<h3>THE FLOWER PARLOR</h3>
<hr style="width: 65%;" />
<h2><SPAN name="XV" id="XV"></SPAN>XV</h2>
<h3>LUCETTA FULFILS MY EXPECTATION OF HER</h3>
<p>It was not till Mr. Trohm had driven away that I noticed, in the shadow
of the trees on the opposite side of the road, a horse tied up, whose
empty saddle bespoke a visitor within. At any other gate and on any
other road this would not have struck me as worthy of notice, much less
of comment. But here, and after all that I had heard during the morning,
the circumstance was so unexpected I could not help showing my
astonishment.</p>
<p>"A visitor?" I asked.</p>
<p>"Some one to see Lucetta."</p>
<p>William had no sooner said this than I saw he was in a state of high
excitement. He had probably been in this condition when we drove up, but
my attention being directed elsewhere I had not noticed it. Now,
however, it was perfectly plain to me, and it did not seem quite the
excitement of displeasure, though hardly that of joy.</p>
<p>"She doesn't expect you yet," he pursued, as I turned sharply toward the
house, "and if you interrupt her—D—n it, if I thought you would
interrupt her——"</p>
<p>I thought it time to teach him a lesson in manners.</p>
<p>"Mr. Knollys," I interposed somewhat severely, "I am a lady. Why should
I interrupt your sister or give her or you a moment of pain?"</p>
<p>"I don't know," he muttered. "You are so very quick I was afraid you
might think it necessary to join her in the parlor. She is perfectly
able to take care of herself, Miss Butterworth, and if she don't do
it—" The rest was lost in indistinct guttural sounds.</p>
<p>I made no effort to answer this tirade. I took my usual course in quite
my usual way to the front steps and proceeded to mount them without so
much as looking behind me to see whether or not this uncouth
representative of the Knollys name had kept at my heels or not.</p>
<p>Entering the door, which was open, I came without any effort on my part
upon Lucetta and her visitor, who proved to be a young gentleman. They
were standing together in the middle of the hall and were so absorbed in
what they were saying that they neither saw nor heard me. I was
therefore enabled to catch the following sentences, which struck me as
of some moment. The first was uttered by her, and in very pleading
tones:</p>
<p>"A week—I only ask a week. Then perhaps I can give you an answer which
will satisfy you."</p>
<p>His reply, in manner if not in matter, proclaimed him the lover of whom
I had so lately heard.</p>
<p>"I cannot, dear girl; indeed, I cannot. My whole future depends upon my
immediately making the move in which I have asked you to join me. If I
wait a week, my opportunity will be gone, Lucetta. You know me and you
know how I love you. Then come——"</p>
<p>A rude hand on my shoulder distracted my attention. William stood
lowering behind me and, as I turned, whispered in my ear:</p>
<p>"You must come round the other way. Lucetta is so touchy, the sight of
you will drive every sensible idea out of her head."</p>
<p>His blundering whisper did what my presence and by no means light
footsteps had failed to do. With a start Lucetta turned and, meeting my
eye, drew back in visible confusion. The young man followed her hastily.</p>
<p>"Is it good-by, Lucetta?" he pleaded, with a fine, manly ignoring of our
presence that roused my admiration.</p>
<p>She did not answer. Her look was enough. William, seeing it, turned
furious at once, and, bounding by me, faced the young man with an oath.</p>
<p>"You're a fool to take no from a silly chit like that," he vociferated.
"If I loved a girl as you say you love Lucetta, I'd have her if I had to
carry her away by force. She'd stop screaming before she was well out of
the lane. I know women. While you listen to them they'll talk and talk;
but once let a man take matters into his own hands and—" A snap of his
fingers finished the sentence. I thought the fellow brutal, but scarcely
so stupid as I had heretofore considered him.</p>
<p>His words, however, might just as well have been uttered into empty air.
