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<p id="id00009" style="margin-top: 3em">Tenterhooks</p>
<p id="id00010">[Book 2 of The Little Ottleys]</p>
<p id="id00011">by Ada Leverson</p>
<p id="id00012">1912</p>
<h1 id="id00013" style="margin-top: 7em">TO ROBERT ROSS</h1>
<h2 id="id00014" style="margin-top: 4em">CHAPTER I</h2>
<p id="id00015">A Verbal Invitation</p>
<p id="id00016">Because Edith had not been feeling very well, that seemed no reason why
she should be the centre of interest; and Bruce, with that jealousy of
the privileges of the invalid and in that curious spirit of rivalry
which his wife had so often observed, had started, with enterprise, an
indisposition of his own, as if to divert public attention. While he
was at Carlsbad he heard the news. Then he received a letter from
Edith, speaking with deference and solicitude of Bruce's rheumatism,
entreating him to do the cure thoroughly, and suggesting that they
should call the little girl Matilda, after a rich and sainted—though
still living—aunt of Edith's. It might be an advantage to the child's
future (in every sense) to have a godmother so wealthy and so
religious. It appeared from the detailed description that the new
daughter had, as a matter of course (and at two days old), long golden
hair, far below her waist, sweeping lashes and pencilled brows, a
rosebud mouth, an intellectual forehead, chiselled features and a tall,
elegant figure. She was a magnificent, regal-looking creature and was a
superb beauty of the classic type, and yet with it she was dainty and
winsome. She had great talent for music. This, it appeared, was shown
by the breadth between the eyes and the timbre of her voice.</p>
<p id="id00017">Overwhelmed with joy at the advent of such a paragon, and horrified at
Edith's choice of a name, Bruce had replied at once by wire,
impulsively:</p>
<p id="id00018"><i>'Certainly not Matilda I would rather she were called Aspasia.'</i></p>
<p id="id00019">Edith read this expression of feeling on a colourless telegraph form,
and as she was, at Knightsbridge, unable to hear the ironical tone of
the message she took it literally.</p>
<p id="id00020">She criticised the name, but was easily persuaded by her mother-in-law
to make no objection. The elder Mrs Ottley pointed out that it might
have been very much worse.</p>
<p id="id00021">'But it's not a pretty name,' objected Edith. 'If it wasn't to be<br/>
Matilda, I should rather have called her something out of<br/>
Maeterlinck—Ygraine, or Ysolyn—something like that.'<br/></p>
<p id="id00022">'Yes, dear, Mygraine's a nice name, too,' said Mrs Ottley, in her
humouring way, 'and so is Vaselyn. But what does it really matter? I
shouldn't hold out on a point like this. One gets used to a name. Let
the poor child be called Asparagus if he wishes it, and let him feel he
has got his own way.'</p>
<p id="id00023">So the young girl was named Aspasia Matilda Ottley. It was
characteristic of Edith that she kept to her own point, though not
aggressively. When Bruce returned after his after-cure, it was too
late to do anything but pretend he had meant it seriously.</p>
<p id="id00024">Archie called his sister Dilly.</p>
<p id="id00025">Archie had been rather hurt at the—as it seemed to him—unnecessary
excitement about Dilly. Not that he was jealous in any way. It was
rather that he was afraid it would spoil her to be made so much of at
her age; make her, perhaps, egotistical and vain. But it was not
Archie's way to show these fears openly. He did not weep loudly or
throw things about as many boys might have done. His methods were more
roundabout, more subtle. He gave hints and suggestions of his views
that should have been understood by the intelligent. He said one
morning with some indirectness:</p>
<p id="id00026">'I had such a lovely dream last night, Mother.'</p>
<p id="id00027">'Did you, pet? How sweet of you. What was it?'</p>
<p id="id00028">'Oh, nothing much. It was all right. Very nice. It was a lovely dream.<br/>
I dreamt I was in heaven.'<br/></p>
<p id="id00029">'Really! How delightful. Who was there?'</p>
