<h2><SPAN name="Holding_Her_Down" id="Holding_Her_Down" /><i>Holding Her Down</i></h2>
<p>Barring accidents, a good hobo, with youth and agility, can hold a train
down despite all the efforts of the train-crew to "ditch" him—given, of
course, night-time as an essential condition. When such a hobo, under such
conditions, makes up his mind that he is going to hold her down, either he
does hold her down, or chance trips him up. There is no legitimate way,
short of murder, whereby the train-crew can ditch him. That train-crews
have not stopped short of murder is a current belief in the tramp world.
Not having had that particular experience in my tramp days I cannot vouch
for it personally.</p>
<p>But this I have heard of the "bad" roads. When a tramp has "gone
underneath," on the rods, and the train is in motion, there is apparently
no way of dislodging him until the train stops. The tramp, snugly
ensconced inside the truck, with the four wheels and all the framework
around him, has the "cinch" on the crew—or so he thinks, until some day
he rides the rods on a bad road. A bad road is usually one on which a
short time previously one or several trainmen have been killed by tramps.
Heaven pity the tramp who is caught "underneath" on such a road—for
caught he is, though the train be going sixty miles an hour.</p>
<p>The "shack" (brakeman) takes a coupling-pin and a length of bell-cord to
the platform in front of the truck in which the tramp is riding. The shack
fastens the coupling-pin to the bell-cord, drops the former down between
the platforms, and pays out the latter. The coupling-pin strikes the ties
between the rails, rebounds against the bottom of the car, and again
strikes the ties. The shack plays it back and forth, now to this side, now
to the other, lets it out a bit and hauls it in a bit, giving his weapon
opportunity for every variety of impact and rebound. Every blow of that
flying coupling-pin is freighted with death, and at sixty miles an hour it
beats a veritable tattoo of death. The next day the remains of that tramp
are gathered up along the right of way, and a line in the local paper
mentions the unknown man, undoubtedly a tramp, assumably drunk, who had
probably fallen asleep on the track.</p>
<p>As a characteristic illustration of how a capable hobo can hold her down,
I am minded to give the following experience. I was in Ottawa, bound west
over the Canadian Pacific. Three thousand miles of that road stretched
before me; it was the fall of the year, and I had to cross Manitoba and
the Rocky Mountains. I could expect "crimpy" weather, and every moment of
delay increased the frigid hardships of the journey. Furthermore, I was
disgusted. The distance between Montreal and Ottawa is one hundred and
twenty miles. I ought to know, for I had just come over it and it had
taken me six days. By mistake I had missed the main line and come over a
small "jerk" with only two locals a day on it. And during these six days I
had lived on dry crusts, and not enough of them, begged from the French
peasants.</p>
<p>Furthermore, my disgust had been heightened by the one day I had spent in
Ottawa trying to get an outfit of clothing for my long journey. Let me put
it on record right here that Ottawa, with one exception, is the hardest
town in the United States and Canada to beg clothes in; the one exception
is Washington, D.C. The latter fair city is the limit. I spent two weeks
there trying to beg a pair of shoes, and then had to go on to Jersey City
before I got them.</p>
<p>But to return to Ottawa. At eight sharp in the morning I started out after
clothes. I worked energetically all day. I swear I walked forty miles. I
interviewed the housewives of a thousand homes. I did not even knock off
work for dinner. And at six in the afternoon, after ten hours of
unremitting and depressing toil, I was still shy one shirt, while the pair
of trousers I had managed to acquire was tight and, moreover, was showing
all the signs of an early disintegration.</p>
<p>At six I quit work and headed for the railroad yards, expecting to pick up
something to eat on the way. But my hard luck was still with me. I was
refused food at house after house. Then I got a "hand-out." My spirits
soared, for it was the largest hand-out I had ever seen in a long and
varied experience. It was a parcel wrapped in newspapers and as big as a
mature suit-case. I hurried to a vacant lot and opened it. First, I saw
cake, then more cake, all kinds and makes of cake, and then some. It was
all cake. No bread and butter with thick firm slices of meat
between—nothing but cake; and I who of all things abhorred cake most! In
another age and clime they sat down by the waters of Babylon and wept. And
in a vacant lot in Canada's proud capital, I, too, sat down and wept ...
