<h2><SPAN name="CHAPTER_XL" id="CHAPTER_XL"></SPAN>CHAPTER XL</h2>
<p class="subhead">BATHING WEATHER AGAIN, AND A LETTER FROM TISHY BRADSHAW. THE TRIUMPH
OF ORPHEUS. BUT WAS IT EURYDICE OR THE LITTLE BATTERY? THE
REV. MR. HERRICK. OF A REVERIE UNDER A BATHING-MACHINE, AND OF GWENDOLEN'S
MAMMA'S CONNECTING-LINK. OF DR. CONRAD'S MAMMA'S DONKEY-CHAIR, AND
HIS GREAT-AUNT ELIZA. HOW SALLY AND HE STARTED FOR THEIR LAST WALK
AT ST. SENNANS</p>
<p>The next day the morning was bright and the sea was clear of
Poseidon's ponies. They had gone somewhere else. Therefore, it
behooved Mrs. Lobjoit to get breakfast quick, because it was absurd
to expect anybody to go in directly after, and the water wouldn't be
good later than half-past ten. Which Sally, coming downstairs at
eight, impressed on Mrs. Lobjoit, who entered her own recognisances
that it should appear as by magic the very minute your mamma came
down. For it is one of the pleasures of
anticipation-of-a-joy-to-come to bring about its antecedents too
soon, and so procure a blank period of unqualified existence to
indulge Hope in without alloy. Even so, when true prudence wishes to
catch a train, she orders her cab an hour before, and takes tickets
twenty minutes before, and arrives on the platform eighteen minutes
before there is the slightest necessity to do so; and then she
stands on the said platform and lives for the train that is to be,
and inquires of every guard, ticket-taker, and pointsman with
respect to every linear yard of the platform edge, whether her train
is going to come up there; and they ask each other questions, and
give prismatic information; and then the train for Paradise (let us
say) comes reluctantly backwards into the station with friends
standing on its margin, and prudence seizes her valise and goes at a
hand-gallop to the other end, where the <i>n</i>th class is, and is only
just in time to get a corner seat.</p>
<p>So, though there was no fear of the tide going out as fast as the
train for Paradise, Sally, relying on Mrs. Lobjoit, who had become a
very old friend in eight weeks, felt she had done well to
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be beforehand, and, as breakfast would be twenty minutes, sat down to
write a letter to Tishy. She wrote epistle-wise, heedless of style
and stops, and as her mother was also twenty minutes—we are not
responsible for these expressions—she wrote a heap of it. Then
events thickened, as Fenwick, returning from an early dip, met the
postman outside, and came in bearing an expected letter which Sally
pounced upon.</p>
<p>"All about the row!" said she, attacking an impregnable corner of
the envelope with a fork-point, in a fever of impatience to get at
the contents. "Hang these envelopes! There, that's done it! Whatever
they want to sticky them up so for I can't imagine...."</p>
<p>"Get your breakfast, kitten, and read it after."</p>
<p>"I dare say. Catch me! No, I'm the sort that never waits for
anything.... No, mummy darling; it shan't get cold. I can gormandize
and read aloud both at once."</p>
<p>But she doesn't keep her promise, for she dives straight into an
exploration ahead, and meanly says, "Just half a minute till I see
what's coming," or, "Only to the end of this sentence," and also
looks very keen and animated, and throws in short notes of
exclamation and <i>well</i>'s and <i>there</i>'s and <i>think of that</i>'s till
Fenwick enters a protest.</p>
<p>"Don't cheat, Sarah!" he says. "Play fair! If you won't read it
aloud yourself, let somebody else."</p>
<p>"There's the first sheet to keep you quiet, Jeremiah!" Who, however,
throws it over to Rosalind, who throws it back with a laugh.</p>
<p>"What a couple of big babies you two are!" she exclaims. "As if I
couldn't possess my soul in peace for five minutes! Do put the
letter by till you've had your breakfasts."</p>
<p>But this course was not approved, and the contents of Lætitia's
epistle came out by fits and jerks and starts, and may be said to
have been mixed with tea and coffee and eggs and bacon and toast.
Perhaps we had better leave these out, and give the letter intact.