The young man he so violently addressed appeared hardly to have heard
him, and as for Lucetta, she was so nearly insensible from misery that
she had sufficient ado to keep herself from falling at her lover's feet.</p>
<p>"Lucetta, Lucetta, is it then good-by? You will not go with me?"</p>
<p>"I cannot. William, here, knows that I cannot. I must wait till——"</p>
<p>But here her brother seized her so violently by the wrist that she
stopped from sheer pain, I fear. However that was, she turned pale as
death under his clutch, and, when he tried to utter some hot, passionate
words into her ear, shook her head, but did not speak, though her lover
was gazing with a last, final appeal into her eyes. The delicate girl
was bearing out my estimate of her.</p>
<p>Seeing her thus unresponsive, William flung her hand from him and turned
upon me.</p>
<p>"It's your fault," he cried. "You <i>would</i> come in——"</p>
<p>But, at this, Lucetta, recovering her poise in a moment, cried out
shrilly:</p>
<p>"For shame, William! What has Miss Butterworth to do with this? You are
not helping me with your roughness. God knows I find this hour hard
enough, without this show of anxiety on your part to be rid of me."</p>
<p>"There's woman's gratitude for you," was his snarling reply. "I offer to
take all the responsibilities on my own shoulders and make it right
with—with her sister, and all that, and she calls it desire to get rid
of her. Well, have your own way," he growled, storming down the hall;
"I'm done with it for one."</p>
<p>The young man, whose attitude of reserve, mixed with a strange and
lingering tenderness for this girl, whom he evidently loved without
fully understanding her, was every minute winning more and more of my
admiration, had meanwhile raised her trembling hand to his lips in what
was, as we all could see, a last farewell.</p>
<p>In another moment he was walking by us, giving me as he passed a low bow
that for all its grace did not succeed in hiding from me the deep and
heartfelt disappointment with which he quitted this house. As his figure
passed through the door, hiding for one moment the sunshine, I felt an
oppression such as has not often visited my healthy nature, and when it
passed and disappeared, something like the good spirit of the place
seemed to go with it, leaving in its place doubt, gloom, and a morbid
apprehension of that unknown something which in Lucetta's eyes had
rendered his dismissal necessary.</p>
<p>"Where's Saracen? I declare I'm nothing but a fool without that dog,"
shouted William. "If he has to be tied up another day—" But shame was
not entirely eliminated from his breast, for at Lucetta's reproachful
"William!" he sheepishly dropped his head and strode out, muttering some
words I was fain to accept as an apology.</p>
<p>I had expected to encounter a wreck in Lucetta, as, this episode in her
life closed, she turned toward me. But I did not yet know this girl,
whose frailty seemed to lie mostly in her physique. Though she was
suffering far more than her defence of me to her brother would seem to
denote, there was a spirit in her approach and a steady look in her dark
eye which assured me that I could not calculate upon any loss in
Lucetta's keenness, in case we came to an issue over the mystery that
was eating into the happiness as well as the honor of this household.</p>
<p>"I am glad to see you," were her unexpected words. "The gentleman who
has just gone out was a lover of mine; at least he once professed to
care for me very much, and I should have been glad to have married him,
but there were reasons which I once thought most excellent why this
seemed anything but expedient, and so I sent him away. To-day he came
without warning to ask me to go away with him, after the hastiest of
ceremonies, to South America, where a splendid prospect has suddenly
opened for him. You see, don't you, that I could not do that; that it
would be the height of selfishness in me to leave Loreen—to leave
William——"</p>
<p>"Who seems only too anxious to be left," I put in, as her voice trailed
off in the first evidence of embarrassment she had shown since she faced
me.</p>
<p>"William is a difficult man to understand," was her firm but quiet
retort. "From his talk you would judge him to be morose, if not
positively unkind, but in action—" She did not tell me how he was in
action. Perhaps her truthfulness got the better of her, or perhaps she
saw it would be hard work to prejudice me now in his favor.</p>
<hr style="width: 65%;" />
<h2><SPAN name="XVI" id="XVI"></SPAN>XVI</h2>
<h3>LOREEN</h3>
<p>Lucetta had said to her departing lover, that in a week she might be
able (were he willing or in a position to wait) to give him a more
satisfactory answer. Why in a week?</p>
<p>That her hesitation sprang from the mere dislike of leaving her sister
so suddenly, or that she had sacrificed her life's happiness to any
childish idea of decorum, I did not think probable. The spirit she had
shown, her immovable attitude under a temptation which had not only
romance to recommend it, but everything else which could affect a young
and sensitive woman, argued in my mind the existence of some uncompleted
duty of so exacting and imperative a nature that she could not even
consider the greatest interests of her own life until this one thing was
out of her way. William's rude question of the morning, "What shall we
do with the old girl till it is all over?" recurred to me in support of
this theory, making me feel that I needed no further confirmation, to be
quite certain that a crisis was approaching in this house which would
tax my powers to the utmost and call perhaps for the use of the whistle
which I had received from Mr. Gryce, and which, following his
instructions, I had tied carefully about my neck. Yet how could I
associate Lucetta with crime, or dream of the police in connection with
the serene Loreen, whose every look was a rebuke to all that was false,
vile, or even common? Easily, my readers, easily, with that great,
hulking William in my remembrance. To shield <i>him</i>, to hide perhaps his
deformity of soul from the world, even such gentle and gracious women as
these have been known to enter into acts which to an unprejudiced eye
and an unbiased conscience would seem little short of fiendish. Love for
an unworthy relative, or rather the sense of duty toward those of one's
own blood, has driven many a clear-minded woman to her ruin, as may be
seen any day in the police annals.</p>
<p>I am quite aware that I have not as yet put into definite words the
suspicion upon which I was now prepared to work. Up to this time it had
been too vague, or rather of too monstrous a character for me not to
consider other theories, such as, for instance, the possible connection
of old Mother Jane with the unaccountable disappearances which had taken
place in this lane. But after this scene, the increased assurance I was
hourly receiving that something extraordinary and out of keeping with
the customary appearances of the household was secretly going on in some
one of the various chambers of that long corridor I had been prevented
from entering, forced me to accept and act upon the belief that these
young women held in charge a prisoner of some kind, of whose presence in
the house they dreaded the discovery.</p>
<p>Now, who could this prisoner be?</p>
<p>Common sense supplied me with but one answer; Silly Rufus, the boy who
within a few days had vanished from among the good people of this
seemingly guileless community.</p>
<p>This theory once established in my mind, I applied myself to a
consideration of the means at my disposal for determining its validity.
