny.</p>
<p>Miss Raynor had been brought up by one of the
girls also, but we couldn’t quite ascertain whether
she had come before or after the other two.</p>
<p>While waiting for Miss Raynor to come again,
I tried to do a little scientific deduction from any
evidence I might notice.</p>
<p>But I gained small information. The desk-blotter,
inkwell, and pens were in immaculate order,
doubtless they were renewed every day by a careful
attendant. All the minor accessories, such as
paperweights and letter openers were of individual
styles and of valuable materials.</p>
<p>There was elaborate smoking paraphernalia and
a beautiful single rose in a tall silver vase.</p>
<p>“Can you read anything bearing on the mystery,
Mr. Brice,” asked Talcott, noting my thoughtful
scrutiny.</p>
<div class="pb" id="Page_45">[45]</div>
<p>“No; nothing definite. In fact, nothing of any
importance. I see that on one occasion, at least,
Mr. Gately kept a chauffeur waiting an unconscionably
long time, and the man was finally obliged
to go away without him.”</p>
<p>“Well, now, how do you guess that?” and Mr.
Talcott looked decidedly interested.</p>
<p>“Like most of those spectacular deductions,” I
responded, “the explanation takes all the charm
out of it. There is a carriage check on the desk,—one
of those queer cards with a lot of circular holes
in it. That must have been given to Mr. Gately
when he left his car, or perhaps a taxicab, outside
of some hotel or shop. As he didn’t give it up,
the chauffeur must have waited for him until he
was tired.”</p>
<p>“He may have gone off with some friend, and
sent word to the man not to wait,” offered
Talcott.</p>
<p>“But then he would have sent the call-check
out to identify him. What a queer-looking thing
it is,” and I picked up the card, with its seven
round holes in a cabalistic array.</p>
<p>“Perhaps the caller left it,” spoke up Norah;
“perhaps he, or she, came here in a cab, or a car,
and——”</p>
<p>“No, Norah,” I said, “such checks are not given
out at a building of this sort. Only at hotels,
theaters, or shops.”</p>
<div class="pb" id="Page_46">[46]</div>
<p>“It’s of no importance,” and Mr. Talcott gave
a slight shrug of impatience; “the thing is, where
is Mr. Gately?”</p>
<p>Restless and unable to sit still, I wandered into
the third room. I had heard of this sanctum, but
I had never expected to see inside of it. The impulse
came to me now to make the most of this
chance, for when Mr. Gately returned I might be
summarily, if courteously, ejected.</p>
<p>The effect of the room was that of dignified
splendor. It had evidently been done but not overdone
by a decorator who was a true artist. The
predominant color was a soft, deep blue, and the
rugs and textile fabrics were rich and luxurious.
There were a few fine paintings in gold frames
and the large war map occupied the greater part
of a paneled wall space. The chairs were spacious
and cushioned, and a huge davenport stood in front
of a wide fireplace, where some logs were cheerily
burning.</p>
<p>A cozy place to entertain friends, I ruminated,
and then, turning back to the middle room, I reconstructed
the movements of the two people I had
seen shadowed.</p>
<p>“As they rose,” I said to Mr. Talcott, “Amos
Gately was behind this big table-desk, and the other
man,—for I still think it was a man,—was opposite.
The other man upset his chair, on rising, so he must
have risen hastily. Then the shot was fired, and
the two disappeared. As Jenny came into the room
at once, and saw the strange man going through the
third room and on out to the stairs, we are forced
to the conclusion that Mr. Gately preceded
him.”</p>
<div class="pb" id="Page_47">[47]</div>
<p>“Down the stairs?” asked Mr. Talcott.</p>
<p>“Yes, for the flight, at least, or Jenny would
have seen him. Also, I should have seen him, had
he remained in this hall.”</p>
<p>“And the woman?” asked Norah, “what became
of her?”</p>
<p>“I don’t think there was any woman present at
that time,” I returned. “The hatpin was, doubtless,
left by a woman caller, but we’ve no reason to
suppose she was there at the same time the shooting
occurred.”</p>
<p>“I can’t think of any reason why anyone should
shoot Mr. Gately,” said Talcott, musingly. “He is
a most estimable gentleman, the soul of honor and
uprightness.”</p>
<p>“Of course,” I assented; “but has he no personal
enemies?”</p>
<p>“None that I know of, and it is highly improbable,
anyway. He is not a politician, or, indeed, a
public man of any sort. He is exceedingly charitable,
but he rarely makes known his good deeds. He
has let it be known that he wishes his benefactions
kept quiet.”</p>
<p>“What are his tastes?” I asked, casually.</p>
<div class="pb" id="Page_48">[48]</div>
<p>“Simple in the extreme. He rarely takes a
vacation, and though his home is on a magnificent
scale, he doesn’t entertain very much. I have heard
that Miss Raynor pleads in vain for him to be more
of a society man.”</p>
<p>“She is his ward?”</p>
<p>“Yes; no relation, although she calls him uncle.