Here it is:</p>
<div class="corresp">
<p>"<span class="smcap">Dearest Sally</span>,</p>
<p>"I am going to keep my promise, and write you a long letter at once,
and tell you all about our reception at home. You will say
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it wasn't worth writing, especially as you will be back on Monday.
However, a promise is a promise!</p>
<p>"We got to Victoria at seven, and were not so very late considering
at G. Terrace; but when we had had something to eat I propounded my
idea I told you of, that we should just go straight on, and beard
mamma in her own den, and have it out. I knew I shouldn't sleep
unless we did. Paggy said, 'Wouldn't it do as well if he called
there to-morrow for the Strad—which we had left behind last time as
a connecting-link to go and fetch away—and me to meet him as he
came from the shop?' But surprise-tactics were better—I knew they
would be—and now Paggy admits I was right.</p>
<p>"Of course, Thomas stared when he saw who it was, and was going to
sneak off without announcing us, and Fossett, who just crossed us in
the passage, was perfectly comic. Pag said afterwards she was
bubbling over with undemonstrativeness, which was clever for him. I
simply said to Thomas that I thought he had better announce us, as
we weren't expected, and he asked who he was to announce, miss!
Actually, I was rather relieved when Pag said, 'Say Mr. and Mrs.
Julius Bradshaw.' I should have laughed, I know. Thomas looked a
model of discretion that wouldn't commit itself either way, and did
as he was bid in an apologetic voice; but he turned round on the
stairs to say to me, 'I suppose you know, msam, there's two ladies
and a gentleman been dining here?' Because he began miss and ended
ma'am, and then turned scarlet. Pag said after he thought Thomas
wanted to caution us against a bigamist mamma was harbouring.</p>
<p>"Papa was very nice, really. His allusion to our little escapade was
the only one made, and might have meant nothing at all. 'Well,
you're a nice couple of people, upon my word!' and then, seeing that
mamma remained a block (which she can), he introduced Paggy to one
of the two ladies as 'My son-in-law, Mr. Julius Bradshaw.' I'm sure
mamma gave a wooden snort and was ashamed of it before visitors,
because she did another rather more probable one directly after, and
pretended it was only that sort. Really, except a peck for me and
saying <i>howd</i> and nothing more to Paggy, she kept herself to
herself. But it didn't matter, because of what happened. Really, it
quite made me jump—I
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mean the way the lady Pag was introduced to
rushed into his arms. I wasn't sure I hadn't better take him away at
once. She was a celebrated German pianiste that had accompanied him
in Paris. Mamma was at school with her at Frankfort. She had been
inconsolable at the disappearance of the great Carissimi, whose
playing of the Kreutzer was the only perfectly sympathetic one she
had ever met. Was she never to play it with him again? Alas, no! for
she was off to Vienna to-morrow, and then to New York, and if the
ship went down she would never play the Kreutzer with Signore
Carissimi again!</p>
<p>"I saw papa's eye looking mischievous, and then he pointed to the
Strad, where it was lying on the piano—locked up safe; we saw to
that—and said there was Paganini's fiddle, why not play the
<i>Cruet-stand</i>, or whatever you called it, <i>now</i>? Mamma found her
voice, but lost her judgment, for she tried to block the performance
on a fibby ground. Think how late it was, and how it would be
keeping Madame von Höfenhoffer! She put her head in the lion's mouth
there, for the Frau immediately said she would play all night rather
than lose a note of Signore Carissimi. The other two went, and
nobody wanted them. I've forgotten the woman's second husband's
name—he's dead—but her son's the man I told you about. Of course,
he hadn't expected to meet me, and I hope he felt like a fool. I was
so glad it wasn't him, but Paggy. They played right through the
Kreutzer, and didn't want the music, which couldn't be found, and
then did bits again, and it was absolutely glorious. Even mamma
(she's fond of music—it's her only good quality—and where should I
get mine from if she wasn't?) couldn't stop quite stony, though she
did her best, I promise you. As for papa, he was chuckling so over
mamma's dilemma—because she wanted to trample on Paggy, and it
<i>was</i> a dilemma—that he didn't care how long it went on. And do you
know, dear, it <i>did</i> go on—one thing after another, that Frau glued
to the clavier like a limpet not detachable without violence—till
nearly one in the morning, having begun at ten about! And there was
papa and Egerton and Theeny all sniggering at mamma, I know, in
secret, and really proud of the connexion, if the truth were known.