over a mountain of cake. As one looks upon the face of his dead son, so
looked I upon that multitudinous pastry. I suppose I was an ungrateful
tramp, for I refused to partake of the bounteousness of the house that had
had a party the night before. Evidently the guests hadn't liked cake
either.</p>
<p>That cake marked the crisis in my fortunes. Than it nothing could be
worse; therefore things must begin to mend. And they did. At the very next
house I was given a "set-down." Now a "set-down" is the height of bliss.
One is taken inside, very often is given a chance to wash, and is then
"set-down" at a table. Tramps love to throw their legs under a table. The
house was large and comfortable, in the midst of spacious grounds and fine
trees, and sat well back from the street. They had just finished eating,
and I was taken right into the dining room—in itself a most unusual
happening, for the tramp who is lucky enough to win a set-down usually
receives it in the kitchen. A grizzled and gracious Englishman, his
matronly wife, and a beautiful young Frenchwoman talked with me while I
ate.</p>
<p>I wonder if that beautiful young Frenchwoman would remember, at this late
day, the laugh I gave her when I uttered the barbaric phrase, "two-bits."
You see, I was trying delicately to hit them for a "light piece." That was
how the sum of money came to be mentioned. "What?" she said. "Two-bits,"
said I. Her mouth was twitching as she again said, "What?" "Two-bits,"
said I. Whereat she burst into laughter. "Won't you repeat it?" she said,
when she had regained control of herself. "Two-bits," said I. And once
more she rippled into uncontrollable silvery laughter. "I beg your
pardon," said she; "but what ... what was it you said?" "Two-bits," said
I; "is there anything wrong about it?" "Not that I know of," she gurgled
between gasps; "but what does it mean?" I explained, but I do not remember
now whether or not I got that two-bits out of her; but I have often
wondered since as to which of us was the provincial.</p>
<p>When I arrived at the depot, I found, much to my disgust, a bunch of at
least twenty tramps that were waiting to ride out the blind baggages of
the overland. Now two or three tramps on the blind baggage are all right.
They are inconspicuous. But a score! That meant trouble. No train-crew
would ever let all of us ride.</p>
<p>I may as well explain here what a blind baggage is. Some mail-cars are
built without doors in the ends; hence, such a car is "blind." The
mail-cars that possess end doors, have those doors always locked. Suppose,
after the train has started, that a tramp gets on to the platform of one
of these blind cars. There is no door, or the door is locked. No conductor
or brakeman can get to him to collect fare or throw him off. It is clear
that the tramp is safe until the next time the train stops. Then he must
get off, run ahead in the darkness, and when the train pulls by, jump on
to the blind again. But there are ways and ways, as you shall see.</p>
<p>When the train pulled out, those twenty tramps swarmed upon the three
blinds. Some climbed on before the train had run a car-length. They were
awkward dubs, and I saw their speedy finish. Of course, the train-crew was
"on," and at the first stop the trouble began. I jumped off and ran
forward along the track. I noticed that I was accompanied by a number of
the tramps. They evidently knew their business. When one is beating an
overland, he must always keep well ahead of the train at the stops. I ran
ahead, and as I ran, one by one those that accompanied me dropped out.
