<h3>MEN, WOMEN, AND GHOSTS</h3>
<p>Mr. Simsbury gave me quite an amiable bow as I entered the buggy. This
made it easy for me to say:</p>
<p>"You are on hand early this morning. Do you sleep in the Knollys house?"</p>
<p>The stare he gave me had the least bit of suspicion in it.</p>
<p>"I live over yonder," he said, pointing with his whip across the
intervening woods to the main road. "I come through the marshes to my
breakfast; my old woman says they owes me three meals, and three meals I
must have."</p>
<p>It was the longest sentence with which he had honored me. Finding him in
a talkative mood, I prepared to make myself agreeable, a proceeding
which he seemed to appreciate, for he began to sniff and pay great
attention to his horse, which he was elaborately turning about.</p>
<p>"Why do you go that way?" I protested. "Isn't it the longest way to the
village?"</p>
<p>"It's the way I'm most accustomed to," said he. "But we can go the other
way if you like. Perhaps we will get a glimpse of Deacon Spear. He's a
widower, you know."</p>
<p>The leer with which he said this was intolerable. I bridled up—but no,
I will not admit that I so much as manifested by my manner that I
understood him. I merely expressed my wish to go the old way.</p>
<p>He whipped up the horse at once, almost laughing outright. I began to
think this man capable of most any wicked deed. He was forced, however,
to pull up suddenly. Directly in our path was the stooping figure of a
woman. She did not move as we advanced, and so we had no alternative but
to stop. Not till the horse's head touched her shoulder did she move.
Then she rose up and looked at us somewhat indignantly.</p>
<p>"Didn't you hear us?" I asked, willing to open conversation with the old
crone, whom I had no difficulty in recognizing as Mother Jane.</p>
<p>"She's deaf—deaf, as a post," muttered Mr. Simsbury. "No use shouting
at her." His tone was brusque, yet I noticed he waited with great
patience for her to hobble out of the way.</p>
<p>Meanwhile I was watching the old creature with much interest. She had
not a common face or a common manner. She was gray, she was toothless,
she was haggard, and she was bent, but she was not ordinary or just one
of the crowd of old women to be seen on country doorsteps. There was
force in her aged movements and a strong individuality in the glances
she shot at us as she backed slowly out of the roadway.</p>
<p>"Do they say she is imbecile?" I asked. "She looks far from foolish to
me."</p>
<p>"Hearken a bit," said he. "Don't you see she is muttering? She talks to
herself all the time." And in fact her lips were moving.</p>
<p>"I cannot hear her," I said. "Make her come nearer. Somehow the old
creature interests me."</p>
<p>He at once beckoned to the crone; but he might as well have beckoned to
the tree against which she had pushed herself. She neither answered him
nor gave any indication that she understood the gesture he had made. Yet
her eyes never moved from our faces.</p>
<p>"Well, well," said I, "she seems dull as well as deaf. You had better
drive on." But before he could give the necessary jerk of the reins, I
caught sight of some pennyroyal growing about the front of the cottage a
few steps beyond, and, pointing to it with some eagerness, I cried: "If
there isn't some of the very herb I want to take home with me! Do you
think she would give me a handful of it if I paid her?"</p>
<p>With an obliging grunt he again pulled up. "If you can make her
understand," said he.</p>
<p>I thought it worth the effort. Though Mr. Gryce had been at pains to
tell me there was no harm in this woman and that I need not even
consider her in any inquiries I might be called upon to make, I
remembered that Mr. Gryce had sometimes made mistakes in just such
matters as these, and that Amelia Butterworth had then felt herself
called upon to set him right. If that could happen once, why not twice?
At all events, I was not going to lose the least chance of making the
acquaintance of the people living in this lane. Had he not himself said
that only in this way could we hope to come upon the clue that had
eluded all open efforts to find it?</p>
<p>Knowing that the sight of money is the strongest appeal that can be made
to one living in such abject poverty as this woman, making the blind to
see and the deaf to hear, I drew out my purse and held up before her a
piece of silver. She bounded as if she had been shot, and when I held it
toward her came greedily forward and stood close beside the wheels
looking up.</p>
<p>"For you," I indicated, after making a motion toward the plant which had
attracted my attention.</p>
<p>She glanced from me to the herb and nodded with quick appreciation. As
in a flash she seemed to take in the fact that I was a stranger, a city
lady with memories of the country and this humble plant, and hurrying to
it with the same swiftness she had displayed in advancing to the
carriage, she tore off several of the sprays and brought them back to
me, holding out her hand for the money.</p>
<p>I had never seen greater eagerness, and I think even Mr. Simsbury was
astonished at this proof of her poverty or her greed. I was inclined to
think it the latter, for her portly figure was far from looking either
ill-fed or poorly cared for. Her dress was of decent calico, and her
pipe had evidently been lately filled, for I could smell the odor of
tobacco about her. Indeed, as I afterward heard, the good people of X.
