<p><SPAN name="c16" id="c16"></SPAN> </p>
<p> </p>
<h4>CHAPTER XVI.</h4>
<h3>THE BRIDE AT HOME.<br/> </h3>
<p>Among the "county people" (as Mrs. Gibson termed them) who called
upon her as a bride, were the two young Mr. Hamleys. The Squire,
their father, had done his congratulations, as far as he ever
intended to do them, to Mr. Gibson himself when he came to the hall;
but Mrs. Hamley, unable to go and pay visits herself, anxious to show
attention to her kind doctor's new wife, and with perhaps a little
sympathetic curiosity as to how Molly and her stepmother got on
together, made her sons ride over to Hollingford with her cards and
apologies. They came into the newly-furnished drawing-room, looking
bright and fresh from their ride: Osborne first, as usual, perfectly
dressed for the occasion, and with the sort of fine manner which sate
so well upon him; Roger, looking like a strong-built, cheerful,
intelligent country farmer, followed in his brother's train. Mrs.
Gibson was dressed for receiving callers, and made the effect she
always intended to produce, of a very pretty woman, no longer in
first youth, but with such soft manners and such a caressing voice,
that people forgot to wonder what her real age might be. Molly was
better dressed than formerly; her stepmother saw after that. She
disliked anything old or shabby, or out of taste about her; it hurt
her eye; and she had already fidgeted Molly into a new amount of care
about the manner in which she put on her clothes, arranged her hair,
and was gloved and shod. Mrs. Gibson had tried to put her through a
course of rosemary washes and creams in order to improve her tanned
complexion; but about that Molly was either forgetful or rebellious,
and Mrs. Gibson could not well come up to the girl's bedroom every
night and see that she daubed her face and neck over with the
cosmetics so carefully provided for her. Still her appearance was
extremely improved, even to Osborne's critical eye. Roger sought
rather to discover in her looks and expression whether she was happy
or not; his mother had especially charged him to note all these
signs.</p>
<p>Osborne and Mrs. Gibson made themselves agreeable to each other
according to the approved fashion when a young man calls on a
middle-aged bride. They talked of the "Shakspeare and musical
glasses" of the day, each vieing with the other in their knowledge of
London topics. Molly heard fragments of their conversation in the
pauses of silence between Roger and herself. Her hero was coming out
in quite a new character; no longer literary or poetical, or
romantic, or critical, he was now full of the last new play, the
singers at the opera. He had the advantage over Mrs. Gibson, who, in
fact, only spoke of these things from hearsay, from listening to the
talk at the Towers, while Osborne had run up from Cambridge two or
three times to hear this, or to see that wonder of the season. But
she had the advantage over him in greater boldness of invention to
eke out her facts; and besides she had more skill in the choice and
arrangement of her words, so as to make it appear as if the opinions
that were in reality quotations, were formed by herself from actual
experience or personal observation; such as, in speaking of the
mannerisms of a famous Italian singer, she would
<span class="nowrap">ask,—</span></p>
<div class="center"><SPAN name="ill16" id="ill16"></SPAN>
<table style="margin: 0 auto" cellpadding="4px">
<tr>
<td align="center">
<SPAN href="images/ill16.jpg">
<ANTIMG src="images/ill16-t.jpg" width-obs="540" alt="Shakspeare and the Musical Glasses." /></SPAN>
</td>
</tr>
<tr>
<td align="center">
<span class="caption"><span class="smallcaps">Shakspeare and the Musical Glasses.</span><br/>
Click to <SPAN href="images/ill16.jpg">ENLARGE</SPAN></span>
</td>
</tr>
</table></div>
<p>"Did you observe her constant trick of heaving her shoulders and
clasping her hands together before she took a high note?"—which was
so said as to imply that Mrs. Gibson herself had noticed this trick.