<p id="id00030">This is always a woman's first question.</p>
<p id="id00031">'Oh, you were there, of course. And father. Nurse, too. It was a lovely
dream. Such a nice place.'</p>
<p id="id00032">'Was Dilly there?'</p>
<p id="id00033">'Dilly? Er—no—no—she wasn't. She was in the night nursery, with<br/>
Satan.'<br/></p>
<p id="id00034">Sometimes Edith thought that her daughter's names were decidedly a
failure—Aspasia by mistake, Matilda through obstinacy, and Dilly by
accident. However the child herself was a success. She was four years
old when the incident occurred about the Mitchells. The whole of this
story turns eventually on the Mitchells.</p>
<p id="id00035">The Ottleys lived in a concise white flat at Knightsbridge. Bruce's
father had some time ago left him a good income on certain conditions;
one was that he was not to leave the Foreign Office before he was
fifty. One afternoon Edith was talking to the telephone in a voice of
agonised entreaty that would have melted the hardest of hearts, but did
not seem to have much effect on the Exchange, which, evidently, was not
responsive to pathos that day.</p>
<p id="id00036">'Oh! Exchange, <i>why</i> are you ringing off? <i>Please</i> try again…. Do I
want any number? Yes, I do want any number, of course, or why should I
ring up?… I want 6375 Gerrard.'</p>
<p id="id00037">Here Archie interposed.</p>
<p id="id00038">'Mother, can I have your long buttonhook?'</p>
<p id="id00039">'No, Archie, you can't just now, dear…. Go away Archie…. Yes, I
said 6375 Gerrard. Only 6375 Gerrard!… Are you there? Oh, don't keep
on asking me if I've got them!… No, they haven't answered…. Are you
6375?… Oh—wrong number—sorry…. 6375 Gerrard? Only six—are you
there?… Not 6375 Gerrard?… Are you anyone else?… Oh, is it you,
Vincy?… I want to tell you—'</p>
<p id="id00040">'Mother, can I have your long buttonhook?'</p>
<p id="id00041">Here Bruce came in. Edith rang off. Archie disappeared.</p>
<p id="id00042">'It's really rather wonderful, Edith, what that Sandow exerciser has
done for me! You laughed at me at first, but I've improved
marvellously.'</p>
<p id="id00043">Bruce was walking about doing very mild gymnastics, and occasionally
hitting himself on the left arm with the right fist.' Look at my
muscle—look at it—and all in such a short time!'</p>
<p id="id00044">'Wonderful!' said Edith.</p>
<p id="id00045">'The reason I know what an extraordinary effect these few days have had
on me is something I have just done which I couldn't have done before.
Of course I'm naturally a very powerful man, and only need a little—'</p>
<p id="id00046">'What have you done?'</p>
<p id="id00047">'Why—you know that great ridiculous old wooden chest that your awful
Aunt Matilda sent you for your birthday—absurd present I call it—mere
lumber.'</p>
<p id="id00048">'Yes?'</p>
<p id="id00049">'When it came I could barely push it from one side of the room to the
other. Now I've lifted it from your room to the box-room. Quite
easily. Pretty good, isn't it?'</p>
<p id="id00050">'Yes, of course it's very good for you to do all these exercises; no
doubt it's capital…. Er—you know I've had all the things taken out
of the chest since you tried it before, don't you?'</p>
<p id="id00051">'Things—what things? I didn't know there was anything in it.'</p>
<p id="id00052">'Only a silver tea-service, and a couple of salvers,' said Edith, in a
low voice….</p>
<p id="id00053">…He calmed down fairly soon and said: 'Edith, I have some news for
you. You know the Mitchells?'</p>
<p id="id00054">'Do I know the <i>Mitchells</i>? Mitchell, your hero in your office, that
you're always being offended with—at <i>least</i> I know the Mitchells by
<i>name</i>. I ought to.'</p>
<p id="id00055">'Well, what do you think they've done? They've asked us to dinner.'</p>
<p id="id00056">'Have they? Fancy!'</p>
<p id="id00057">'Yes, and what I thought was so particularly jolly of him was that it
was a verbal invitation. Mitchell said to me, just like this, 'Ottley,
old chap, are you doing anything on Sunday evening?''</p>
<p id="id00058">Here Archie came to the door and said, 'Mother, can I have your long
buttonhook?'</p>
