<h2><SPAN name="CHAPTER_XIX" id="CHAPTER_XIX"></SPAN>CHAPTER XIX</h2>
<p class="subhead">HOW FENWICK KNEW ALL ABOUT THE MASS. AND HOW BARON KREUTZKAMMER
RECOGNISED MR. HARRISSON. LONDON AGAIN!</p>
<p>"Why do they call it the <i>messe des paresseux</i>?" The question must
have been asked just as Sally looked at her watch because she saw
the clock had stopped. But the nave of the Cathedral of Rheims was
very unlike that of St. Satisfax as the bride and bridegroom
lingered in out of the sunshine, and the former took the
unwarrantable liberty, for a heretic, of crossing herself from the
Holy Water at the foot of the column near the door. But she made up
for it by the amount of <i>sous</i> she gave to the old blind woman, who
must have been knitting there since the days of Napoleon at least,
if she began in her teens.</p>
<p>"You haven't done it right, dearest. I knew you wouldn't. Look
here." And Fenwick crosses himself <i>secundum artem</i>, dipping his
finger first to make it valid.</p>
<p>"But how came you to know?" His wife does not say this; she only
thinks it. And how came he to know about the <i>messe des paresseux</i>?
She repeats her question aloud.</p>
<p>"Because the lazy people don't come to Mass till ten," he replies.
They are talking under their breath, as English folk do in foreign
churches, heedless of the loud gabble and resonant results of too
much snuff on the part of ecclesiastics off duty. Their own
salvation has been cultivated under a list slipper, cocoanut
matting, secretive pew-opener policy; and if they are new to it all,
they are shocked to see the snuff taken over the heads and wooden
<i>sabots</i> of the devout country-folk, whose ancestors knelt on the
same hard stone centuries ago, and prayed for great harvests that
never came, and to avert lean years that very often did. The
Anglican cannot understand the real aboriginal Papist. Sally's
mother was puzzled when she saw an old, old kneeling figure,
toothless and parchment-skinned, on whose rosary a pinch of snuff
<i>ut supra</i> descended, shake it off
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the bead in evidence, and get on
to the next <i>Ave</i>, even as one who has business before her—so many
pounds of oakum to pick, so many bushels of peas to shell. It was a
reality to her; and there was the Blessed Virgin herself, a visible
certainty, who would see to the recognition of it at headquarters.</p>
<p>Fenwick passed up the aisle, dreamily happy in the smell of the
incense, beside his bride of yesterday's making—she intensely happy
too, but in another way, for was not her bridegroom of yesterday her
husband of twenty years ago—cruelly wrenched away, but her husband
for all that. Still, there was always that little rift within the
lute that made the music—pray Heaven not to widen! Always that
thought!—that he might recollect. How could he remember the <i>messe
des paresseux</i>, and keep his mind a blank about how he came to know
of it? It was the first discomfort that had crossed her married
mind—put it away!</p>
<p>It was easy to put it all away and forget it in the hush and gloom
of the great church, filled with the strange intonation from
Heaven-knows-where—some side-chapel unseen—of a Psalm it would
have puzzled David to be told was his, and a scented vapour Solomon
would have known at once; for neither myrrh nor frankincense have
changed one whit since his day. It was easy enough so long as both
sat listening to <i>Gloria in excelsis Deo, et in terra pax</i>. Carried
<i>nem. con.</i> by all sorts and conditions of Creeds. But when the
little bobs and tokens and skirt-adjustments of the fat priest and
his handsome abettor (a young fellow some girl might have been the
wife of, with advantage to both) came to a pause, and the
congregation were to be taken into confidence, how came Gerry to
know beforehand what the fat one was going to say, with that
stupendous voice of his?</p>
<p>"<i>Hoc est corpus meum, et hic est calix sanguinis mei.</i> We all
kneel, I think." Thus the bridegroom under his breath. And his
companion heard, almost with a shudder, the selfsame words from the
priest, as the kneeling of the congregation subsided.</p>
<p>"Oh, Gerry—darling fellow! How <i>can</i> you know that, and not
know...."</p>
<p>"How I came by it? It's very funny, but I <i>can't</i>, and that's the
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truth. I don't feel as if I ever <i>could</i> know, what's more. But it
all seems a matter of course."</p>
<p>"Perhaps you're a Catholic all the while, without knowing it?"</p>
<p>"Perhaps I am. But I should like to know, because of going to the
other place with you. I shouldn't care about purgatory without you,
Rosey dearest. No—not even with a reversionary interest in heaven."</p>
<p>And then the plot thickened at the altar, and the odour of myrrh and
frankincense, and little bells rang to a climax, and the handsome
young priest, let us hope, felt he had got value for the loss of