This dropping out was the measure of their skill and nerve in boarding a
train.</p>
<p>For this is the way it works. When the train starts, the shack rides out
the blind. There is no way for him to get back into the train proper
except by jumping off the blind and catching a platform where the car-ends
are not "blind." When the train is going as fast as the shack cares to
risk, he therefore jumps off the blind, lets several cars go by, and gets
on to the train. So it is up to the tramp to run so far ahead that before
the blind is opposite him the shack will have already vacated it.</p>
<p>I dropped the last tramp by about fifty feet, and waited. The train
started. I saw the lantern of the shack on the first blind. He was riding
her out. And I saw the dubs stand forlornly by the track as the blind went
by. They made no attempt to get on. They were beaten by their own
inefficiency at the very start. After them, in the line-up, came the
tramps that knew a little something about the game. They let the first
blind, occupied by the shack, go by, and jumped on the second and third
blinds. Of course, the shack jumped off the first and on to the second as
it went by, and scrambled around there, throwing off the men who had
boarded it. But the point is that I was so far ahead that when the first
blind came opposite me, the shack had already left it and was tangled up
with the tramps on the second blind. A half dozen of the more skilful
tramps, who had run far enough ahead, made the first blind, too.</p>
<p>At the next stop, as we ran forward along the track, I counted but fifteen
of us. Five had been ditched. The weeding-out process had begun nobly, and
it continued station by station. Now we were fourteen, now twelve, now
eleven, now nine, now eight. It reminded me of the ten little niggers of
the nursery rhyme. I was resolved that I should be the last little nigger
of all. And why not? Was I not blessed with strength, agility, and youth?
(I was eighteen, and in perfect condition.) And didn't I have my "nerve"
with me? And furthermore, was I not a tramp-royal? Were not these other
tramps mere dubs and "gay-cats" and amateurs alongside of me? If I weren't
the last little nigger, I might as well quit the game and get a job on an
alfalfa farm somewhere.</p>
<p>By the time our number had been reduced to four, the whole train-crew had
become interested. From then on it was a contest of skill and wits, with
the odds in favor of the crew. One by one the three other survivors turned
up missing, until I alone remained. My, but I was proud of myself! No
Croesus was ever prouder of his first million. I was holding her down in
spite of two brakemen, a conductor, a fireman, and an engineer.</p>
<p>And here are a few samples of the way I held her down. Out ahead, in the
darkness,—so far ahead that the shack riding out the blind must perforce
get off before it reaches me,—I get on. Very well. I am good for another
station. When that station is reached, I dart ahead again to repeat the
manoeuvre. The train pulls out. I watch her coming. There is no light of a
lantern on the blind. Has the crew abandoned the fight? I do not know. One
never knows, and one must be prepared every moment for anything. As the
first blind comes opposite me, and I run to leap aboard, I strain my eyes
to see if the shack is on the platform. For all I know he may be there,
with his lantern doused, and even as I spring upon the steps that lantern
may smash down upon my head. I ought to know. I have been hit by lanterns
two or three times.</p>
<p>But no, the first blind is empty. The train is gathering speed. I am safe
for another station. But am I? I feel the train slacken speed. On the
instant I am alert. A manoeuvre is being executed against me, and I do not
know what it is. I try to watch on both sides at once, not forgetting to
keep track of the tender in front of me. From any one, or all, of these
three directions, I may be assailed.</p>
<p>Ah, there it comes. The shack has ridden out the engine. My first warning
is when his feet strike the steps of the right-hand side of the blind.
