<SPAN name="startofbook"></SPAN>
<h1>LOST MAN'S LANE</h1>
<h3>A SECOND EPISODE IN THE LIFE OF AMELIA BUTTERWORTH</h3>
<h2>BY ANNA KATHARINE GREEN</h2>
<h4>(MRS. CHARLES ROHLFS)</h4>
<h4>Author of "That Affair Next Door," "The Leavenworth Case," "The Forsaken
Inn," etc.</h4>
<h4>G. P. PUTNAM'S SONS<br/>
NEW YORK & LONDON<br/>
The Knickerbocker Press<br/>
1899</h4>
<h4><span class="smcap">Copyright, 1898</span><br/>
BY ANNA KATHARINE ROHLFS</h4>
<h4>Entered at Stationers' Hall, London</h4>
<h4>Set up and electrotyped March, 1898. Reprinted March, 1898;<br/>
April, 1898; July, 1898; Aug., 1898; Oct., 1898; Aug., 1899</h4>
<h4>The Knickerbocker Press, New York</h4>
<hr style="width: 65%;" />
<h4>To<br/>
ELIZABETH D. SHEPARD<br/>
COUSIN AND FRIEND<br/>
THIS BOOK<br/>
IS AFFECTIONATELY INSCRIBED</h4>
<hr style="width: 65%;" />
<h2>PREFACE</h2>
<p>A word to my readers before they begin these pages.</p>
<p>As a woman of inborn principle and strict Presbyterian training, I hate
deception and cannot abide subterfuge. This is why, after a year or more
of hesitation, I have felt myself constrained to put into words the true
history of the events surrounding the solution of that great mystery
which made Lost Man's Lane the dread of the neighboring country.
Feminine delicacy, and a natural shrinking from revealing to the world
certain weaknesses on my part, inseparable from a true relation of this
tale, led me to consent to the publication of that meagre and decidedly
falsified account of the matter which has appeared in some of our
leading papers.</p>
<p>But conscience has regained its sway in my breast, and with all due
confidence in your forbearance, I herein take my rightful place in these
annals, of whose interest and importance I now leave you to judge.</p>
<p><span class="smcap">Amelia Butterworth.</span></p>
<p><span class="smcap">Gramercy Park, New York.</span></p>
<hr style="width: 65%;" />
<h2>CONTENTS</h2>
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<p><SPAN href="#BOOK_I"><i>BOOK I</i> THE KNOLLYS FAMILY</SPAN><br/><br/>
<SPAN href="#I">I.—A VISIT FROM MR. GRYCE</SPAN><br/>
<SPAN href="#II">II.—I AM TEMPTED</SPAN><br/>
<SPAN href="#III">III.—I SUCCUMB</SPAN><br/>
<SPAN href="#IV">IV.—A GHOSTLY INTERIOR</SPAN><br/>
<SPAN href="#V">V.—A STRANGE HOUSEHOLD</SPAN><br/>
<SPAN href="#VI">VI.—A SOMBRE EVENING</SPAN><br/>
<SPAN href="#VII">VII.—THE FIRST NIGHT</SPAN><br/>
<SPAN href="#VIII">VIII.—ON THE STAIRS</SPAN><br/>
<SPAN href="#IX">IX.—A NEW ACQUAINTANCE</SPAN><br/>
<SPAN href="#X">X.—SECRET INSTRUCTIONS</SPAN><br/>
<SPAN href="#XI">XI.—MEN, WOMEN, AND GHOSTS</SPAN><br/>
<SPAN href="#XII">XII.—THE PHANTOM COACH</SPAN><br/>
<SPAN href="#XIII">XIII.—GOSSIP</SPAN><br/>
<SPAN href="#XIV">XIV.—I FORGET MY AGE, OR, RATHER, REMEMBER IT</SPAN><br/><br/>
<SPAN href="#BOOK_II"><i>BOOK II</i> THE FLOWER PARLOR</SPAN><br/><br/>
<SPAN href="#XV">XV.—LUCETTA FULFILS MY EXPECTATION OF HER</SPAN><br/>
<SPAN href="#XVI">XVI.—LOREEN</SPAN><br/>
<SPAN href="#XVII">XVII.—THE FLOWER PARLOR</SPAN><br/>
<SPAN href="#XVIII">XVIII.—THE SECOND NIGHT</SPAN><br/>
<SPAN href="#XIX">XIX.—A KNOT OF CRAPE</SPAN><br/>
<SPAN href="#XX">XX.—QUESTIONS</SPAN><br/>
<SPAN href="#XXI">XXI.—MOTHER JANE</SPAN><br/>
<SPAN href="#XXII">XXII.—THE THIRD NIGHT</SPAN><br/><br/>
<SPAN href="#BOOK_III"><i>BOOK III</i> FORWARD AND BACK</SPAN><br/><br/>
<SPAN href="#XXIII">XXIII.—ROOM 3, HOTEL CARTER</SPAN><br/>
<SPAN href="#XXIV">XXIV.—THE ENIGMA OF NUMBERS</SPAN><br/>
<SPAN href="#XXV">XXV.—TRIFLES, BUT NOT TRIFLING</SPAN><br/>
<SPAN href="#XXVI">XXVI.—A POINT GAINED</SPAN><br/>
<SPAN href="#XXVII">XXVII.—THE TEXT WITNESSETH</SPAN><br/>
<SPAN href="#XXVIII">XXVIII.—AN INTRUSION</SPAN><br/>
<SPAN href="#XXIX">XXIX.—IN THE CELLAR</SPAN><br/>
<SPAN href="#XXX">XXX.—INVESTIGATION</SPAN><br/>
<SPAN href="#XXXI">XXXI.—STRATEGY</SPAN><br/>
<SPAN href="#XXXII">XXXII.—RELIEF</SPAN><br/><br/>
<SPAN href="#BOOK_IV"><i>BOOK IV</i> THE BIRDS OF THE AIR</SPAN><br/><br/>
<SPAN href="#XXXIII">XXXIII.—LUCETTA</SPAN><br/>
<SPAN href="#XXXIV">XXXIV.—CONDITIONS</SPAN><br/>
<SPAN href="#XXXV">XXXV—THE DOVE</SPAN><br/>
<SPAN href="#XXXVI">XXXVI.—AN HOUR OF STARTLING EXPERIENCES</SPAN><br/>
<SPAN href="#XXXVII">XXXVII.—I ASTONISH MR. GRYCE AND HE ASTONISHES ME</SPAN><br/>
<SPAN href="#XXXVIII">XXXVIII.—A FEW WORDS</SPAN><br/>
<SPAN href="#XXXIX">XXXIX.—UNDER A CRIMSON SKY</SPAN><br/>
<SPAN href="#XL">XL.—EXPLANATIONS</SPAN><br/><br/>
<SPAN href="#EPILOGUE">EPILOGUE</SPAN><br/><br/>