that hypothetical girl.</p>
<hr class="minor" />
<p>That little incident in the great church at Rheims was the first
anxiety of Rosalind Fenwick's married life—the first resumption of
the conditions she had been so often unnerved by during the period
of their betrothal. She was destined to be crossed by many such. But
she was, as we have said, a strong woman, and had made up her mind
to take these anxieties as part of the day's work—a charge upon her
happiness that had to be paid. It was a great consolation to her
that she could speak to her husband about the tension caused by her
misgivings without assigning any special reasons for anxiety that
would not be his as much as hers. She had to show uneasiness in
order to get the relief his sympathy gave her; but there were
unknown possibilities in the Bush enough to warrant it without going
outside what was known to both. No need at all that he should know
of her separate unseen burden, for that!</p>
<p>But some of the jolts on the road, as we might call them, were to be
sore trials to Rosalind. One came in the fourth week of their
honeymoon, and quite spoiled for her the last three days of her
holiday. However, Fenwick himself laughed about it—that was one
comfort.</p>
<p>It was at Sonnenberg. You know the Great Hotel, or Pension, near the
Seelisberg, that looks down on Lucerne Lake, straight over to where
Tell shot the arrow? If you do not, it does not matter. Mr. and Mrs.
Fenwick had never been there before, and have never been there
since. And what happened might
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just as easily have happened
anywhere else. But it was there, as a matter of fact; and if you
know the place, you will be able to imagine the two of them leaning
on the parapet of the terrace that overlooks the lake, watching the
steamer from Lucerne creeping slowly to the landing-place at the
head of a white comet it has churned the indescribable blue of the
lake to, and discussing whether it is nearest to Oriental sapphire
or to green jasper at its bluest.</p>
<p>Rosalind had got used to continual wonderment as to when and where
Fenwick had come to know so well this thing and that thing he spoke
of so familiarly; so she passed by the strange positiveness of his
speech about the shades of jasper, the scarcity of really blue
examples, and his verdict that the bluest possible one would be just
the colour of that water below them. She was not going to ask him
how he came to be so mighty wise about chalcedony and chrysoprase
and sardonyx, about which she herself either never knew or had
forgotten. She took it all as a matter of course, and asked if the
Baron's cigar was a good one.</p>
<p>"Magnificent!" Fenwick replied, puffing at it. "How shall we return
his civility?"</p>
<p>"Give <i>him</i> a cigar next time you get a chance."</p>
<p>Fenwick laughs, in derision of his own cigars.</p>
<p>"God bless me, my dearest love! Why, one of the Baron's is worth my
whole box. We must discover something better than that." Both ponder
over possible reciprocities in silence, but discover nothing, and
seem to give up the quest by mutual consent. Then he says: "I wonder
why he cosseted up to us last night in the garden so!" And she
repeats: "I wonder why!"</p>
<p>"I don't believe he even knows our name," she continues; and then he
repeats: "<i>I</i> don't believe he knows our name. I'm sure he doesn't."</p>
<p>"And it was so dark, he couldn't have seen much of us. But his
cigar's quite beautiful. Blow the smoke in my face, Gerry!" She
shuts her eyes to receive it. How handsome Sally would think mamma
was looking if she could see her now in the light of the sunset! Her
husband thinks much to that effect, as he turns to blow the smoke on
order into the face that is so close to his, as they lean arm-in-arm
on the parapet the sun has left his warmth
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<span class="pagenum"><SPAN name="Page_195" id="Page_195">[Pg 195]</SPAN></span>
on, and means to take
his eyes off in half an hour. They really look quite a young couple,
and the frivolity of their conduct adds to the effect. Nobody would
believe in her grown-up daughter, to see that young Mrs. Algernon
Fenwick.</p>
<p>"I am ferry root, Mrs. Harrisson. If I introot, you shall say I
introot." It is the Baron, manifestly. His form—or rather his bulk,
for he cannot be said to have a form; he is amorphous—is baronial
in the highest degree. His stupendous chest seems to be a huge
cavern for the secretion of gutturals, which are discharged as heavy
artillery at a hint from some unseen percussion-cap within.</p>
<p>Mrs. Fenwick starts, a little taken aback at the Baron's
thunderclap; for he had approached unawares, and her closed eyes
helped on the effect. When they opened, they looked round, as for a
third person. But the Baron was alone.</p>
<p>"Where is Mrs. Harrisson?" She asks the question with the most
absolute unconsciousness that she was herself the person addressed.