Molly, who had a pretty good idea by this time of how her stepmother
had passed the last year of her life, listened with no small
bewilderment to this conversation; but at length decided that she
must misunderstand what they were saying, as she could not gather up
the missing links for the necessity of replying to Roger's questions
and remarks. Osborne was not the same Osborne he was when with his
mother at the Hall.</p>
<p>Roger saw Molly glancing at his brother.</p>
<p>"You think my brother looking ill?" said he, lowering his voice.</p>
<p>"No—not exactly."</p>
<p>"He is not well. Both my father and I are anxious about him. That run
on the Continent did him harm, instead of good; and his
disappointment at his examination has told upon him, I'm afraid."</p>
<p>"I was not thinking he looked ill; only changed somehow."</p>
<p>"He says he must go back to Cambridge soon. Possibly it may do him
good; and I shall be off next week. This is a farewell visit to you,
as well as one of congratulation to Mrs. Gibson."</p>
<p>"Your mother will feel your both going away, won't she? But of course
young men will always have to live away from home."</p>
<p>"Yes," he replied. "Still she feels it a good deal; and I'm not
satisfied about her health either. You will go out and see her
sometimes, will you? she is very fond of you."</p>
<p>"If I may," said Molly, unconsciously glancing at her stepmother. She
had an uncomfortable instinct that, in spite of Mrs. Gibson's own
perpetual flow of words, she could, and did, hear everything that
fell from Molly's lips.</p>
<p>"Do you want any more books?" said he. "If you do, make a list out,
and send it to my mother before I leave, next Tuesday. After I am
gone, there will be no one to go into the library and pick them out."</p>
<p>As soon as they had left, Mrs. Gibson began her usual comments on the
departed visitors.</p>
<p>"I do like that Osborne Hamley! What a nice fellow he is! Somehow, I
always do like eldest sons. He will have the estate, won't he? I
shall ask your dear papa to encourage him to come about the house. He
will be a very good, very pleasant acquaintance for you and Cynthia.
The other is but a loutish young fellow, to my mind; there is no
aristocratic bearing about him. I suppose he takes after his mother,
who is but a parvenue, I've heard them say at the Towers."</p>
<p>Molly was spiteful enough to have great pleasure in
<span class="nowrap">saying,—</span></p>
<p>"I think I've heard her father was a Russian merchant, and imported
tallow and hemp. Mr. Osborne Hamley is extremely like her."</p>
<p>"Indeed! But there's no calculating these things. Anyhow, he is the
perfect gentleman in appearance and manner. The estate is entailed,
is it not?"</p>
<p>"I know nothing about it," said Molly.</p>
<p>A short silence ensued. Then Mrs. Gibson
<span class="nowrap">said,—</span></p>
<p>"Do you know, I almost think I must get dear papa to give a little
dinner-party, and ask Mr. Osborne Hamley? I should like to have him
feel at home in this house. It would be something cheerful for him
after the dulness and solitude of Hamley Hall. For the old people
don't visit much, I believe?"</p>
<p>"He's going back to Cambridge next week," said Molly.</p>
<p>"Is he? Well, then, we'll put off our little dinner till Cynthia
comes home. I should like to have some young society for her, poor
darling, when she returns."</p>
<p>"When is she coming?" said Molly, who had always a longing curiosity
for this same Cynthia's return.</p>
<p>"Oh! I'm not sure; perhaps at the new year—perhaps not till Easter.
I must get this drawing-room all new furnished first; and then I mean
to fit up her room and yours just alike. They are just the same size,
only on opposite sides of the passage."</p>
<p>"Are you going to new-furnish that room?" said Molly, in astonishment
at the never-ending changes.</p>
<p>"Yes; and yours, too, darling; so don't be jealous."</p>
<p>"Oh, please, mamma, not mine," said Molly, taking in the idea for the
first time.</p>
<p>"Yes, dear! You shall have yours done as well. A little French bed,
and a new paper, and a pretty carpet, and a dressed-up toilet-table
and glass, will make it look quite a different place."</p>
<p>"But I don't want it to look different. I like it as it is. Pray
don't do anything to it."</p>
<p>"What nonsense, child! I never heard anything more ridiculous! Most
girls would be glad to get rid of furniture only fit for the
lumber-room."</p>
<p>"It was my own mamma's before she was married," said Molly, in a very
low voice; bringing out this last plea unwillingly, but with a
certainty that it would not be resisted.</p>
<p>Mrs. Gibson paused for a moment before she replied:</p>
<p>"It's very much to your credit that you should have such feelings,
I'm sure. But don't you think sentiment may be carried too far? Why,
we should have no new furniture at all, and should have to put up
with worm-eaten horrors. Besides, my dear, Hollingford will seem very
dull to Cynthia, after pretty, gay France, and I want to make the
first impressions attractive. I've a notion I can settle her down
near here; and I want her to come in a good temper; for, between
ourselves, my dear, she is a little, leetle wilful. You need not
mention this to your papa."</p>
<p>"But can't you do Cynthia's room, and not mine? Please let mine
alone."</p>
<p>"No, indeed! I couldn't agree to that. Only think what would be said
of me by everybody; petting my own child and neglecting my husband's!