Mamma tried to get a little revenge by saying to me freezingly when
the Höfenhoffer had gone: 'I suppose you are going home with
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Mr. Bradshaw, Lætitia? Good-night.' And then she said <i>goodn</i> to Paggy
just as she had said <i>howd</i>. I thought Paggy behaved so nicely.
However, I'll tell you all about that on Monday.</p>
<p>"Papa was <i>very</i> nice—came out on the doorstep to say good-night,
and, do you know—it really <i>is</i> very odd; it must be the sea
air—papa said to Paggy as we were starting: 'How's the head—the
nerves, you know—eh, Master Julius?' And actually Paggy said: 'Why,
God bless my soul, I had forgotten all about them!' Oh, Sally
darling, just think! Suppose they got well, and all because I
treated him to a honeymoon! Oh, my gracious, what a long letter!"</p>
</div>
<p>"There now! that <i>is</i> a letter and a half. 'With love from us both,'
mine affectionately. And twelve pages! And Tishy's hand's not so
large, neither, as all that." This is Sally, as epilogue; but her
mother puts in a correction:</p>
<p>"It's thirteen pages. There's a bit on a loose page you haven't
read." Sally has seen that, and it was nothing—so she says; but
Fenwick picks it up and reads it aloud:</p>
<p>"P.S.—Just a line to say I've remembered that name. She's
Herrick—married a parson in India soon after her Penderfield
husband died. She's great on reformatories."</p>
<p>Sally reread her letter with a glow of interest on her face and a
passing approval or echo now and then. She noticed nothing unusual
in either her mother or her stepfather; but she did not look up, so
absorbed was she.</p>
<p>Had she done so she might have wondered why her mother had gone so
pale suddenly, and why there should be that puzzled absent look on
the handsome face her eyes remained fixed on across the table; but
her own mind was far away, deep in her amusement at her friend's
letter, full of her image of the disconcerted Dragon and the way
Paganini and Beethoven in alliance had ridden rough-shod over Mrs.
Grundy and social distinctions. She saw nothing, and finished a cup
of coffee undisturbed, and asked for more.</p>
<p>Fenwick, caught by some memory or association he could not define or
give its place to, for the moment looked at neither of his
companions. Rosalind, only too clear about all the postscript of the
letter had brought before her own mind, saw reason to
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dread its
effect on his. The linking of the name of Penderfield and that of
the clergyman who had married them at Umballa—a name that, two days
since, had had a familiar sound to him when she incautiously uttered
it—was using Suggestion to bait a trap for Memory. She felt she was
steering through shoal-waters perilously near the wind; but she made
no attempt to break his reverie. She might do as much harm as good.
She only watched his face, feeling its contrast to that of the
absorbed and happy merpussy, rejoicing in the fortunate outcome of
her friend's anxieties.</p>
<p>It was a great relief when, with a deep breath and a shake, akin to
a horse's when the flies won't take a hint, Fenwick flung off the
oppression, whatever it was, and came back into the living world on
a stepping-stone of the back-talk.</p>
<p>"Well done, Paganini! Nothing like it since Orpheus and
Eurydice—only this time it was Proserpine, not Pluto, that had to
be put to sleep.... What's the matter, darling? Anything wrong?"</p>
<p>"Nothing at all. I was looking at you."</p>
<p>"Well, <i>I'm</i> all right!" And Sally looked up from her letter for a
moment to say, "There's nothing the matter with Jeremiah," and went
on reading as before. Sally's attitude about him always implied a
kind of proprietorship, as in a large, fairly well-behaved dog.