The Baron, still believing, presumably, that Fenwick is <i>Mr.</i>
Harrisson, is not a person to be trusted with the position created.
He develops an offensive waggery, shakes the forefinger that has
detected an escapade, and makes of his lips the round <i>O</i> of shocked
propriety, at heart in sympathy with the transgressor. His little
grey eyes glare through his gold-rimmed spectacles, and his huge
chest shakes with a substratum of laughter, only just loud enough to
put in the text.</p>
<p>"O-ho-ho-ho-ho-ho-ho! No, do not be afraight. She is not here. We
unterzdant. It is all unterzdoot. We shall be ferry tizgreet...."
And then the Baron pats space with his fingers only, not moving his
hand, as a general indication of secrecy to the universe.</p>
<p>Probably the slight flush that mantles the face he speaks to is less
due to any offence at his fat, good-humoured German raillery than to
some vague apprehension of the real nature of the position about to
develop. But Fenwick imputes it to the former. If Rosey was inclined
to treat the thing as a harmless joke, he would follow suit; but she
looks hurt, and her husband, sensitive about every word that is said
to her, blazes out:</p>
<p>"What on earth do you mean? What the devil do you mean? How dare you
speak to my wife like that?" He makes a half-step
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towards the burly
mass of flesh, still shaking with laughter. But his wife stops him.</p>
<p>"Do be patient, Gerry darling! Don't flare up like that. I'll have a
divorce. I'll tell Sally...." a threat which seems to have a
softening effect. "Can't you see, dear, that there is some
misunderstanding?" Fenwick looks from her to the Baron, puzzled. The
latter drops his jocular rallying.</p>
<p>"I saw last night you did not know me, Mr. Harrisson. That is
straintch! Have you forgotten Diedrich Kreutzkammer?" He says his
name with a sort of quiet confidence of immediate recognition. But
Fenwick only looks blankly at him.</p>
<p>"He does not know me!" cries the German, with an astonished voice.
"'Frisco—the Klondyke—Chicago—the bridge at Brooklyn—why, it is
not two years ago...." He pauses between the names of the places,
enforcing each as a reminder with an active forefinger.</p>
<p>Fenwick seems suddenly to breathe the fresh air of a solution of the
problem. He breaks into a sunny smile, to his wife's great relief.</p>
<p>"Indeed, Baron Kreutzkammer, <i>my</i> name is not Harrisson. <i>My</i> name
is Fenwick, and this lady is my wife—Mrs. Fenwick. I have never
been in any of the places you mention." For the moment he forgot his
own state of oblivion: a thing he was getting more and more in the
habit of doing. The Baron looked intently at him, and looked again.
He slapped his forehead, not lightly at all, but as if good hard
slaps would really correct his misapprehensions and put him right
with the world.</p>
<p>"I am all <i>wronck</i>" he said, borrowing extra force from an indurated
<i>g</i>. "But it is ferry bustling—I am bustled!" By this he meant
puzzled. Fenwick felt apologetic.</p>
<p>"I don't know how to thank you for the cigar Mr. Harrisson ought to
have had," said he. He felt really ashamed of having smoked it under
false pretences.</p>
<p>"You shall throw it away, and I giff you one for yourself. That is
eacey! But I am bustled."</p>
<p>He continued puzzled. Mrs. Fenwick felt that he was only keeping
further comment and inquiry in check because it would have been a
doubt thrown on her husband's word to make any. Her uneasiness would
have been visible if her power of concealing
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it had not been
fortified by her belief that his happiness as well as hers depended
(for the present, at any rate) on his ignorance of his own past.
