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Spanish Cavalier

<h2>CHAPTER III.</h2> <h3>FADED SPLENDOUR.</h3> <div class="drop"> <ANTIMG src="images/i.jpg" width-obs="100" height-obs="100" alt="I" class="cap" /> Is this a prison or a palace?" was the mental inquiry of Lucius, as, after again asking his way to the house of Don Alcala de Aguilera, he reached the stately building, which was one of the numerous relics which the Moors have left behind them in Seville. The high, dead, fortress-like wall, suggested the former term; a glimpse through the open archway of the dwelling, the latter. From this archway a vestibule led into an inner court, from which it was divided by an ornamental grating; this grating also being open at the time, nothing impeded the view into the marble-paved patio beyond. This patio, or court, was surrounded by clustering columns of the most graceful proportions; while in the centre of it orange-trees and broad-leaved bananas, the oleander and the myrtle, bordered a fountain of exquisite design. The vestibule itself was paved with Moorish[Pg 27] tiles, of hue the most brilliant; and the exterior of the archway was gracefully sculptured. The first impression made by a glance through the opening was, that a scene of Oriental beauty and splendour lay beyond it. Had Lucius had time for closer observation, he must have noticed also marks of poverty and decay. Every here and there a bright tile in the passage, and marble square in the patio, had been broken or displaced—the carving on the fountain had in many places been injured, and no water fell into its basin; but the plants in the little central garden looked fresh and green in the softened light, as if tended by a woman's hand. The aspect of the place, so unlike that of any mansion in a northern clime, was calculated to raise admiration and excite curiosity in the mind of a stranger, and waken a desire to explore the interior, and make acquaintance with the dwellers in so picturesque and romantic a home. </div> The appearance of the one whom Lucius saw at the entrance, however, contrasted with the stately elegance of the mansion of which she was an inmate. Chaffering with an itinerant vendor of fish stood an old woman, wrinkled and bent. From her coarse dress, arms bare to the elbow, and the strong scent of garlic which hung about her, the dame might rather have been deemed a denizen of one of the[Pg 28] low purlieus of Seville, than the servant of an aristocrat. The old crone, who used much gesticulation in speaking, was so eager about her bargaining that she did not notice the approach of Lucius Lepine. The colloquy between her and the hawker had probably lasted for some time, as both parties looked heated and angry. "Five cuartos a piece! why, I would not give twenty for the whole lot of them; they're not fresh—not fit to set before the señora!" were the first words heard by Lucius as he came up to the archway. "I tell you again, they were alive and swimming this morning," interrupted the man. "Don't you think I know good fish when I see them?" cried the shrill-voiced dame. "I who have been for nigh sixty years in the service of the illustrious caballero Don Pedro de Aguilera, his son, and his grandson besides!" "It's not the fish, but the price, that don't suit you," retorted the hawker. "Come, you shall have them a bargain,—let's say nine cuartos a pair." "I'll give eight, and no more," cried the dame, eying the fish with a hungry look, but clinching hard the coppers which she held in her hand. The hawker shook his head, and shouldered his basket.[Pg 29] "You'll lose the custom of the house," threatened the woman. "No great loss," laughed the hawker, as he turned from the arch; "the barber round the corner will buy all this fish, and he earns enough with his razor to pay a fair price for his dinner!" The torrent of abuse which the old dame launched after the retreating hawker, was suddenly stopped by the question of Lucius,—— "Is Don Alcala de Aguilera within?" Old Teresa was startled and annoyed at the preceding colloquy having been overheard by a stranger. It was also wounding to her vanity as a woman, and her pride as a retainer of a noble family, that she should be seen in the deshabille in which she had emerged from the kitchen, instead of the black silk dress in which she was wont to attend Donna Inez to mass. In a tone of irritation Teresa replied that the illustrious caballero was not in the house. "Is he likely soon to come in?" inquired Lucius Lepine. The servant did not know, or chose not to tell. The caballero came in and out at his pleasure: he might be spending the evening at the governor's palace, he might not be home till midnight. Teresa stood in the middle of the archway like a jealous guardian of the place, who would suffer the entrance[Pg 30] of no stranger to disturb its dignified seclusion. But the sound of Lepine's question had reached other ears than those of Teresa. "Alcala, is it you at last?" exclaimed a sweet, eager voice from within; and Lucius caught a glimpse of a youthful form hurrying across the patio with a rapidity very unusual in the movements of a lady of Spain. It was indeed but a glimpse, for the donna, seeing that he at the entrance was a stranger and not her expected brother, instantly retreated, disappearing behind the foliage of the shrubs that surrounded the fountain. The young Englishman would fain have sent in his card, and presented himself to the lady or ladies within, but shyness prevented his thus making