Rosalind felt glad she had not looked at <i>her</i>.</p>
<p>Presently Fenwick said: "Now, who's coming for a walk with me?" But
Sally was off directly to find the Swiss girl she sometimes bathed
with, and Rosalind thought it would be nice in a sheltered place on
the beach. She really wanted to be alone, and knew the shortest way
to this was to sit still, especially in the morning; but Gerry had
better get Vereker to go for a walk. Perhaps she would look in at
his mother's later. So Fenwick, after a customary caution to Sally
not to drown herself, went away to find Conrad, as he generally
called him now.</p>
<p>Rosalind was shirking a problem she dared not face from a cowardly
conviction of its insolubility. What would she do if Gerry should,
without some warning, identify her? She had to confess to herself
that she had no clue at all to the effect it would have, coming
suddenly, on him. She could at least imagine aspects, attitudes,
tones of voice for him if it came slowly; but she
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could not supply
any image of him, under other circumstances, not more or less
founded on her recollections of twenty years ago. Might she not lose
him again, as she lost him then? She <i>must</i> get nearer to safety
than she was now. Was she not relying on the house not catching fire
instead of negotiating insurance policies or providing fire
extinguishers?</p>
<p>She would go and sit under the shelter of one of the many unemployed
machines—for only a few daring spirits would follow Sally's example
to-day—and try to think it out. Just a few instructions to Mrs.
Lobjoit, and a word or two of caution to Gerry not to fall over
cliffs, or to get run over at level-crossings or get sunstrokes, or
get cold, etc., and she would fall back on her own society and
think....</p>
<p>Yes, that was the question! Might she not lose him again? And if she
did, how live without him?... Oh yes, she would be no worse off than
before, in a certain sense. She would have Sally still ... but....</p>
<p>Which would be the worse? The loss of the husband whom every day
taught her to love more dearly, or the task of explaining the cause
of her loss to Sally? The one she fixed her mind on always seemed
intolerable. As for the other contingencies—difficulties of making
all clear to friends, and so forth—let them go; they were not worth
a thought. But she <i>must</i> be beforehand, and know how to act, how to
do her best to avert both, if the thing she dreaded came to pass....</p>
<p>There now! Here she was settled under the lee of a machine—happily
the shadow-side, for the sun was warm—and the white foam of the
undertow was guilty of a tremendous glare—the one the people who
can't endure the seaside get neuralgia from—and Sally was going to
come out of the second machine directly in the Turkey-twill
knickers, and find her way through the selvage-wave and the dazzle,
or get knocked down and have to try back. Surely Rosalind, instead
of saying over and over again that she <i>must</i> be ready to meet the
coming evil, possibly close at hand, ought to make a serious effort
to become so. She found herself, even at this early hour of the day,
tired with the strain of a misgiving that an earthquake was
approaching; and as those who have lived through earthquakes become
unstrung at every slightest tremor of the earth's crust beneath
them, so she felt that
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the tension begun with that recurrence of
two days ago had grown and grown, and threatened to dominate her
mind, to the exclusion of all else. Every little thing, such as the
look on her husband's face half an hour ago, made her say to
herself, as the earthquake-haunted man says at odd times all through
the day and night, "Is this <i>it</i>? Has it come?" and she saw before
her no haven of peace.</p>
<p>What was it now she really most feared? Simply the effect of the
revelation on her husband's mind—an effect no human creature could
make terms with. She was not the least afraid of anything he could
say or do, delirium apart; but see what delirium had made of
him—she was sure it was so—in that old evil hour when he had flung
her from him and gone away in anger to try to get her sentence of
banishment ratified. How could she guard against a repetition, in
some form or other, of the disastrous errors of that unhappy time?</p>
<p>As we know, she was still in ignorance of all the revived memories
he had told to Vereker; but she knew there had been
something—disjointed, perhaps, and not to be relied on, as the
doctor had said, but none the less to be feared on that account. She
had seen the effect of his sleepless night before he went away with
Vereker, and knew it to be connected with mental disturbance outside
and beyond mere loss of rest; and she had an uneasy sense that
something was being kept from her. She could not but believe Gerry's
cheerfulness was partly assumed. Had he been quite at ease about his
recollections, surely he would have told them to <i>her</i>. Then this
had all come on the top of that Kreutzkammer one. The most upsetting
thing of all, though, was the change that had come over him suddenly
at breakfast, just after he had read aloud the name Herrick—a name
he had seemed not free from memory of when her tongue was betrayed
into speaking it—and the name Penderfield. If it was due to this
last, so much the worse! It was the name of all others that was best
for oblivion.</p>
<p>How hard it seemed that it must needs force itself to the fore in
this way! Its present intrusion into her life and surroundings was
utterly unconnected with anything in the past. Sally's friendship
with Lætitia began in a music-class six years ago. The Sales Wilsons
were people to all appearance as un-Indian as
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any folk need be. Why
must Sally's friend, of all others, be the object of its owner's
unwelcome admiration? To think, too, how near she had been to a
precipice without knowing it! Suppose she had come face to face with
that woman again! To be sure, her intercourse with Ladbroke Grove
Road was limited to one stiff exchange of calls in "the season."