had never allowed her to suffer. Yet her fingers closed upon that coin
as if in it she grasped the salvation of her life, and into her eyes
leaped a light that made her look almost young, though she must have
been fully eighty.</p>
<p>"What do you suppose she will do with that?" I asked Mr. Simsbury, as
she turned away in an evident fear I might repent of my bargain.</p>
<p>"Hark!" was his brief response. "She is talking now."</p>
<p>I did hearken, and heard these words fall from her quickly moving lips:</p>
<p>"Seventy; twenty-eight; and now ten."</p>
<p>Jargon; for I had given her twenty-five cents, an amount quite different
from any she had mentioned.</p>
<p>"Seventy!" She was repeating the figures again, this time in a tone of
almost frenzied elation. "Seventy; twenty-eight; and now ten! Won't
Lizzie be surprised! Seventy; twenty—" I heard no more—she had bounded
into her cottage and shut the door.</p>
<p>"Waal, what do you think of her now?" chuckled Mr. Simsbury, touching up
his horse. "She's always like that, saying over numbers, and muttering
about Lizzie. Lizzie was her daughter. Forty years ago she ran off with
a man from Boston, and for thirty-eight years she's been lying in a
Massachusetts grave. But her mother still thinks she is alive and is
coming back. Nothing will ever make her think different. But she's
harmless, perfectly harmless. You needn't be afeard of her."</p>
<p>This, because I cast a look behind me of more than ordinary curiosity, I
suppose. Why were they all so sure she was harmless? I had thought her
expression a little alarming at times, especially when she took the
money from my hand. If I had refused it or even held it back a little, I
think she would have fallen upon me tooth and nail. I wished I could
take a peep into her cottage. Mr. Gryce had described it as four walls
and nothing more, and indeed it was small and of the humblest
proportions; but the fluttering of some half-dozen pigeons about its
eaves proved it to be a home and, as such, of interest to me, who am
often able to read character from a person's habitual surroundings.</p>
<p>There was no yard attached to this simple building, only a small open
place in front in which a few of the commonest vegetables grew, such as
turnips, carrots, and onions. Elsewhere towered the forest—the great
pine forest through which this portion of the road ran.</p>
<p>Mr. Simsbury had been so talkative up to now that I was in hope he would
enter into some details about the persons and things we encountered,
which might assist me in the acquaintanceship I was anxious to make. But
his loquaciousness ended with this small adventure I have just
described. Not till we were well quit of the pines and had entered into
the main thoroughfare did he deign to respond to any of my suggestions,
and then it was in a manner totally unsatisfactory and quite
uncommunicative. The only time he deigned to offer a remark was when we
emerged from the forest and came upon the little crippled child, looking
from its window. Then he cried:</p>
<p>"Why, how's this? That's Sue you see there, and her time isn't till
arternoon. Rob allers sits there of a mornin'. I wonder if the little
chap's sick. S'pose I ask."</p>
<p>As this was just what I would have suggested if he had given me time, I
nodded complacently, and we drove up and stopped.</p>
<p>The piping voice of the child at once spoke up:</p>
<p>"How d' ye do, Mr. Simsbury? Ma's in the kitchen. Rob isn't feelin' good
to-day."</p>
<p>I thought her tone had a touch of mysteriousness in it. I greeted the
pale little thing, and asked if Rob was often sick.</p>
<p>"Never," she answered, "except, like me, he can't walk. But I'm not to
talk about it, ma says. I'd like to, but——"</p>
<p>Ma's face appearing at this moment over her shoulder put an end to her
innocent garrulity.</p>
<p>"How d' ye do, Mr. Simsbury?" came a second time from the window, but
this time in very different tones. "What's the child been saying? She's
so sot up at being allowed to take her brother's place in the winder