I couldn't bear it."</p>
<p>"No one need know."</p>
<p>"In such a tittle-tattle place as Hollingford! Really, Molly, you are
either very stupid or very obstinate, or else you don't care what
hard things may be said about me: and all for a selfish fancy of your
own! No! I owe myself the justice of acting in this matter as I
please. Every one shall know I'm not a common stepmother. Every penny
I spend on Cynthia I shall spend on you too; so it's no use talking
any more about it."</p>
<p>So Molly's little white dimity bed, her old-fashioned chest of
drawers, and her other cherished relics of her mother's maiden-days,
were consigned to the lumber-room; and after a while, when Cynthia
and her great French boxes had come home, the old furniture that had
filled up the space required for the fresh importation of trunks,
disappeared likewise into the same room.</p>
<p>All this time the family at the Towers had been absent; Lady Cumnor
had been ordered to Bath for the early part of the winter, and her
family were with her there. On dull rainy days, Mrs. Gibson used to
bethink her of missing "the Cumnors," for so she had taken to calling
them since her position had become more independent of theirs. It
marked a distinction between her intimacy in the family, and the
reverential manner in which the townspeople were accustomed to speak
of "the earl and the countess." Both Lady Cumnor and Lady Harriet
wrote to their "dear Clare" from time to time. The former had
generally some commissions that she wished to have executed at the
Towers, or in the town; and no one could do them so well as Clare,
who was acquainted with all the tastes and ways of the countess.
These commissions were the cause of various bills for flys and cars
from the George Inn. Mr. Gibson pointed out this consequence to his
wife; but she, in return, bade him remark that a present of game was
pretty sure to follow upon the satisfactory execution of Lady
Cumnor's wishes. Somehow, Mr. Gibson did not quite like this
consequence either; but he was silent about it, at any rate. Lady
Harriet's letters were short and amusing. She had that sort of regard
for her old governess which prompted her to write from time to time,
and to feel glad when the half-voluntary task was accomplished. So
there was no real outpouring of confidence, but enough news of the
family and gossip of the place she was in, as she thought would make
Clare feel that she was not forgotten by her former pupils,
intermixed with moderate but sincere expressions of regard. How those
letters were quoted and referred to by Mrs. Gibson in her
conversations with the Hollingford ladies! She had found out their
effect at Ashcombe; and it was not less at Hollingford. But she was
rather perplexed at kindly messages to Molly, and at inquiries as to
how the Miss Brownings liked the tea she had sent; and Molly had
first to explain, and then to narrate at full length, all the
occurrences of the afternoon at Ashcombe Manor-house, and Lady
Harriet's subsequent call upon her at Miss Brownings'.</p>
<p>"What nonsense!" said Mrs. Gibson, with some annoyance. "Lady Harriet
only went to see you out of a desire of amusement. She would only
make fun of Miss Brownings, and those two will be quoting her and
talking about her, just as if she was their intimate friend."</p>
<p>"I don't think she did make fun of them. She really seemed as if she
had been very kind."</p>
<p>"And you suppose you know her ways better than I do who have known
her these fifteen years? I tell you she turns every one into ridicule
who does not belong to her set. Why, she used always to speak of Miss
Brownings as 'Pecksy and Flapsy.'"</p>
<p>"She promised me she would not," said Molly driven to bay.</p>
<p>"Promised you!—Lady Harriet? What do you mean?"</p>
<p>"Only—she spoke of them as Pecksy and Flapsy—and when she talked of
coming to call on me at their house, I asked her not to come if she
was going to—to make fun of them."</p>
<p>"Upon my word! with all my long acquaintance with Lady Harriet, I
should never have ventured on such impertinence."</p>
<p>"I didn't mean it as impertinence," said Molly sturdily. "And I don't
think Lady Harriet took it as such."</p>
<p>"You can't know anything about it. She can put on any kind of
manner."</p>
<p>Just then Squire Hamley came in. It was his first call; and Mrs.