Still, it might have happened ... but where was the use of begging
and borrowing troubles?</p>
<p>Was it, or was it not, the fact, she asked herself, that now, after
all these years, she thought of this woman as worse than her
husband, the iniquity of the accomplice as more diabolical than that
of the principal? She found she could not answer this in the
negative off-hand. The paradox was also before her that that
incorrigible amphibious treasure of hers, whose voice was even now
shouting to her more timorous friend from beyond the selvage-wave
she had just contemptuously dived through—that that Sally,
inexchangeable for anything she could conceive or imagine, must
needs have been something quite other than she was, had she come of
any other technical paternity than the accursed one she had to own
to. Was there some terrible law in Nature that slow forgiveness of
the greatest wrong that can be wrought must perforce be granted to
its inflictor, through the gracious survivor of a brutal
indifference that would almost add to his crime, if that were
possible? If, so, surely the Universe must be the work of an
Almighty Fiend, a Demiurgus with a cruel heart, and this the
masterstroke of all his cunning. But what, in Heaven's name, was the
use of bruising her brains against the conundrums of the great
unanswered metaphysical sphinx? Better be contented with the easy
vernacular solution of the rhymester:</p>
<p class="verse">
"Praise God from whom all blessings flow,<br/>
Evils from circumstances grow."</p>
<p>Because she felt she was getting no nearer the solution of her own
problem, and was, if anything, wandering from the point.</p>
<p>Another way of looking at the matter was beginning to take form: had
hung about her mind and forsaken it more than once. Might it not be
better, after all, to dash at the position and capture it while her
forces were well under control? To pursue the
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metaphor, the
commissariat might not hold out. Better endure the ills we have—of
course, Rosalind knew all that—than fly to others that we know not
of. But suppose we have a chance of flying to others we can measure
the length and breadth of, and staving off thereby an uncalculable
unknown? She felt she almost knew the worst that could come of
taking Gerry into her confidence, telling him boldly all about
himself, provided she could choose her opportunity and make sure
Sally was well out of the way. The concealment from Sally was the
achievement whose failure involved the greatest risk. Her husband's
mind would bear the knowledge of his story well or ill according to
the way in which it reached him; but the necessity of keeping her
girl in ignorance of it was a thing absolute. Any idea that Sally's
origin could be concealed from her, and her stepfather's identity
made known, Rosalind dismissed as simply fantastic.</p>
<p>A lady who had established herself below high-water mark with many
more books than she could read, and plant capable of turning out
much more work than she could do, at this point fled for safety from
a rush of white foam. It went back for more, meaning to wet her
through next time; but had to bear its disappointment. Mrs.
Arkwright—for it was Gwendolen's mamma—being driven from the
shadow of the breakwater, cast about her for a new lodgment, and
perceived one beside Mrs. Fenwick, whom she thought very well for
the seaside, but not to leave cards on. <i>Might</i> she come up there,
beside you? Rosalind didn't want her, but had to pretend she did, to
encourage her advent. It left behind it a track of skeins and
volumes, which had trickled from the fugitive, but were recovered by
a domestic, and pronounced dry. Besides, they were only library
books, and didn't matter.</p>
<p>"I haven't seen you since the other day on the pier, Mrs. Fenwick,
or I wanted to have asked you more about that charming young couple,
the Julian Attwoods. Oh dear! I knew I should get the name wrong....
<i>Bradshaw!</i> Yes, of course." Her vivid perception of what the name
really is, when apprised of it, almost amounts to a paroxysm. You
see, on the pier that day, she made a bad blunder over those
Bradshaw people, and though she had consoled her conscience by
admitting to her husband
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that she had "<i>mis le pied dans le plat</i>,"
still, she thought, if she was actually going to plump down on Mrs.
Fenwick's piece of beach, she ought to do a little more apology.