Like a flash I am off the blind to the left and running ahead past the
engine. I lose myself in the darkness. The situation is where it has been
ever since the train left Ottawa. I am ahead, and the train must come past
me if it is to proceed on its journey. I have as good a chance as ever for
boarding her.</p>
<p>I watch carefully. I see a lantern come forward to the engine, and I do
not see it go back from the engine. It must therefore be still on the
engine, and it is a fair assumption that attached to the handle of that
lantern is a shack. That shack was lazy, or else he would have put out his
lantern instead of trying to shield it as he came forward. The train pulls
out. The first blind is empty, and I gain it. As before the train
slackens, the shack from the engine boards the blind from one side, and I
go off the other side and run forward.</p>
<p>As I wait in the darkness I am conscious of a big thrill of pride. The
overland has stopped twice for me—for me, a poor hobo on the bum. I alone
have twice stopped the overland with its many passengers and coaches, its
government mail, and its two thousand steam horses straining in the
engine. And I weigh only one hundred and sixty pounds, and I haven't a
five-cent piece in my pocket!</p>
<p>Again I see the lantern come forward to the engine. But this time it comes
conspicuously. A bit too conspicuously to suit me, and I wonder what is
up. At any rate I have something else to be afraid of than the shack on
the engine. The train pulls by. Just in time, before I make my spring, I
see the dark form of a shack, without a lantern, on the first blind. I let
it go by, and prepare to board the second blind. But the shack on the
first blind has jumped off and is at my heels. Also, I have a fleeting
glimpse of the lantern of the shack who rode out the engine. He has jumped
off, and now both shacks are on the ground on the same side with me. The
next moment the second blind comes by and I am aboard it. But I do not
linger. I have figured out my countermove. As I dash across the platform I
hear the impact of the shack's feet against the steps as he boards. I jump
off the other side and run forward with the train. My plan is to run
forward and get on the first blind. It is nip and tuck, for the train is
gathering speed. Also, the shack is behind me and running after me. I
guess I am the better sprinter, for I make the first blind. I stand on the
steps and watch my pursuer. He is only about ten feet back and running
hard; but now the train has approximated his own speed, and, relative to
me, he is standing still. I encourage him, hold out my hand to him; but he
explodes in a mighty oath, gives up and makes the train several cars back.</p>
<p>The train is speeding along, and I am still chuckling to myself, when,
without warning, a spray of water strikes me. The fireman is playing the
hose on me from the engine. I step forward from the car-platform to the
rear of the tender, where I am sheltered under the overhang. The water
flies harmlessly over my head. My fingers itch to climb up on the tender
and lam that fireman with a chunk of coal; but I know if I do that, I'll
be massacred by him and the engineer, and I refrain.</p>
<p>At the next stop I am off and ahead in the darkness. This time, when the
train pulls out, both shacks are on the first blind. I divine their game.
They have blocked the repetition of my previous play. I cannot again take
the second blind, cross over, and run forward to the first. As soon as
the first blind passes and I do not get on, they swing off, one on each
side of the train. I board the second blind, and as I do so I know that a
moment later, simultaneously, those two shacks will arrive on both sides
of me. It is like a trap. Both ways are blocked. Yet there is another way
out, and that way is up.</p>
<p>So I do not wait for my pursuers to arrive. I climb upon the upright
ironwork of the platform and stand upon the wheel of the hand-brake. This
has taken up the moment of grace and I hear the shacks strike the steps on
either side. I don't stop to look. I raise my arms overhead until my hands
rest against the down-curving ends of the roofs of the two cars. One hand,
of course, is on the curved roof of one car, the other hand on the curved
roof of the other car. By this time both shacks are coming up the steps. I
know it, though I am too busy to see them. All this is happening in the
space of only several seconds. I make a spring with my legs and "muscle"
myself up with my arms. As I draw up my legs, both shacks reach for me and
clutch empty air. I know this, for I look down and see them. Also I hear
them swear.</p>
<p>I am now in a precarious position, riding the ends of the down-curving