Gibson gave him a graceful welcome, and was quite ready to accept his
apology for its tardiness, and to assure him that she quite
understood the pressure of business on every land-owner who farmed
his own estate. But no such apology was made. He shook her hand
heartily, as a mark of congratulation on her good fortune in having
secured such a prize as his friend Gibson, but said nothing about his
long neglect of duty. Molly, who by this time knew the few strong
expressions of his countenance well, was sure that something was the
matter, and that he was very much disturbed. He hardly attended to
Mrs. Gibson's fluent opening of conversation, for she had already
determined to make a favourable impression on the father of the
handsome young man who was heir to an estate, besides his own
personal agreeableness; but he turned to Molly and, addressing her,
said—almost in a low voice, as if he was making a confidence to her
that he did not intend Mrs. Gibson to
<span class="nowrap">hear,—</span></p>
<p>"Molly, we are all wrong at home! Osborne has lost the fellowship at
Trinity he went back to try for. Then he has gone and failed
miserably in his degree, after all that he said, and that his mother
said; and I, like a fool, went and boasted about my clever son. I
can't understand it. I never expected anything extraordinary from
Roger; but <span class="nowrap">Osborne—!</span>
And then it has thrown madam into one of her
bad fits of illness; and she seems to have a fancy for you, child!
Your father came to see her this morning. Poor thing, she's very
poorly, I'm afraid; and she told him how she should like to have you
about her, and he said I might fetch you. You'll come, won't you, my
dear? She's not a poor woman, such as many people think it's the only
charity to be kind to, but she's just as forlorn of woman's care as
if she was poor—worse, I daresay."</p>
<p>"I'll be ready in ten minutes," said Molly, much touched by the
squire's words and manner, never thinking of asking her stepmother's
consent, now that she had heard that her father had given his. As she
rose to leave the room, Mrs. Gibson, who had only half heard what the
Squire had said, and was a little affronted at the exclusiveness of
his confidence, said,—"My dear, where are you going?"</p>
<p>"Mrs. Hamley wants me, and papa says I may go," said Molly; and
almost at the same time the Squire
<span class="nowrap">replied,—</span></p>
<p>"My wife is ill, and as she's very fond of your daughter, she begged
Mr. Gibson to allow her to come to the Hall for a little while, and
he kindly said she might, and I'm come to fetch her."</p>
<p>"Stop a minute, darling," said Mrs. Gibson to Molly—a slight cloud
over her countenance, in spite of her caressing word. "I am sure dear
papa quite forgot that you were to go out with me to-night, to visit
people," continued she, addressing herself to the Squire, "with whom
I am quite unacquainted—and it is very uncertain if Mr. Gibson can
return in time to accompany me—so, you see, I cannot allow Molly to
go with you."</p>
<p>"I shouldn't have thought it would have signified. Brides are always
brides, I suppose; and it's their part to be timid; but I shouldn't
have thought it—in this case. And my wife sets her heart on things,
as sick people do. Well, Molly" (in a louder tone, for these
foregoing sentences were spoken <i>sotto voce</i>), "we must put it off
till to-morrow: and it's our loss, not yours," he continued, as he
saw the reluctance with which she slowly returned to her place.
"You'll be as gay as can be to-night, I
<span class="nowrap">daresay—"</span></p>
<p>"No, I shall not," broke in Molly. "I never wanted to go, and now I
shall want it less than ever."</p>
<p>"Hush, my dear," said Mrs. Gibson; and, addressing the Squire, she
added, "The visiting here is not all one could wish for so young a
girl—no young people, no dances, nothing of gaiety; but it is wrong
in you, Molly, to speak against such kind friends of your father's as
I understand these Cockerells are. Don't give so bad an impression of
yourself to the kind Squire."</p>
<p>"Let her alone! let her alone!" quoth he. "I see what she means.
She'd rather come and be in my wife's sick-room than go out for this
visit to-night. Is there no way of getting her off?"</p>
<p>"None whatever," said Mrs. Gibson. "An engagement is an engagement
with me; and I consider that she is not only engaged to Mrs.