By-the-bye, why is it that ladies of her sort always resort to
snippets of French idiom, whenever they get involved in a quagmire
of delicacy—or indelicacy, as may be? Will Gwendolen grow like her
mother? However, that doesn't concern us now.</p>
<p>A little stiffness on Rosalind's part was really due to her wish to
be by herself, but Mrs. Arkwright ascribed it to treasured
resentment against her blunders of two days since. Now, she was a
person who could never let anything drop—a tugging person. She
proceeded to develop the subject.</p>
<p>"Really a most interesting story! I need hardly say that my
informants had given me no particulars. Very old friends of my
husband's. Quite possible they really knew nothing of this young
gentleman's musical gifts. Simply told my husband the tale as I told
it to you. Just that the daughter of an old friend of theirs,
Professor Sales Wilson—<i>the</i> Professor Sales Wilson—of course,
quite a famous name in literature—scholarship—that sort of
thing—had run away with a shopman! That was what my husband heard,
you know. <i>I</i> merely repeated it."</p>
<p>"Wasn't it, as things go, rather a malicious way of putting it—on
their part?"</p>
<p>Mrs. Arkwright gave sagacious nods, indicative of comfortable
"<i>we</i>-know-the-world-we-live-in-and-won't-pretend" relationships
between herself and the speaker. They advertised perfect mutual
understanding on a pinnacle of married experience. Fancy there being
any need for anything else between <i>us</i>! they said. Their editor
then supplied explanatory text: "Of course there may have been a
<i>soupçon</i> of personal feeling in the case—bias, pique, whatever one
likes to call it. <i>You</i> know, dear Mrs. Fenwick?" But Mrs. Fenwick
waited for further illumination. "Well, you know ... I suppose it's
rather a breach of confidence, only I know I shall be safe with
<i>you</i>...."</p>
<p>"Don't tell me any secrets, Mrs. Arkwright. I'm not safe." But Mrs.
Arkwright was not a person to be put off in this way. Not she! She
meant elucidation, and nothing short of bayonets would stop her.</p>
<p>"Well, really, perhaps I'm making it of too much importance to
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talk
of breaches of confidence. After all, it only amounts to a gentleman
having been disappointed. Of course, his relations would ... don't
you see?..."</p>
<p>"Was it some man that was after Tishy?" asked Rosalind, wondering
how many more rejected suitors were wearing the willow about the
haberdasher's bride. She had heard of one, only last night. She was
not putting two and two together.</p>
<p>"I dare say everybody knows it, and it's only my nonsensical
caution. But one does get <i>so</i> timorous of saying anything. <i>You</i>
know, dear Mrs. Fenwick! However, it's better to say it out now—of
course, quite between ourselves, you know. It was Mrs. Samuel
Herrick's son, Sir Charles Penderfield. He's the present baronet,
you know. Father was in the army—rather distinguished man, I fancy.
Her second husband was a clergyman...." Here followed social
analysis, some of which Rosalind could have corrected. The speaker
floundered a little among county families, and then resumed the main
theme. "Mrs. Herrick is a sort of connexion of my husband's (I don't
exactly know what; but then, I never <i>do</i> know—family is such a
bore), and it was <i>she</i> told <i>him</i> all about this. I always forget
these things when they're told <i>me</i>. But I can quite understand that
the young man's mother, in speaking of it ... <i>you</i> understand?..."</p>
<p>"Oh, of course, naturally. I think my daughter's coming out. I saw
her machine-door move." Rosalind began collecting herself for
departure.</p>
<p>"But, of course, you won't repeat any of this—but, of course, I
know I can rely upon you—but, of course, it doesn't really
matter...." A genial superior tone of toleration for mankind's
foibles as seen by the two speakers from an elevation comes in at
this point juicily. It meets an appreciative response in the
prolonged first syllable of Rosalind's "<i>Cer</i>tainly. I never should
dream," etc., whose length makes up for an imperfect finish—a
dispersal of context from which a farewell good-morning emerges
clear, hand-in-hand with a false statement that the speaker has
enjoyed sitting there talking.</p>
<p>Rosalind had not enjoyed it at all. She was utilising the merpussy's
return to land as a means of escape, because, had there been no Mrs.