that she don't know how to keep her tongue still. Rob's a little
languid, that's all. You'll see him in his old place to-morrow." And she
drew back as if in polite intimation that we might drive on.</p>
<p>Mr. Simsbury responded to the suggestion, and in another moment we were
trotting down the road. Had we stayed a minute longer, I think the child
would have said something more or less interesting to hear.</p>
<p>The horse, which had brought us thus far at a pretty sharp trot, now
began to lag, which so attracted Mr. Simsbury's attention, that he
forgot to answer even by a grunt more than half of my questions. He
spent most of his time looking at the nag's hind feet, and finally, just
as we came in sight of the stores, he found his tongue sufficiently to
announce that the horse was casting a shoe and that he would be obliged
to go to the blacksmith's with her.</p>
<p>"Humph, and how long will that take?" I asked.</p>
<p>He hesitated so long, rubbing his nose with his finger, that I grew
suspicious and cast a glance at the horse's foot myself. The shoe was
loose. I began to hear it clang.</p>
<p>"Waal, it may be a matter of a couple of hours," he finally drawled. "We
have no blacksmith in town, and the ride up there is two miles. Sorry it
happened, ma'am, but there's all sorts of shops here, you see, and I've
allers heard that a woman can easily spend two hours haggling away in
shops."</p>
<p>I glanced at the two ill-furnished windows he pointed out, thought of
Arnold & Constable's, Tiffany's, and the other New York establishments I
had been in the habit of visiting, and suppressed my disdain. Either the
man was a fool or he was acting a part in the interests of Lucetta and
her family. I rather inclined to the latter supposition. If the plan was
to keep me out most of the morning why could that shoe not have been
loosened before the mare left the stable?</p>
<p>"I made all necessary purchases while in New York," said I, "but if you
must get the horse shod, why, take her off and do it. I suppose there is
a hotel parlor near here where I can sit."</p>
<p>"Oh, yes," and he made haste to point out to me where the hotel stood.
"And it's a very nice place, ma'am. Mrs. Carter, the landlady, is the
nicest sort of person. Only you won't try to go home, ma'am, on foot?
You'll wait till I come back for you?"</p>
<p>"It isn't likely I'll go streaking through Lost Man's Lane alone," I
exclaimed indignantly. "I'd rather sit in Mrs. Carter's parlor till
night."</p>
<p>"And I would advise you to," he said. "No use making gossip for the
village folks. They have enough to talk about as it is."</p>
<p>Not exactly seeing the force of this reasoning, but quite willing to be
left to my own devices for a little while, I pointed to a locksmith's
shop I saw near by, and bade him put me down there.</p>
<p>With a sniff I declined to interpret into a token of disapproval, he
drove me up to the shop and awkwardly assisted me to alight.</p>
<p>"Trunk key missing?" he ventured to inquire before getting back into his
seat.</p>
<p>I did not think it necessary to reply, but walked immediately into the
shop. He looked dissatisfied at this, but whatever his feelings were he
refrained from any expression of them, and presently mounted to his
place and drove off. I was left confronting the decent man who
represented the lock-fitting interests in X.</p>
<p>I found some difficulty in broaching my errand. Finally I said:</p>
<p>"Miss Knollys, who lives up the road, wishes a key fitted to one of her
doors. Will you come or send a man to her house to-day? She is too
occupied to see about it herself."</p>
<p>The man must have been struck by my appearance, for he stared at me
quite curiously for a minute. Then he gave a hem and a haw and said:</p>
<p>"Certainly. What kind of a door is it?" When I had answered, he gave me
another curious glance and seemed uneasy to step back to where his
assistant was working with a file.</p>
<p>"You will be sure to come in time to have the lock fitted before night?"