roofs of two cars at the same time. With a quick, tense movement, I
transfer both legs to the curve of one roof and both hands to the curve of
the other roof. Then, gripping the edge of that curving roof, I climb over
the curve to the level roof above, where I sit down to catch my breath,
holding on the while to a ventilator that projects above the surface. I am
on top of the train—on the "decks," as the tramps call it, and this
process I have described is by them called "decking her." And let me say
right here that only a young and vigorous tramp is able to deck a
passenger train, and also, that the young and vigorous tramp must have his
nerve with him as well.</p>
<p>The train goes on gathering speed, and I know I am safe until the next
stop—but only until the next stop. If I remain on the roof after the
train stops, I know those shacks will fusillade me with rocks. A healthy
shack can "dewdrop" a pretty heavy chunk of stone on top of a car—say
anywhere from five to twenty pounds. On the other hand, the chances are
large that at the next stop the shacks will be waiting for me to descend
at the place I climbed up. It is up to me to climb down at some other
platform.</p>
<p>Registering a fervent hope that there are no tunnels in the next half
mile, I rise to my feet and walk down the train half a dozen cars. And let
me say that one must leave timidity behind him on such a <i>passear</i>. The
roofs of passenger coaches are not made for midnight promenades. And if
any one thinks they are, let me advise him to try it. Just let him walk
along the roof of a jolting, lurching car, with nothing to hold on to but
the black and empty air, and when he comes to the down-curving end of the
roof, all wet and slippery with dew, let him accelerate his speed so as to
step across to the next roof, down-curving and wet and slippery. Believe
me, he will learn whether his heart is weak or his head is giddy.</p>
<p>As the train slows down for a stop, half a dozen platforms from where I
had decked her I come down. No one is on the platform. When the train
comes to a standstill, I slip off to the ground. Ahead, and between me and
the engine, are two moving lanterns. The shacks are looking for me on the
roofs of the cars. I note that the car beside which I am standing is a
"four-wheeler"—by which is meant that it has only four wheels to each
truck. (When you go underneath on the rods, be sure to avoid the
"six-wheelers,"—they lead to disasters.)</p>
<p>I duck under the train and make for the rods, and I can tell you I am
mighty glad that the train is standing still. It is the first time I have
ever gone underneath on the Canadian Pacific, and the internal
arrangements are new to me. I try to crawl over the top of the truck,
between the truck and the bottom of the car. But the space is not large
enough for me to squeeze through. This is new to me. Down in the United
States I am accustomed to going underneath on rapidly moving trains,
seizing a gunnel and swinging my feet under to the brake-beam, and from
there crawling over the top of the truck and down inside the truck to a
seat on the cross-rod.</p>
<p>Feeling with my hands in the darkness, I learn that there is room between
the brake-beam and the ground. It is a tight squeeze. I have to lie flat
and worm my way through. Once inside the truck, I take my seat on the rod
and wonder what the shacks are thinking has become of me. The train gets
under way. They have given me up at last.</p>
<p>But have they? At the very next stop, I see a lantern thrust under the
next truck to mine at the other end of the car. They are searching the
rods for me. I must make my get-away pretty lively. I crawl on my stomach
under the brake-beam. They see me and run for me, but I crawl on hands and
knees across the rail on the opposite side and gain my feet. Then away I
go for the head of the train. I run past the engine and hide in the
sheltering darkness. It is the same old situation. I am ahead of the
train, and the train must go past me.</p>
<p>The train pulls out. There is a lantern on the first blind. I lie low, and
see the peering shack go by. But there is also a lantern on the second
blind. That shack spots me and calls to the shack who has gone past on the
first blind. Both jump off. Never mind, I'll take the third blind and deck
her. But heavens, there is a lantern on the third blind, too. It is the
conductor. I let it go by. At any rate I have now the full train-crew in
front of me. I turn and run back in the opposite direction to what the
train is going. I look over my shoulder. All three lanterns are on the
ground and wobbling along in pursuit. I sprint. Half the train has gone