I believe he was a college chum of Miss Raynor’s
father, and when the girl was left alone in the
world, he took her to live with him, and took charge
of her fortune.”</p>
<p>“A large one?”</p>
<p>“Fairly so, I believe. Enough to tempt the fortune-hunters,
anyway, and Mr. Gately frowns on
any young man who approaches him with a request
for Olive Raynor’s hand.”</p>
<p>“Perhaps the caller today was a suitor.”</p>
<p>“Oh, I hardly think a man would come armed
on such an errand. No; to me, the most mysterious
thing about it all, is why anyone should desire to
harm Mr. Gately. It must have been a homicidal
maniac,—if there is really such a being.”</p>
<p>“The most mysterious part to me,” I rejoined,
“is how they both got away so quickly. You see,
I stood in my doorway opposite, looking at them,
and then as soon as I heard the shot I ran to the
middle door as fast as I could, then to the third
room door, and then back to the first. Of course,
had I known which room was which, I should have
gone to door number one first. But, as you see, I
was in the hall, going from one door to another,
and I must have seen the men if they came out into
the hall from any door.”</p>
<div class="pb" id="Page_49">[49]</div>
<p>“They left room number three, as you entered
number one,” said Norah, carefully thinking it out.</p>
<p>“That must be so, but where did they go? Why,
if Mr. Gately went downstairs, has he not been
visible since? I can’t help feeling that Amos
Gately is unable to move, for some reason or other.
May he have been kidnaped? Or is he bound and
gagged in some unused room, say on the floor
below this?”</p>
<p>“No,” said Talcott, briefly. “Without saying
anything about it I put one of the bank clerks on
the hunt and I told him to look into every room in
the building. As he has not reported, he hasn’t yet
found Mr. Gately.”</p>
<p>And then, Olive Raynor arrived.</p>
<p>I shall never forget that first sight of her. Heralded
by a fragrant whiff of fresh violets, she came
into the first room, and paused at the doorway of
the middle room, where we still sat.</p>
<p>Framed in the mahogany door-casing, the lovely
bit of femininity seemed a laughing bundle of furs,
velvets, and laces.</p>
<p>“What’s the matter?” said a soft, sweet voice.
“Has Uncle Amos run away? I hope he is in a
sheltered place for there’s a ferocious storm coming
up and the wind is blowing a gale.”</p>
<p>The nodding plumes on her hat tossed as she
raised her head inquiringly and looked about.</p>
<p>“What do I smell?” she exclaimed; “it’s like—like
pistol-smoke!”</p>
<div class="pb" id="Page_50">[50]</div>
<p>“It is,” Mr. Talcott said. “But there’s no pistol
here now——”</p>
<p>“How exciting! What’s it all about? Do tell
me.”</p>
<p>Clearly the girl apprehended no serious matter.
Her wide-open eyes showed curiosity and interest,
but no thought of trouble had as yet come to her.</p>
<p>She stepped further into the room, and throwing
back her furs revealed a slender graceful figure,
quick of movement and of exquisite poise. Neither
dark nor very fair, her wavy brown hair framed a
face whose chief characteristic seemed to be its
quickly changing expressions. Now smiling, then
grave, now wondering, then merry, she looked from
one to another of us, her big brown eyes coming
to rest at last on Norah.</p>
<p>“Who are you?” she asked, with a lovely smile
that robbed the words of all curtness.</p>
<p>“I am Norah MacCormack, Miss Raynor,” my
stenographer replied. “I am in Mr. Brice’s office,
across the hall. This is Mr. Brice.”</p>
<p>There was no reason why Norah should be the
one to introduce me, but we were all a little rattled,
and Mr. Talcott, who, of course, was the one to
handle the situation, seemed utterly at a loss as to
how to begin.</p>
<p>“How do you do, Mr. Brice?” and Miss Raynor
flashed me a special smile. “And now, Mr. Talcott,
tell me what’s the matter? I see something
has happened. What is it?”</p>
<div class="pb" id="Page_51">[51]</div>
<p>She was grave enough now. She had suddenly
realized that there was something to tell, and she
meant to have it told.</p>
<p>“I don’t know, Miss Raynor,” Talcott began,
“whether anything has happened, or not. I mean,
anything serious. We—that is,—we don’t know
where Mr. Gately is.”</p>
<p>“Go on. That of itself doesn’t explain your
anxious faces.”</p>
<p>So Talcott told her,—told her just what we knew
ourselves, which was so little and yet so mysterious.</p>
<p>Olive listened, her great, dark eyes widening with
wonder. She had thrown off her fur coat and was
seated in Amos Gately’s desk-chair, her dainty foot
turning the chair on its swivel now and then.</p>
<p>Her muff fell to the floor, and, unconsciously,
she drew off her gloves and dropped them upon it.