The simplest, surest, but least satisfactory to one of my nature was to
summon the police and have the house thoroughly searched, but this
involved, in case I had been deceived by appearances—as was possible
even to a woman of my experience and discrimination,—a scandal and an
opprobrium which I would be the last to inflict upon Althea's children,
unless justice to the rest of the world demanded it.</p>
<p>It was in consideration of this very fact, perhaps, that I had been
chosen for this duty instead of some regular police spy. Mr. Gryce, as I
very well knew, has made it his rule of life never to risk the
reputation of any man or woman without reasons so excellent as to carry
their own exoneration with them, and should I, a woman, with full as
much heart as himself, if not quite as much brain (at least in the
estimation of people in general), by any premature exposure of my
suspicions, subject these young friends of mine to humiliations they are
far too weak and too poor to rise above?</p>
<p>No, rather would I trust a little longer to my own perspicacity and make
sure by the use of my own eyes that the situation called for the
interference I had, as you may say, at the end of the cord I wore about
my neck.</p>
<p>Lucetta had not asked me how I came to be back so much sooner than she
had reason to expect me. The unlooked-for arrival of her lover had
probably put all idea of her former plans out of her head. I therefore
gave her the shortest of explanations when we met at the dinner table.
Nothing further seemed to be necessary, for the girls were even more
abstracted than before, and William positively boorish till a warning
glance from Loreen recalled him to his better self, which meant silence.</p>
<p>The afternoon was spent in very much the same way as the evening before.
Neither sister remained an instant with me after the other entered my
company, and though the alternations were less frequent than at that
time, their peculiarities were more marked and less naturally accounted
for. It was while Loreen was with me that I made the suggestion which
had been hovering on my lips ever since the noon.</p>
<p>"I consider this," I observed, in one of the pauses of our more than
fitful conversation, "one of the most interesting houses it has ever
been my good fortune to enter. Would you mind my roaming about a bit
just to enjoy the old-time flavor of its great empty rooms? I know they
are mostly closed and possibly unfurnished, but to a connoisseur like
myself in colonial architecture, this rather adds to, than detracts
from, their interest."</p>
<p>"Impossible," she was going to say, but caught herself back in time and
changed the imperative word to one more conciliatory if equally
unyielding.</p>
<p>"I am sorry, Miss Butterworth, to deny you this gratification, but the
condition of the rooms and the unhappy excitement into which we have
been thrown by the unfortunate visit paid to Lucetta by a gentleman to
whom she is only too much attached, make it quite impossible for me to
consider any such undertaking to-day. To-morrow I may find it easier;
but, if not, be assured you shall see every nook and corner of this
house before you finally leave it."</p>
<p>"Thank you. I will remember that. To one of my tastes an ancient room in
a time-honored mansion like this, affords a delight not to be understood
by one who knows less of the last century's life. The legends connected
with your great drawing-room below [we were sitting in my room, I having
refused to be cooped up in their dreary side parlor, and she not having
offered me any other spot more cheerful] are sufficient in themselves to
hold me entranced for an hour. I heard one of them to-day."</p>
<p>"Which?"</p>
<p>She spoke more quickly than usual, and for her quite sharply.</p>
<p>"That of Lucetta's namesake," I explained. "She who rode through the
night after a daughter who had won her lover's heart away from her.</p>
<p>"Ah, it is a well-known tale, but I think Mrs. Carter might have left
its relation to us. Did she tell you anything else?"</p>
<p>"No other tradition of this place," I assured her.</p>
<p>"I am glad she was so considerate. But why—if you will pardon me—did
she happen to light upon that story? We have not heard those incidents
spoken of for years."</p>
<p>"Not since the phantom coach flew through this road the last time," I
ventured, with a smile that should have disarmed her from suspecting any
ulterior motive on my part in thus introducing a subject which could not
be altogether pleasing to her.</p>