I said in that peremptory manner of mine which means simply, "I keep my
promises and expect you to keep yours."</p>
<p>His "Certainly" struck me as a little weaker this time, possibly because
his curiosity was excited. "Are you the lady from New York who is
staying with them?" he asked, stepping back, seemingly quite unawed by
my positive demeanor.</p>
<p>"Yes," said I, thawing a trifle; "I am Miss Butterworth."</p>
<p>He looked at me almost as if I were a curiosity.</p>
<p>"And did you sleep there last night?" he urged.</p>
<p>I thought it best to thaw still more.</p>
<p>"Of course," I said. "Where do you think I would sleep? The young ladies
are friends of mine."</p>
<p>He rapped abstractedly on the counter with a small key he was holding.</p>
<p>"Excuse me," said he, with some remembrance of my position toward him as
a stranger, "but weren't you afraid?"</p>
<p>"Afraid?" I echoed. "Afraid in Miss Knollys' house?"</p>
<p>"Why, then, do you want a key to your door?" he asked, with a slight
appearance of excitement. "We don't lock doors here in the village; at
least we didn't."</p>
<p>"I did not say it was my door," I began, but, feeling that this was a
prevarication not only unworthy of me, but one that he was entirely too
sharp to accept, I added stiffly: "It is for my door. I am not
accustomed even at home to sleep with my room unlocked."</p>
<p>"Oh," he murmured, totally unconvinced, "I thought you might have got a
scare. Folks somehow are afraid of that old place, it's so big and
ghost-like. I don't think you would find any one in this village who
would sleep there all night."</p>
<p>"A pleasing preparation for my rest to-night," I grimly laughed.
"Dangers on the road and ghosts in the house. Happily I don't believe in
the latter."</p>
<p>The gesture he made showed incredulity. He had ceased rapping with the
key or even to show any wish to join his assistant. All his thoughts for
the moment seemed to be concentrated on me.</p>
<p>"You don't know little Rob," he inquired, "the crippled lad who lives at
the head of the lane?"</p>
<p>"No," I said; "I haven't been in town a day yet, but I mean to know Rob
and his sister too. Two cripples in one family rouse my interest."</p>
<p>He did not say why he had spoken of the child, but began tapping with
his key again.</p>
<p>"And you are sure you saw nothing?" he whispered. "Lots of things can
happen in a lonely road like that."</p>
<p>"Not if everybody is as afraid to enter it as you say your villagers
are," I retorted.</p>
<p>But he didn't yield a jot.</p>
<p>"Some folks don't mind present dangers," said he. "Spirits——"</p>
<p>But he received no encouragement in his return to this topic. "You don't
believe in spirits?" said he. "Well, they are doubtful sort of folks,
but when honest and respectable people such as live in this town, when
children even, see what answers to nothing but phantoms, then I remember
what a wiser man than any of us once said——But perhaps you don't read
Shakespeare, madam?"</p>
<p>Nonplussed for the moment, but interested in the man's talk more than
was consistent with my need of haste, I said with some spirit, for it
struck me as very ridiculous that this country mechanic should question
my knowledge of the greatest dramatist of all time, "Shakespeare and the
Bible form the staple of my reading." At which he gave me a little nod
of apology and hastened to say:</p>
<p>"Then you know what I mean—Hamlet's remark to Horatio, madam, 'There
are more things,' etc. Your memory will readily supply you with the
words."</p>
<p>I signified my satisfaction and perfect comprehension of his meaning,
and, feeling that something important lay behind his words, I endeavored
to make him speak more explicitly.</p>
<p>"The Misses Knollys show no terror of their home," I observed. "They
cannot believe in spirits either."</p>
<p>"Miss Knollys is a woman of a great deal of character," said he. "But
look at Lucetta. There is a face for you, for a girl not yet out of her
twenties; and such a round-cheeked lass as she was once! Now what has
made the change? The sights and sounds of that old house, I say. Nothing
else would give her that scared look—nothing merely mortal, I mean."</p>
<p>This was going a step too far. I could not discuss Lucetta with this
stranger, anxious as I was to hear what he had to say about her.</p>
<p>"I don't know," I remonstrated, taking up my black satin bag, without
which I never stir. "One would think the terrors of the lane she lives
in might account for some appearance of fear on her part."</p>
<p>"So it might," he assented, but with no great heartiness. "But Lucetta
has never spoken of those dangers. The people in the lane do not seem to
fear them. Even Deacon Spear says that, set aside the wickedness of the
thing, he rather enjoys the quiet which the ill repute of the lane gives
him. I don't understand this indifference myself. I have no relish for
horrible mysteries or for ghosts either."</p>
<p>"You won't forget the key?" I suggested shortly, preparing to walk out,
in my dread lest he should again introduce the subject of Lucetta.</p>
<p>"No," said he, "I won't forget it." His tone should have warned me that
I need not expect to have a locked door that night.</p>
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<h2><SPAN name="XII" id="XII"></SPAN>XII</h2>
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