an attempt to enter the house without a formal introduction. Lucius had seen little or nothing of society in the higher circles of Seville, and feared to give offence by some unintentional breach of its rules. The manner of Teresa would have shown a less intelligent observer than Lucius, that she at least would have resented and resisted as an intrusion any attempt on his part to venture within the archway. A little disappointed at his failure in procuring an interview with his friend, Lucius placed his card in the soiled, wrinkled hand of Teresa, to be given to her master on his return. With a[Pg 31] lingering look through the vestibule into the beautiful patio beyond, the Englishman quitted the place. In a state of high irritation, Teresa hurried through the passage into the court, taking care to close and lock the grating between them. With the air of a duenna who, having grown gray in service, thinks that she is privileged to say what she pleases, the old woman approached her young lady. Donna Inez, on a low marble seat, was bending over the work on which she had been engaged when roused by hearing the voice of Lucius. The work was that of decorating some garment of the gayest description,—of bright green richly embroidered with silver, into which Inez was fastening spangles of the same brilliant metal. A scarf of the most vivid scarlet lay carelessly thrown across her knees. The gay colouring of the work on which she was employed contrasted with the black dress of the Spanish maiden; and she was pursuing her occupation with anything but pleasure, if one might judge from the gushing tears which ever and anon fell on her beautiful work. "Donna Inez, Donna Inez! how could you do anything so unseemly?" exclaimed old Teresa, giving vent to her irritation. "What would the[Pg 32] hidalgo Don Pedro de Aguilera have said, could he have seen his grand-daughter, without so much as a veil on her head, rushing towards an English stranger—a heretic, too!—with no more dignity than if she were some wandering gitána?" Inez raised her tear-swollen eyes, and there was no lack of dignity in the tone of her gentle reply, "Methinks you forget your place, Teresa." "Forget!" repeated the old woman angrily; "I should remember well enough, if I knew what is, or rather what is not, my place in this house. Am I not doctor, sick-nurse, and attendant to the old señora, and duenna to the young one; purveyor, keeper of stores, preparer of meals, anything and everything here,—helped by no one but bandy-legged Chico, who only serves the señor because no one else thinks him worth the puchero[5] which he eats? Ah! it was very different, child, in your grandfather's days, before the hated French soldiers swarmed like wasps into Seville!" Inez knew that poor old Teresa had entered on an inexhaustible theme when she began to speak of the good old days before the occupation of the city by the French in 1810. Teresa had been little more than a child when she had entered the service of Donna Benita de Aguilera, then a happy young[Pg 33] wife and mother, but soon to be left a widow with wrecked fortune and shattered mind. Her husband, Don Pedro, a wealthy nobleman, and of the bluest blood in Spain, had joined the army raised to repel the invader. The tidings of De Aguilera's death in fight had reached his young wife at a time when French soldiers were quartered in her house. The shock had weakened the lady's intellect; and though she had lived on, was living on still in extreme old age, her subsequent life had been but as a lengthened childhood. The family fortune had also at that time received a blow from which it had never recovered. Teresa was never weary of telling of the treasures which Don Pedro once had possessed, services of silver plate, and a splendid goblet of gold, and of the jewels of his bride,—which, by her account, might have purchased half Andalusia. Bitter were Teresa's invectives against the foreign robbers, who had not only killed her master, but plundered his helpless widow and orphan. Teresa had clung to the De Aguilera family in weal and in woe; but age and adversity had rendered more irritable a temper not naturally sweet; and having once dandled in her arms the father of Inez, the old duenna always looked on his daughter as a mere child. Teresa was as ready to chide as to serve the señorita; but the retainer's[Pg 34] long-tried fidelity made Inez tolerate from her what from another she could not have borne. Teresa now went rambling on with her reminiscences; but the mind of Inez was so painfully preoccupied, that she took in the meaning of nothing, and was only aware of the fact that the old woman was speaking, by the babble of her voice distressing an ear intently listening for the step of Alcala. The sun had sunk, and the first faintly visible star shone over the patio, which was unprovided with the awning commonly used in the courts of the wealthy to soften the glare of a southern sky. Inez could no longer see to work; but her labour was finished—the last silver spangle had been fixed on the glossy green satin sleeve. The maiden sat listening, waiting, weeping, till startled again by a sound at the entrance to the house, which made her spring to her feet with the exclamation, "It is my brother at last!" <div class="footnotes"><h3>FOOTNOTES:</h3> <div class="footnote">[5] A kind of soup, common in Spain </div> </div> <hr style="width: 65%;" />[Pg 35] <div style="break-after:column;"></div>

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