She said no word during the recital, but her vivid
face showed all the surprise and fear she felt as the
tale was told.</p>
<p>Then, “I don’t understand,” she said, simply.
“Do you think somebody shot Uncle Amos? Then
where is he?”</p>
<p>“We don’t understand, either,” returned Talcott.
“We don’t know that anybody shot him. We
only know a shot was fired and Mr. Gately is
missing.”</p>
<p>Just then a man entered Jenny’s room, from the
hall. He, too, paused in the doorway to the middle
room.</p>
<div class="pb" id="Page_52">[52]</div>
<p>“Oh, Amory, come in!” cried Miss Raynor.
“I’m so glad you’re here. This is Mr. Brice,—and
Miss MacCormack,—Mr. Manning. Mr. Talcott,
of course you know.”</p>
<p>I had never met Amory Manning before, but one
glance was enough to show how matters stood between
him and Olive Raynor. They were more
than friends,—that much was certain.</p>
<p>“I saw Mr. Manning downstairs,” Miss Raynor
said to Talcott, with a lovely flush, “and—as Uncle
Amos doesn’t—well, he isn’t just crazy over him,
I asked him not to come up here with me, but to
wait for me downstairs.”</p>
<p>“And as you were so long about coming down,
I came up,” said Mr. Manning, with a little smile.
“What’s this,—what about a shot? Where’s Mr.
Gately?”</p>
<p>Talcott hesitated, but Olive Raynor poured out
the whole story at once.</p>
<p>Manning listened gravely, and at the end, said
simply: “He <i>must</i> be found. How shall we set
about it?”</p>
<p>“That’s what I don’t know,” replied Talcott.</p>
<p>“I’ll help,” said Olive, briskly. “I refuse to believe
any harm has come to him. Let’s call up his
clubs.”</p>
<p>“I’ve done that,” said Talcott. “I can’t think
he went away anywhere—willingly.”</p>
<p>“How, then?” cried Olive. “Oh, wait a minute,—I
know something!”</p>
<div class="pb" id="Page_53">[53]</div>
<p>“What?” asked Talcott and I together, for the
girl’s face glowed with her sudden happy thought.</p>
<p>“Why, Uncle Amos has a private elevator of
his own. He went down in that!”</p>
<p>“Where is it?” asked Manning.</p>
<p>“I don’t know,” and Olive looked about the
room. “And Uncle forbade me ever to mention
it,—but this is an emergency, isn’t it? and I’m justified,—don’t
you think?”</p>
<p>“Yes,” said Manning; “tell all you know.”</p>
<p>“But that’s all I do know. There is a secret
elevator that nobody knows about. Surely you can
find it.”</p>
<p>“Surely we can!” said I, and jumping up, I began
the search.</p>
<p>Nor did it take long. There were not very many
places where a private entrance could be concealed,
and I found it behind the big war map, in the third
room.</p>
<p>The door was flush with the wall, and painted
the same as the panel itself. The map simply hung
on the door, but overlapped sufficiently to hide it.
Thus the door was concealed, though not really
difficult of discovery.</p>
<p>“It won’t open,” I announced after a futile trial.</p>
<p>“Automatic,” said Talcott. “You can’t open
that kind, when the car is down.”</p>
<p>“How do you know the car is down?” I
asked.</p>
<div class="pb" id="Page_54">[54]</div>
<p>“Because the door won’t open. Well, it does
seem probable that Mr. Gately went away by this
exit, then.”</p>
<p>“And the woman, too,” remarked Norah.</p>
<p>As before Mr. Talcott didn’t object to Norah’s
participation in our discussion, in fact, he seemed
rather to welcome it, and in a way, deferred to her
opinions.</p>
<p>“Perhaps so,” he assented. “Now, Miss Raynor,
where does this elevator descend to? I mean,
where does it open on the ground floor?”</p>
<p>“I don’t know, I’m sure,” and the girl looked
perplexed. “I’ve never been up or down in it. I
shouldn’t have known of it, but once Uncle let slip
a chance reference to it, and when I asked him
about it, he told me, but told me not to tell. You
see, he uses it to get away from bores or people
he doesn’t want to see.”</p>
<p>“It ought to be easy to trace its shaft down
through the floors,” said Amory Manning.