by, and it is going quite fast, when I spring aboard. I know that the two
shacks and the conductor will arrive like ravening wolves in about two
seconds. I spring upon the wheel of the hand-brake, get my hands on the
curved ends of the roofs, and muscle myself up to the decks; while my
disappointed pursuers, clustering on the platform beneath like dogs that
have treed a cat, howl curses up at me and say unsocial things about my
ancestors.</p>
<p>But what does that matter? It is five to one, including the engineer and
fireman, and the majesty of the law and the might of a great corporation
are behind them, and I am beating them out. I am too far down the train,
and I run ahead over the roofs of the coaches until I am over the fifth or
sixth platform from the engine. I peer down cautiously. A shack is on that
platform. That he has caught sight of me, I know from the way he makes a
swift sneak inside the car; and I know, also, that he is waiting inside
the door, all ready to pounce out on me when I climb down. But I make
believe that I don't know, and I remain there to encourage him in his
error. I do not see him, yet I know that he opens the door once and peeps
up to assure himself that I am still there.</p>
<p>The train slows down for a station. I dangle my legs down in a tentative
way. The train stops. My legs are still dangling. I hear the door unlatch
softly. He is all ready for me. Suddenly I spring up and run forward over
the roof. This is right over his head, where he lurks inside the door. The
train is standing still; the night is quiet, and I take care to make
plenty of noise on the metal roof with my feet. I don't know, but my
assumption is that he is now running forward to catch me as I descend at
the next platform. But I don't descend there. Halfway along the roof of
the coach, I turn, retrace my way softly and quickly to the platform both
the shack and I have just abandoned. The coast is clear. I descend to the
ground on the off-side of the train and hide in the darkness. Not a soul
has seen me.</p>
<p>I go over to the fence, at the edge of the right of way, and watch. Ah,
ha! What's that? I see a lantern on top of the train, moving along from
front to rear. They think I haven't come down, and they are searching the
roofs for me. And better than that—on the ground on each side of the
train, moving abreast with the lantern on top, are two other lanterns. It
is a rabbit-drive, and I am the rabbit. When the shack on top flushes me,
the ones on each side will nab me. I roll a cigarette and watch the
procession go by. Once past me, I am safe to proceed to the front of the
train. She pulls out, and I make the front blind without opposition. But
before she is fully under way and just as I am lighting my cigarette, I am
aware that the fireman has climbed over the coal to the back of the tender
and is looking down at me. I am filled with apprehension. From his
position he can mash me to a jelly with lumps of coal. Instead of which he
addresses me, and I note with relief the admiration in his voice.</p>
<p>"You son-of-a-gun," is what he says.</p>
<p>It is a high compliment, and I thrill as a schoolboy thrills on receiving
a reward of merit.</p>
<p>"Say," I call up to him, "don't you play the hose on me any more."</p>
<p>"All right," he answers, and goes back to his work.</p>
<p>I have made friends with the engine, but the shacks are still looking for
me. At the next stop, the shacks ride out all three blinds, and as before,
I let them go by and deck in the middle of the train. The crew is on its
mettle by now, and the train stops. The shacks are going to ditch me or
know the reason why. Three times the mighty overland stops for me at that
station, and each time I elude the shacks and make the decks. But it is
hopeless, for they have finally come to an understanding of the situation.
I have taught them that they cannot guard the train from me. They must do
something else.</p>
<p>And they do it. When the train stops that last time, they take after me
hot-footed. Ah, I see their game. They are trying to run me down. At first
they herd me back toward the rear of the train. I know my peril. Once to
the rear of the train, it will pull out with me left behind. I double, and
twist, and turn, dodge through my pursuers, and gain the front of the
train. One shack still hangs on after me. All right, I'll give him the run
of his life, for my wind is good. I run straight ahead along the track. It
doesn't matter. If he chases me ten miles, he'll nevertheless have to
catch the train, and I can board her at any speed that he can.</p>
<p>So I run on, keeping just comfortably ahead of him and straining my eyes
in the gloom for cattle-guards and switches that may bring me to grief.