Arkwright, and no folk-chatter, Sally would have come
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scranching up
the shingle, and flung herself down beside her mother. As it was,
Rosalind's "Oh, <i>I am</i> so glad to get away from that woman!" told a
tale. And Sally's truthful soul interpreted the upshot of that tale
as prohibitive of merely going away and sitting down elsewhere. She
and her mother were in honour bound to have promised to meet
somebody somewhere—say, for instance, Mrs. Vereker and her son and
donkey-chair. Sally said it, for instance, seeing something of the
sort would soothe the position; and the two of them met the three,
or rather the three and a half, for we had forgotten the boy to whom
the control of the donkey was entrusted, and whose interpretation of
his mission was to beat the donkey incessantly like a carpet, and to
drag it the other way. The last held good of all directions soever.
Which the donkey, who was small, but by nature immovable, requited
by taking absolutely no notice whatever of his exertions.</p>
<p>"What's become of my step-parent? I thought he was going to take you
for a walk." So spoke Sally to Dr. Conrad as she and her mother met
the three others, and the half. The doctor replied:</p>
<p>"He's gone for a walk along the cliff by himself. I would have
gone...." The doctor pauses a moment till the donkey-chair is a few
paces ahead, accompanied by Mrs. Fenwick. "I would have gone, only,
you see, it's just mother's last day or two...." Sally apprehends
perfectly. But he shouldn't have dropped his voice. He was quite
distant enough to be inaudible by the Octopus as far as overhearing
words went. But any one can hear when a voice is dropped suddenly,
and words are no longer audible. Dr. Conrad is a very poor
Machiavelli, when all is said and done.</p>
<p>"I can hear <i>every word</i> my boy is saying to your girl, Mrs.
Fenwick." This is delivered with exemplary sweetness by the Octopus,
who then guesses with diabolical acumen at almost the exact wording
of her son's speech. Apparently, no amount of woollen wraps, no
double thickness of green veil to keep the glare out, no smoked
glasses with flanges to make it harmless if it gets in, can obscure
the Goody's penetrative powers when invoked for the discomfiture of
her kind. "But does not my dear boy know," she continues gushily,
"that I am <i>al</i>ways content to be <i>alone</i> as long
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<span class="pagenum"><SPAN name="Page_470" id="Page_470">[Pg 470]</SPAN></span>
as I can be
<i>sure</i> that he is happily employed <i>elsewhere</i>. I am a <i>dull old
woman</i>, I know; but, at least, my wish is not to be a burden. That
was the wish of my great-aunt Eliza—your great-great-aunt, Conrad;
you never saw her—in her last illness. I borrow her
expression—'not to be a burden.'" The Octopus, having seized her
prey in this tentacle, was then at liberty to enlarge upon the
unselfish character of her great-aunt, reaping the advantages of a
vicarious egoism from an hypnotic suggestion that that character was
also her own. The great-aunt had, it appeared, lost the use, broadly
speaking, of her anatomy, and could only communicate by signs; but
when she died she was none the less missed by her own circle, whose
grief for her loss took the form of a tablet. The speaker paused a
moment for her hearers to contemplate the tablet, and perhaps ask
for the inscription, when Sally saw an opening, and took advantage
of it.</p>
<p>"Dr. Conrad's going to be very selfish this afternoon, Mrs. Vereker,
and come with us to Chalke, where that dear little church is that
looks like a barn. I mean to find the sexton and get the key this
time."</p>
<p>"My dear, I shall be <i>per</i>fectly happy knitting. Do not trouble
about me for one moment. I shall think how you are enjoying
yourselves. When I was a girl there was nothing I enjoyed more than
ransacking old churches...."</p>
<p>And so forth. Rosalind felt almost certain that Sally either said or
telegraphed to the doctor, who was wavering, "You'll come, you know.
Now, mind; two-thirty punc.," and resolved, if he did <i>not</i> come, to
go to Iggulden's and extract him from the tentacles of his mamma,
and remain entangled herself, if necessary.</p>
<p>In fact, this was how the arrangement for the afternoon worked out.
Dr. Conrad did <i>not</i> turn up, as expected, and Rosalind carried out
her intention. She rescued the doctor, and sent him round to join
her husband and Sally, promising to follow shortly and catch them
up. The three started to walk, but Fenwick, after a little slow
walking to allow Rosalind to overtake them, had misgivings that she
had got caught, and went back to rescue her, telling Sally and the
doctor it was no use to wait—they would follow on, and take their
chance. And the programme so indicated was acted on.</p>
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