“Though I suppose there’s no opening on any floor
until the street floor is reached.”</p>
<p>Manning was a thoughtful-looking chap.
Though we had never met before, I knew of him
and I had an impression that he was a civil engineer
or something like that. I felt drawn to him
at once, for he had a pleasant, responsive manner
and a nice, kindly way with him.</p>
<div class="pb" id="Page_55">[55]</div>
<p>In appearance, he was scholarly, rather than
business-like. This effect was probably due in part
to the huge shell-rimmed glasses he wore. I can’t
bear those things myself, but some men seem to
take to them naturally. For the rest, Manning had
thick, dark hair, and he was a bit inclined to stoutness,
but his goodly height saved him from looking
stocky.</p>
<p>“Well, I think we ought to investigate this elevator,”
said Talcott. “Suppose you and I, Mr.
Brice, go downstairs to see about it, leaving Miss
Raynor and Mr. Manning here,—in case,—in case
Mr. Gately returns.”</p>
<p>I knew that Talcott meant, in case we should find
anything wrong in the elevator, but he put it the
more casual way, and Miss Raynor seemed
satisfied.</p>
<p>“Yes, do,” she said, “and we’ll wait here till
you come back. Of course, you can find where it
lands, and—oh, wait a minute! Maybe it opens in
the next door building. I remember, sometimes
when I’ve been waiting in the car for Uncle, he has
come out of the building next door instead of this
one, and when I asked him why, he always turned
the subject without telling me.”</p>
<p>“It may be,” and Talcott considered the position
of the shaft. “Well, we’ll see.”</p>
<p>Norah discreetly returned to my offices, but I felt
pretty sure she wouldn’t go home, until something
was found out concerning the mysterious disappearance.</p>
<div class="pb" id="Page_56">[56]</div>
<p>On the street floor we could find no possible
outlet for the elevator in question, and had it not
been for Olive’s hint as to where to look, I don’t
know how we should have found it at all.</p>
<p>But on leaving the Trust Company Building, we
found the place at last. At least, we found a door
which was in the position where we supposed the
elevator shaft would require it, and we tried to
open it.</p>
<p>This we failed to do.</p>
<p>“Looks bad,” said Talcott, shaking his head.
“If Amos Gately is in there, it’s because he’s unable
to get out—or—unconscious.”</p>
<p>He couldn’t bring himself to speak the crueler
word that was in both our minds, and he turned
abruptly aside, as he went in search of the janitor
or the superintendent of the building.</p>
<p>Left by myself I stared at the silent door. It
was an ordinary-looking door, at the end of a small
side passage which communicated with the main
hall or lobby of the building. It was inconspicuous,
and as the passage had an angle in it, Amos Gately
could easily have gone in and out of that door
without exciting comment.</p>
<p>Of course, the janitor would know all about it;
and he did.</p>
<p>He returned with Mr. Talcott, muttering as he
came.</p>
<div class="pb" id="Page_57">[57]</div>
<p>“I always said Mr. Gately’d get caught in that
thing yet! I don’t hold with them automaticky
things, so I don’t. They may go all right for years
and then cut up some trick on you. If that man’s
caught in there, he must be pretty sick by this
time!”</p>
<p>“Does Mr. Gately use the thing much?” I asked.</p>
<p>“Not so very often, sir. Irregular like. Now,
quite frequent, and then, again, sort of seldom.
Well, we can’t open it, Mr. Talcott. These things
won’t work, only just so. After anybody gets in,
and shuts the door, it can’t be opened except by
pressing a button on the inside. Can’t you get in
upstairs?”</p>
<p>“No,” said Talcott, shortly. “Get help, then,
and break the door down.”</p>
<p>This was done, the splintered door fell away,
and there, in a crumpled heap on the floor of the
car, was Amos Gately,—dead.</p>
<div class="pb" id="Page_58">[58]</div>
<div style="break-after:column;"></div><br />