Perhaps she was wrong; with that we have nothing to do; we are
telling of things as they happened. Only we wish to record our
conviction that Rosalind Fenwick was acting for her husband's sake
as well as her own—not from a vulgar instinct of self-preservation.</p>
<p>The Baron made conversation, and polished his little powerful
spectacle-lenses. He blew his nose like a salute of one gun in the
course of his polishing. When <i>we</i> blow <i>our</i> nose, we hush our
pocket-handkerchief back into its home, and ignore it a little. The
Baron didn't. He continued polishing on an unalloyed corner through
the whole of a very perceptible amount of chat about the tricks
memory plays us, and the probable depth of the blue water below.
Rosalind's uneasiness continued. It grew worse, when the Baron,
suddenly replacing his spectacles and fixing his eyes firmly on her
husband, said sternly, "Yes, it is a bustle!" but was relieved when
equally suddenly, he shouted in a stentorian voice, "We shall meed
lader," and took his leave.</p>
<p>"He's a jolly fellow, the Baron, anyhow!" said Fenwick. "I wonder
whether they heard him at Altdorf?"</p>
<p>"Every word, I should think. But how I should like to see the Mr.
Harrisson he took you for!"</p>
<p>This was really part of a policy of nettle-grasping, which
continued. She always felt happier after defying a difficulty than
after flinching. After all, if Gerry's happiness and her own were
not motive enough, consider Sally's. If she should really come to
know her mother's story, Sally might die of it.</p>
<p>Fenwick went on to the ending of the cigar, dreamily wondering,
evidently "bustled" like the Baron. As he blew the last smoke away,
and threw the smoking end down the slope, he repeated her words
spoken a minute before, "<i>I</i> should like to see the Mr. Harrisson he
took me for."</p>
<p>"It would be funny to see oneself as ithers see one. Some power
might gie you the giftie, Gerry. If only we could meet that Mr.
Harrisson!"</p>
<p>"Do you remember how we saw our profiles in a glass, and you said,
'I'm sure those are somebody else'? Illogical female!"</p>
<p>"Why was I illogical? I knew they were going to turn out us in
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<span class="pagenum"><SPAN name="Page_198" id="Page_198">[Pg 198]</SPAN></span>
the
end. But I was sure I shouldn't be convinced at once." And the talk
wandered away into a sort of paradoxical metaphysics.</p>
<p>But when, later in the evening, this lady was described by
confidential chat at the far end of the salon as that handsome young
Mrs. Algernon Fenwick who was only just married, and whose husband
was playing chess in the smoking-room, and what a pity it was they
were not going to stop over Monday, she thus described, accurately
enough, was rather rejoicing that that handsome Mr. Fenwick, who
looked like a Holbein portrait, was being kept quiet for half an
hour, because she wanted to get a chance for a little chat with that
dreadful noisy Prussian Von, who made all the glasses ring at table
when he shouted so. Rosalind had her own share of feminine
curiosity, don't you see? and she was not by any means satisfied
about Mr. Harrisson. She did not acknowledge the nature of her
suspicions to herself, but she would very much like to know, for all
that! She got her opportunity.</p>
<p>"I shouldn't the least mind myself if smoking <i>were</i> allowed in the
salon, Baron. You saw to-day that I really liked the smoke?"</p>
<p>"Ja! when I make that chogue. It was a root chogue. But I am
forgiffen?"</p>
<p>"It was Gerry who had to be forgiven, breaking out like that. I hope
he has promised not to do so any more?"</p>
<p>"He has bromiss to be goot. I have bromiss to be goot. We shall be
<i>sages enfants</i>, as the French say. But I will tell you, Madame
Fenwick, about my vrent Harrisson your Cherry is so ligue...."</p>
<p>"Let's go out on the terrace, then you can light a cigar and be
comfortable.... Yes, I'll have my wrap ... no, that's wrong-side-out
... that's right now.... Well, perhaps it will be a little cool for
sitting down. We can walk about."</p>
<p>"Now I can tell you about my vrent in America that your hussband is
so ligue. He could speague French—ferry well indeed." Rosalind
looked up. "It was when I heard your hussband speaguing French to
that grosse Grafin Pobzodonoff that I think to myself that was
Alchernon Harrisson that I knew in California."</p>
<div>
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<span class="pagenum"><SPAN name="Page_199" id="Page_199">[Pg 199]</SPAN></span></div>
<p>"Suppose we sit down. I don't think it's too cold.... Yes, this
place will do nicely. It's sheltered from the wind." If she does
look a little pale—and she feels she does—it will be quite
invisible in this dark corner, for the night is dark under a canopy
of blazing stars. "What were you saying about French?"</p>
<p>"Alchernon Harrisson—that was his name—he could speague it well.