<p id="id00059">Edith shook her head and frowned.</p>
<p id="id00060">''Ottley, old chap,'' continued Bruce, ''are you and your wife doing
anything on Sunday? If not, I do wish you would waive ceremony and come
and dine with us. Would Mrs Ottley excuse a verbal invitation, do you
think?' I said, 'Well, Mitchell, as a matter of fact I don't believe we
have got anything on. Yes, old boy, we shall be delighted.' I accepted,
you see. I accepted straight out. When you're treated in a friendly
way, I always say why be unfriendly? And Mrs Mitchell is a charming
little woman—I'm sure you'd like her. It seems she's been dying to
know you.'</p>
<p id="id00061">'Fancy! I wonder she's still alive, then, because you and Mitchell have
known each other for eight years, and I've never met her yet.'</p>
<p id="id00062">'Well, you will now. Let bygones be bygones. They live in Hamilton<br/>
Place.'<br/></p>
<p id="id00063">'Oh yes….Park Lane?'</p>
<p id="id00064">'I told you he was doing very well, and his wife has private means.'</p>
<p id="id00065">'Mother,' Archie began again, like a litany, 'can I have your long
buttonhook? I know where it is.'</p>
<p id="id00066">'No, Archie, certainly not; you can't fasten laced boots with a
buttonhook…. Well, that will be fun, Bruce.'</p>
<p id="id00067">'I believe they're going to have games after dinner,' said Bruce. 'All
very jolly—musical crambo—that sort of thing…. What shall you wear,
Edith?'</p>
<p id="id00068">'Mother, do let me have your long buttonhook. I want it. It isn't for
my boots.'</p>
<p id="id00069">'<i>Certainly</i> not. What a nuisance you are! Do go away…. I think I
shall wear my salmon-coloured dress with the sort of mayonnaise-
coloured sash…. (No, you're not to have it, Archie).'</p>
<p id="id00070">'But, Mother, I've got it…. I can soon mend it, Mother.'</p>
<p id="id00071">On Sunday evening Bruce's high spirits seemed to flag; he had one of
his sudden reactions. He looked at everything on its dark side.</p>
<p id="id00072">'What on earth's that thing in your hair, Edith?'</p>
<p id="id00073">'It's a bandeau.'</p>
<p id="id00074">'I don't like it. Your hair looks very nice without it. What on <i>earth</i>
did you get it for?'</p>
<p id="id00075">'For about six-and-eleven, I think.'</p>
<p id="id00076">'Don't be trivial, Edith. We shall be late. Ah! It really does seem
rather a pity, the very first time one dines with people like the
Mitchells.'</p>
<p id="id00077">'We sha'n't be late, Bruce. It's eight o'clock, and eight o'clock I
suppose means—well, eight. Sure you've got the number right?'</p>
<p id="id00078">'Really. Edith!… My memory is unerring, dear. I never make a mistake.<br/>
Haven't you ever noticed it?'<br/></p>
<p id="id00079">'A—oh yes—I think I have.'</p>
<p id="id00080">'Well, it's 168 Hamilton Place. Look sharp, dear.'</p>
<p id="id00081">On their way in the taxi he gave her a good many instructions and
advised her to be perfectly at her ease and <i>absolutely natural</i>; there
was nothing to make one otherwise, in either Mr or Mrs Mitchell. Also,
he said, it didn't matter a bit what she wore, as long as she had put
on her <i>best</i> dress. It seemed a pity she had not got a new one, but
this couldn't be helped, as there was now no time. Edith agreed that
she knew of no really suitable place where she could buy a new evening
dress at eight-thirty on Sunday evening. And, anyhow, he said, she
looked quite nice, really very smart; besides, Mrs Mitchell was not the
sort of person who would think any the less of a pretty woman for being
a little dowdy and out of fashion.</p>
<p id="id00082">When they drove up to what house agents call in their emotional way a
superb, desirable, magnificent town mansion, they saw that a large
dinner-party was evidently going on. A hall porter and four powdered
footmen were in evidence.</p>
<p id="id00083">'By Jove!' said Bruce, as he got out, 'I'd no idea old Mitchell did
himself so well as this.'… The butler had never heard of the
Mitchells. The house belonged to Lord Rosenberg.</p>
<p id="id00084">'Confound it! 'said Bruce, as he flung himself into the taxi. 'Well!