Alas! I strain my eyes too far ahead, and trip over something just under
my feet, I know not what, some little thing, and go down to earth in a
long, stumbling fall. The next moment I am on my feet, but the shack has
me by the collar. I do not struggle. I am busy with breathing deeply and
with sizing him up. He is narrow-shouldered, and I have at least thirty
pounds the better of him in weight. Besides, he is just as tired as I am,
and if he tries to slug me, I'll teach him a few things.</p>
<p>But he doesn't try to slug me, and that problem is settled. Instead, he
starts to lead me back toward the train, and another possible problem
arises. I see the lanterns of the conductor and the other shack. We are
approaching them. Not for nothing have I made the acquaintance of the New
York police. Not for nothing, in box-cars, by water-tanks, and in
prison-cells, have I listened to bloody tales of man-handling. What if
these three men are about to man-handle me? Heaven knows I have given them
provocation enough. I think quickly. We are drawing nearer and nearer to
the other two trainmen. I line up the stomach and the jaw of my captor,
and plan the right and left I'll give him at the first sign of trouble.</p>
<p>Pshaw! I know another trick I'd like to work on him, and I almost regret
that I did not do it at the moment I was captured. I could make him sick,
what of his clutch on my collar. His fingers, tight-gripping, are buried
inside my collar. My coat is tightly buttoned. Did you ever see a
tourniquet? Well, this is one. All I have to do is to duck my head under
his arm and begin to twist. I must twist rapidly—very rapidly. I know how
to do it; twisting in a violent, jerky way, ducking my head under his arm
with each revolution. Before he knows it, those detaining fingers of his
will be detained. He will be unable to withdraw them. It is a powerful
leverage. Twenty seconds after I have started revolving, the blood will be
bursting out of his finger-ends, the delicate tendons will be rupturing,
and all the muscles and nerves will be mashing and crushing together in a
shrieking mass. Try it sometime when somebody has you by the collar. But
be quick—quick as lightning. Also, be sure to hug yourself while you are
revolving—hug your face with your left arm and your abdomen with your
right. You see, the other fellow might try to stop you with a punch from
his free arm. It would be a good idea, too, to revolve away from that free
arm rather than toward it. A punch going is never so bad as a punch
coming.</p>
<p>That shack will never know how near he was to being made very, very sick.
All that saves him is that it is not in their plan to man-handle me. When
we draw near enough, he calls out that he has me, and they signal the
train to come on. The engine passes us, and the three blinds. After that,
the conductor and the other shack swing aboard. But still my captor holds
on to me. I see the plan. He is going to hold me until the rear of the
train goes by. Then he will hop on, and I shall be left behind—ditched.</p>
<p>But the train has pulled out fast, the engineer trying to make up for lost
time. Also, it is a long train. It is going very lively, and I know the
shack is measuring its speed with apprehension.</p>
<p>"Think you can make it?" I query innocently.</p>
<p>He releases my collar, makes a quick run, and swings aboard. A number of
coaches are yet to pass by. He knows it, and remains on the steps, his
head poked out and watching me. In that moment my next move comes to me.
I'll make the last platform. I know she's going fast and faster, but I'll
only get a roll in the dirt if I fail, and the optimism of youth is mine.
I do not give myself away. I stand with a dejected droop of shoulder,
advertising that I have abandoned hope. But at the same time I am feeling
with my feet the good gravel. It is perfect footing. Also I am watching
the poked-out head of the shack. I see it withdrawn. He is confident that
the train is going too fast for me ever to make it.</p>
<p>And the train <i>is</i> going fast—faster than any train I have ever tackled.
As the last coach comes by I sprint in the same direction with it. It is a
swift, short sprint. I cannot hope to equal the speed of the train, but I
can reduce the difference of our speed to the minimum, and, hence, reduce
the shock of impact, when I leap on board. In the fleeting instant of
darkness I do not see the iron hand-rail of the last platform; nor is
there time for me to locate it. I reach for where I think it ought to be,
and at the same instant my feet leave the ground. It is all in the toss.