He spogue id ligue a nadiff. Better than I speague English. I
speague English so well because I have a knees at Ganderbury." This
meant a niece at Canterbury. Baron Kreutzkammer speaks English so
well that it is almost a shame to lay stress on his pronunciation of
consonants. The spelling is difficult too, so we will give the
substance of what he told Rosalind without his articulation. By this
time she, for her part, was feeling thoroughly uneasy. It seemed to
her—but it may be she exaggerated—that nothing stood between her
husband and the establishment of his identity with this Harrisson
except the difference of name. And how could she know that he had
not changed his name? Had she not changed hers?</p>
<p>The Baron's account of Harrisson was that he made his acquaintance
about three years since at San Francisco, where he had come to
choose gold-mining plant to work a property he had purchased at
Klondyke. Rosalind found it a little difficult to understand the
account of how the acquaintance began, from want of knowledge of
mining machinery. But the gist of it was that the Baron, at that
time a partner in a firm that constructed stamping-mills, was
explaining the mechanism of one to Harrisson, who was standing close
to a small vertical pugmill, or mixer of some sort, just at the
moment the driving-engine had stopped and the fly-wheel had nearly
slowed down. He went carelessly too near the still revolving
machinery, and his coat-flap was caught and wound into the helix of
the pugmill. "It would have crowned me badly," said the Baron. But
he remained unground, for Harrisson, who was standing close to the
moribund fly-wheel, suddenly flung himself on it, and with
incredible strength actually cut short the rotation before the Baron
could be entangled in a remorseless residuum of crushing power,
which, for all it looked so gentle, would have made short work of a
horse's thigh-bone. The Baron's coat was spoiled, though
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<span class="pagenum"><SPAN name="Page_200" id="Page_200">[Pg 200]</SPAN></span>
he was
intact. But Harrisson's right arm had done more than a human arm's
fair share of work, and had to rest and be nursed. They had become
intimate friends, and the Baron had gone constantly to inquire after
the swelled arm. It took time to become quite strong again, he said.
It was a fine strong arm, and burned all over with gunpowder, "what
you call daddooed in English."</p>
<p>"Did it get quite well?"</p>
<p>"Ferry nearly. There was a little blaze in the choint here"—the
Baron touched his thumb—"where the bane remained—a roomadic bane.
He burgessed a gopper ring for it. It did him no goot." Luckily
Rosalind had discarded the magic ring long since, or it might have
come into court awkwardly.</p>
<p>If she still entertained any doubts about the identity of her
husband and Harrisson, the Baron's next words removed them. They
came in answer to an expression of wonder of hers that he should so
readily accept her husband's word for his identity in the face of
the evidence of his own senses. "I really think," she had said,
"that if I were in your place I should think he was telling fibs."
This was nettle-grasping.</p>
<p>"Ach, ach! No—no—no!" shouted the Baron, so loud that she was
afraid it would reach the chess-players in the smoking-room, "I
arrife at it by logic, by reasson. Giff me your attention." He held
up one finger firmly, as an act of hypnotism, to procure it. "Either
I am ride or I am wronck. I cannot be neither."</p>
<p>"You might be mistaken."</p>
<p>The Baron's finger waved this remark aside impatiently. "I will
fairy the syllogism," he shouted. "Either your husband <i>is</i> Mr.
Harrisson, or he is <i>not</i>. He cannot be neither." This was granted.