<SPAN href="#WORKS_BY_Anna_Katharine_Green">WORKS BY Anna Katharine Green</SPAN><br/></p>
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<hr style="width: 65%;" />
<h2>LOST MAN'S LANE</h2>
<hr style="width: 65%;" />
<h2><SPAN name="BOOK_I" id="BOOK_I"></SPAN><i>BOOK I</i></h2>
<h3>THE KNOLLYS FAMILY</h3>
<hr style="width: 65%;" />
<h2><SPAN name="I" id="I"></SPAN>I</h2>
<h3>A VISIT FROM MR. GRYCE</h3>
<p>Ever since my fortunate—or shall I say unfortunate?—connection with
that famous case of murder in Gramercy Park, I have had it intimated to
me by many of my friends—and by some who were not my friends—that no
woman who had met with such success as myself in detective work would
ever be satisfied with a single display of her powers, and that sooner
or later I would find myself again at work upon some other case of
striking peculiarities.</p>
<p>As vanity has never been my foible, and as, moreover, I never have
forsaken and never am likely to forsake the plain path marked out for my
sex, at any other call than that of duty, I invariably responded to
these insinuations by an affable but incredulous smile, striving to
excuse the presumption of my friends by remembering their ignorance of
my nature and the very excellent reasons I had for my one notable
interference in the police affairs of New York City.</p>
<p>Besides, though I appeared to be resting quietly, if not in entire
contentment, on my laurels, I was not so utterly removed from the old
atmosphere of crime and its detection as the world in general considered
me to be. Mr. Gryce still visited me; not on business, of course, but as
a friend, for whom I had some regard; and naturally our conversation was
not always confined to the weather or even to city politics, provocative
as the latter subject is of wholesome controversy.</p>
<p>Not that he ever betrayed any of the secrets of his office—oh no; that
would have been too much to expect—but he did sometimes mention the
outward aspects of some celebrated case, and though I never ventured
upon advice—I know too much for that, I hope—I found my wits more or
less exercised by a conversation in which he gained much without
acknowledging it, and I gave much without appearing conscious of the
fact.</p>
<p>I was therefore finding life pleasant and full of interest, when
suddenly (I had no right to expect it, and I do not blame myself for not
expecting it or for holding my head so high at the prognostications of
my friends) an opportunity came for a direct exercise of my detective
powers in a line seemingly so laid out for me by Providence that I felt
I would be slighting the Powers above if I refused to enter upon it,
though now I see that the line was laid out for me by Mr. Gryce, and
that I was obeying anything but the call of duty in following it.</p>
<p>But this is not explicit. One night Mr. Gryce came to my house looking
older and more feeble than usual. He was engaged in a perplexing case,
he said, and missed his early vigor and persistency. Would I like to
hear about it? It was not in the line of his usual work, yet it had
points—and well!—it would do him good to talk about it to a
non-professional who was capable of sympathizing with its baffling and
worrisome features and yet would never have to be told to hold her
peace.</p>
<p>I ought to have been on my guard. I ought to have known the old fox well
enough to feel certain that when he went so manifestly out of his way to
take me into his confidence he did it for a purpose. But Jove nods now
and then—or so I have been assured on unimpeachable authority,—and if
Jove has ever been caught napping, surely Amelia Butterworth may be
pardoned a like inconsistency.</p>
<p>"It is not a city crime," Mr. Gryce went on to explain, and here he was
base enough to sigh. "At my time of life this is an important
consideration. It is no longer a simple matter for me to pack up a
valise and go off to some distant village, way up in the mountains
perhaps, where comforts are few and secrecy an impossibility. Comforts
have become indispensable to my threescore years and ten, and
secrecy—well, if ever there was an affair where one needs to go softly,
it is this one; as you will see if you will allow me to give you the
facts of the case as known at Headquarters to-day."</p>
<p>I bowed, trying not to show my surprise or my extreme satisfaction. Mr.
Gryce assumed his most benignant aspect (always a dangerous one with
him), and began his story.</p>
<hr style="width: 65%;" />
<h2><SPAN name="II" id="II"></SPAN>II</h2>
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