The next moment I may be rolling in the gravel with broken ribs, or arms,
or head. But my fingers grip the hand-hold, there is a jerk on my arms
that slightly pivots my body, and my feet land on the steps with sharp
violence.</p>
<p>I sit down, feeling very proud of myself. In all my hoboing it is the best
bit of train-jumping I have done. I know that late at night one is always
good for several stations on the last platform, but I do not care to trust
myself at the rear of the train. At the first stop I run forward on the
off-side of the train, pass the Pullmans, and duck under and take a rod
under a day-coach. At the next stop I run forward again and take another
rod.</p>
<p>I am now comparatively safe. The shacks think I am ditched. But the long
day and the strenuous night are beginning to tell on me. Also, it is not
so windy nor cold underneath, and I begin to doze. This will never do.
Sleep on the rods spells death, so I crawl out at a station and go forward
to the second blind. Here I can lie down and sleep; and here I do
sleep—how long I do not know—for I am awakened by a lantern thrust into
my face. The two shacks are staring at me. I scramble up on the defensive,
wondering as to which one is going to make the first "pass" at me. But
slugging is far from their minds.</p>
<p>"I thought you was ditched," says the shack who had held me by the collar.</p>
<p>"If you hadn't let go of me when you did, you'd have been ditched along
with me," I answer.</p>
<p>"How's that?" he asks.</p>
<p>"I'd have gone into a clinch with you, that's all," is my reply.</p>
<p>They hold a consultation, and their verdict is summed up in:—</p>
<p>"Well, I guess you can ride, Bo. There's no use trying to keep you off."</p>
<p>And they go away and leave me in peace to the end of their division.</p>
<p>I have given the foregoing as a sample of what "holding her down" means.
Of course, I have selected a fortunate night out of my experiences, and
said nothing of the nights—and many of them—when I was tripped up by
accident and ditched.</p>
<p>In conclusion, I want to tell of what happened when I reached the end of
the division. On single-track, transcontinental lines, the freight trains
wait at the divisions and follow out after the passenger trains. When the
division was reached, I left my train, and looked for the freight that
would pull out behind it. I found the freight, made up on a side-track and
waiting. I climbed into a box-car half full of coal and lay down. In no
time I was asleep.</p>
<p>I was awakened by the sliding open of the door. Day was just dawning, cold
and gray, and the freight had not yet started. A "con" (conductor) was
poking his head inside the door.</p>
<p>"Get out of that, you blankety-blank-blank!" he roared at me.</p>
<p>I got, and outside I watched him go down the line inspecting every car in
the train. When he got out of sight I thought to myself that he would
never think I'd have the nerve to climb back into the very car out of
which he had fired me. So back I climbed and lay down again.</p>
<p>Now that con's mental processes must have been paralleling mine, for he
reasoned that it was the very thing I would do. For back he came and fired
me out.</p>
<p>Now, surely, I reasoned, he will never dream that I'd do it a third time.
Back I went, into the very same car. But I decided to make sure. Only one
side-door could be opened. The other side-door was nailed up. Beginning at
the top of the coal, I dug a hole alongside of that door and lay down in
it. I heard the other door open. The con climbed up and looked in over the
top of the coal. He couldn't see me. He called to me to get out. I tried
to fool him by remaining quiet. But when he began tossing chunks of coal
into the hole on top of me, I gave up and for the third time was fired
out. Also, he informed me in warm terms of what would happen to me if he
caught me in there again.</p>
<p>I changed my tactics. When a man is paralleling your mental processes,
ditch him. Abruptly break off your line of reasoning, and go off on a new
line. This I did. I hid between some cars on an adjacent side-track, and
watched. Sure enough, that con came back again to the car. He opened the
door, he climbed up, he called, he threw coal into the hole I had made. He
even crawled over the coal and looked into the hole. That satisfied him.
Five minutes later the freight was pulling out, and he was not in sight. I
ran alongside the car, pulled the door open, and climbed in. He never
looked for me again, and I rode that coal-car precisely one thousand and
twenty-two miles, sleeping most of the time and getting out at divisions
(where the freights always stop for an hour or so) to beg my food. And at
the end of the thousand and twenty-two miles I lost that car through a
happy incident. I got a "set-down," and the tramp doesn't live who won't
miss a train for a set-down any time.</p>
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