I've made a mistake for once in my life. I admit it. Of course, it's
really Hamilton Gardens. Sorry. Yet somehow I'm rather glad Mitchell
doesn't live in that house.'</p>
<p id="id00085">'You are perfectly right,' said Edith: 'the bankruptcy of an old friend
and colleague could be no satisfaction to any man.'</p>
<p id="id00086">Hamilton Gardens was a gloomy little place, like a tenement building
out of Marylebone Road. Bruce, in trying to ring the bell,
unfortunately turned out all the electric light in the house, and was
standing alone in despair in the dark when, fortunately the porter, who
had been out to post a letter, ran back, and turned up the light
again…. 'I shouldn't have thought they could play musical crambo
here, 'he called out to Edith while he was waiting. 'And now isn't it
odd? I have a funny kind of feeling that the right address is Hamilton
House.'</p>
<p id="id00087">'I suppose you're perfectly certain they don't live at a private idiot
asylum?' Edith suggested doubtfully.</p>
<p id="id00088">On inquiry it appeared the Mitchells did not live at Hamilton Gardens.<br/>
An idea occurred to Edith, and she asked for a directory.<br/></p>
<p id="id00089">The Winthrop Mitchells lived at Hamilton Terrace, St John's Wood.</p>
<p id="id00090">'At last!' said Bruce. 'Now we shall be too disgracefully late for the
first time. But be perfectly at your ease, dear. Promise me that. Go in
quite naturally.'</p>
<p id="id00091">'How else can I go in?'</p>
<p id="id00092">'I mean as if nothing had happened.'</p>
<p id="id00093">'I think we'd better tell them what <i>has</i> happened,' said Edith; 'it
will make them laugh. I hope they will have begun their dinner.'</p>
<p id="id00094">'Surely they will have finished it.'</p>
<p id="id00095">'Perhaps we may find them at their games!'</p>
<p id="id00096">'Now, now, don't be bitter, Edith dear—never be bitter—life has its
ups and downs…. Well! I'm rather glad, after all, that Mitchell
doesn't live in that horrid little hole.'</p>
<p id="id00097">'I'm sure you are,' said Edith; 'it could be no possible satisfaction
to you to know that a friend and colleague of yours is either
distressingly hard up or painfully penurious.'</p>
<p id="id00098">They arrived at the house, but there were no lights, and no sign of
life. The Mitchells lived here all right, but they were out. The
parlourmaid explained. The dinner-party had been Saturday, the night
before….</p>
<p id="id00099">'Strange,' said Bruce, as he got in again. 'I had a curious
presentiment that something was going wrong about this dinner at the
Mitchells'.'</p>
<p id="id00100">'What dinner at the Mitchells'? There doesn't seem to be any.'</p>
<p id="id00101">'Do you know,' Bruce continued his train of thought, 'I felt certain
somehow that it would be a failure. Wasn't it odd? I often think I'm a
pessimist, and yet look how well I'm taking it. I'm more like a
fatalist—sometimes I hardly know what I am.'</p>
<p id="id00102">'I could tell you what you are,' said Edith, 'but I won't, because now
you must take me to the Carlton. We shall get there before it's
closed.'</p>
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