Cockerell, but to me—bound to accompany me, in my husband's
absence."</p>
<p>The Squire was put out; and when he was put out he had a trick of
placing his hands on his knees and whistling softly to himself. Molly
knew this phase of his displeasure, and only hoped he would confine
himself to this wordless expression of annoyance. It was pretty hard
work for her to keep the tears out of her eyes; and she endeavoured
to think of something else, rather than dwell on regrets and
annoyances. She heard Mrs. Gibson talking on in a sweet monotone, and
wished to attend to what she was saying, but the Squire's visible
annoyance struck sharper on her mind. At length, after a pause of
silence, he started up, and
<span class="nowrap">said,—</span></p>
<p>"Well! it's no use. Poor madam; she won't like it. She'll be
disappointed! But it's but for one evening!—but for one evening! She
may come to-morrow, mayn't she? Or will the dissipation of such an
evening as she describes, be too much for her?"</p>
<p>There was a touch of savage irony in his manner which frightened Mrs.
Gibson into good behaviour.</p>
<p>"She shall be ready at any time you name. I am so sorry: my foolish
shyness is in fault, I believe; but still you must acknowledge that
an engagement is an engagement."</p>
<p>"Did I ever say an engagement was an elephant, madam? However,
there's no use saying any more about it, or I shall forget my
manners. I'm an old tyrant, and she—lying there in bed, poor
girl—has always given me my own way. So you'll excuse me, Mrs.
Gibson, won't you; and let Molly come along with me at ten to-morrow
morning?"</p>
<p>"Certainly," said Mrs. Gibson, smiling. But when his back was turned,
she said to <span class="nowrap">Molly,—</span></p>
<p>"Now, my dear, I must never have you exposing me to the ill-manners
of such a man again! I don't call him a squire; I call him a boor, or
a yeoman at best. You must not go on accepting or rejecting
invitations as if you were an independent young lady, Molly. Pay me
the respect of a reference to my wishes another time, if you please,
my dear!"</p>
<p>"Papa had said I might go," said Molly, choking a little.</p>
<p>"As I am now your mamma, your references must be to me, for the
future. But as you are to go you may as well look well dressed. I
will lend you my new shawl for this visit, if you like it, and my set
of green ribbons. I am always indulgent when proper respect is paid
to me. And in such a house as Hamley Hall, no one can tell who may be
coming and going, even if there is sickness in the family."</p>
<p>"Thank you. But I don't want the shawl and the ribbons, please: there
will be nobody there except the family. There never is, I think; and
now that she is so ill"—Molly was on the point of crying at the
thought of her friend lying ill and lonely, and looking for her
arrival. Moreover, she was sadly afraid lest the Squire had gone off
with the idea that she did not want to come—that she preferred that
stupid, stupid party at the Cockerells'. Mrs. Gibson, too, was sorry;
she had an uncomfortable consciousness of having given way to temper
before a stranger, and a stranger, too, whose good opinion she had
meant to cultivate; and she was also annoyed at Molly's tearful face.</p>
<p>"What can I do for you, to bring you back into good temper?" she
said. "First, you insist upon your knowing Lady Harriet better than I
do—I, who have known her for eighteen or nineteen years at least.
Then you jump at invitations without ever consulting me, or thinking
of how awkward it would be for me to go stumping into a drawing-room
all by myself; following my new name, too, which always makes me feel
uncomfortable, it is such a sad come-down after Kirkpatrick! And
then, when I offer you some of the prettiest things I have got, you
say it does not signify how you are dressed. What can I do to please
you, Molly? I, who delight in nothing more than peace in a family, to
see you sitting there with despair upon your face?"</p>
<p>Molly could stand it no longer; she went upstairs to her own
room—her own smart new room, which hardly yet seemed a familiar
place; and began to cry so heartily and for so long a time, that she
stopped at length for very weariness. She thought of Mrs. Hamley
wearying for her; of the old Hall whose very quietness might become
oppressive to an ailing person; of the trust the Squire had had in
her that she would come off directly with him. And all this oppressed
her much more than the querulousness of her stepmother's words.</p>
<div style="break-after:column;"></div><br />