"Ferry well, then. If he is Mr. Harrisson, Mr. Harrisson has doled
fips. But I know Mr. Harrisson would not dell fips. Imbossible!"</p>
<p>"And if he is not?" The Baron points out that in this case his
statement is true by hypothesis, to say nothing of the intrinsic
probability of truthfulness on the part of any one so like Mr.
Harrisson. He is careful to dwell on the fact that this
consideration of the matter is purely analysis of a metaphysical
crux, indulged in for scientific illumination. He then goes on to
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<span class="pagenum"><SPAN name="Page_201" id="Page_201">[Pg 201]</SPAN></span>
apologize for having been so very positive. But no doubt one or two
minor circumstances had so affected his imagination that he saw a
very strong likeness where only a very slight one existed. "I shall
look again. I shall be wicer next time." But what were the minor
circumstances, Rosalind asked.</p>
<p>"There was the French—the lankwitch—that was one. But there was
another—his <i>noce</i>! I will tell you. When my frent Harrisson gribe
holt of that wheel, his head go down etchwice." The Baron tried to
hint at this with his own head, but his neck, which was like a
prize-bull's, would not lend itself to the illustration. "That wheel
was ferry smooth—with a sharp gorner. <i>His noce touch that
corner.</i>" The Baron said no more in words, but pantomimic action and
a whistle showed plainly how the wheel-rim had glided on the bridge
of Mr. Harrisson's nose. "It took off the gewdiggle, and made a
sgar. Your hussband's noce has that ferry sgar. That affected my
imatchination. It is easy to unterzdant."</p>
<p>But the subject was frightening Rosalind. She would have liked to
hear much more about Mr. Harrisson; might ever have ended by taking
the fat Baron, whom she thoroughly liked, into her confidence. The
difficulty, however, was about decision in immediate action, which
would be irrevocable. Silence was safer—or, sleep on it at least.
For now, she must change the conversation.</p>
<p>"How sweet the singing sounds under the starlight!" But the Baron
will not tolerate any such loose inaccuracy.</p>
<p>"It would sount the same in the taydime. The fibrations are the
same." But he more than makes up for his harsh prosaism by singing,
in unison with the singers unseen:</p>
<p class="song">
"Ich weiss nicht was soll es bedeuten<br/>
Dass ich so traurig bin...."</p>
<p>No one could ever have imagined that such heavenly sounds could come
from anything so fat and noisy. Mrs. Fenwick shuts her eyes to
listen.</p>
<p>When she opens them again, jerked back from a temporary
dream-paradise by the Baron remarking with the voice of Stentor or
Boanerges that it is a "ferry broody lied," her husband is standing
there. He has been listening to the music. The Baron adds
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<span class="pagenum"><SPAN name="Page_202" id="Page_202">[Pg 202]</SPAN></span>
that his
friend Mr. Harrisson was "ferry vond of that lied."</p>
<p>But when the two of them have said a cordial good-night to the
unwieldy nightingale, who goes away to bed, as he has to leave early
in the morning, Fenwick is very silent, and once and again brushes
his hair about, and shakes his head in his old way. His wife sees
what it is. The music has gone as near touching the torpid memory as
the wild autumn night and the cloud-race round the moon had done in
the little front garden at home a year ago.</p>
<p>"A recurrence, Gerry?" she asks.</p>
<p>"Something of the sort, Rosey love," he says. "Something quite mad
this time. There was a steam-engine in it, of all things in the
world!" But it has been painful, evidently—a discomfort at
least—as these things always are.</p>
<p>Rosalind's apprehension of untimely revelations dictated a feeling
of satisfaction that the Baron was going away next day; her regret
at losing the choice of further investigation admitted one of
dissatisfaction that he had gone. The net result was unsettlement
and discomfort, which lasted through the remainder of Sonnenberg,
and did not lift altogether until the normallest of normal life came
back in a typical London four-wheeler, which dutifully obeyed the
injunction to "go slowly," not only through the arch that injunction
brooded over, but even to the end of the furlong outside the radius
which commanded an extra sixpence and got more. But what did that
matter when Sally was found watching at the gate for its advent, and
received her stepfather with an undisguised hug as soon as she found
it in her heart to relinquish her mother?</p>
<hr class="major" />
<div>
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