<p>"The phantom coach! Have you heard of that?"</p>
<p>I wish it had been Lucetta who had said this and to whom my reply was
due. The opportunities would have been much greater for an injudicious
display of feeling on her part and for a suitable conclusion on mine.</p>
<p>But it was Loreen, and she never forgot herself. So I had to content
myself with the persuasion that her voice was just a whit less clear
than usual and her serenity enough impaired for her to look out of my
one high and dismal window instead of into my face.</p>
<p>"My dear,"—I had not called her this before, though the term had
frequently risen to my lips in answer to Lucetta—"you should have gone
with me into the village to-day. Then you would not need to ask if I had
heard of the phantom coach."</p>
<p>The probe had reached the quick at last. She looked quite startled.</p>
<p>"You amaze me," she said. "What do you mean, Miss Butterworth? Why
should I not have needed to ask?"</p>
<p>"Because you would have heard it whispered about in every lane and
corner. It is common talk in town to-day. You must know why, Miss
Knollys."</p>
<p>She was not looking out of the window now. She was looking at me.</p>
<p>"I assure you," she murmured, "I do not know at all. Nothing could be
more incomprehensible to me. Explain yourself, I entreat you. The
phantom coach is but a myth to me, interesting only as involving certain
long-vanished ancestors of mine."</p>
<p>"Of course," I assented. "No one of real sense could regard it in any
other light. But villagers will talk, and they say—you will soon know
what, if I do not tell you myself—that it passed through the lane on
Tuesday night."</p>
<p>"Tuesday night!" Her composure had been regained, but not so entirely
but that her voice slightly trembled. "That was before you came. I hope
it was not an omen."</p>
<p>I was in no mood for pleasantry.</p>
<p>"They say that the passing of this apparition denotes misfortune to
those who see it. I am therefore obviously exempt. But you—did you see
it? I am just curious to know if it is visible to those who live in the
lane. It ought to have turned in here. Were you fortunate enough to have
been awake at that moment and to have seen this spectral appearance?"</p>
<p>She shuddered. I was not mistaken in believing I saw this sign of
emotion, for I was watching her very closely, and the movement was
unmistakable.</p>
<p>"I have never seen anything ghostly in my life," said she. "I am not at
all superstitious."</p>
<p>If I had been ill-natured or if I had thought it wise to press her too
closely, I might have inquired why she looked so pale and trembled so
visibly.</p>
<p>But my natural kindness, together with an instinct of caution,
restrained me, and I only remarked:</p>
<p>"There you are sensible, Miss Knollys—doubly so as a denizen of this
house, which, Mrs. Carter was obliging enough to suggest to me, is
considered by many as haunted."</p>
<p>The straightening of Miss Knollys' lips augured no good to Mrs. Carter.</p>
<p>"Now I only wish it was," I laughed dryly. "I should really like to meet
a ghost, say, in your great drawing-room, which I am forbidden to
enter."</p>
<p>"You are not forbidden," she hastily returned. "You may explore it now
if you will excuse me from accompanying you; but you will meet no
ghosts. The hour is not propitious."</p>
<p>Taken aback by her sudden amenity, I hesitated for a moment. Would it be
worth while for me to search a room she was willing to have me enter?
No, and yet any knowledge which could be obtained in regard to this
house might be of use to me or to Mr. Gryce. I decided to embrace her
offer, after first testing her with one other question.</p>
<p>"Would you prefer to have me steal down these corridors at night and
dare their dusky recesses at a time when spectres are supposed to walk
the halls they once flitted through in happy consciousness?"</p>
<p>"Hardly." She made the greatest effort to sustain the jest, but her
concern and dread were manifest. "I think I had better give you the keys
now, than subject you to the drafts and chilling discomforts of this old
place at midnight."</p>
<p>I rose with a semblance of eager anticipation.</p>
<p>"I will take you at your word," said I. "The keys, my dear. I am going
to visit a haunted room for the first time in my life."</p>
<p>I do not think she was deceived by this feigned ebullition. Perhaps it
was too much out of keeping with my ordinary manner, but she gave no
sign of surprise and rose in her turn with an air suggestive of relief.</p>
<p>"Excuse me, if I precede you," she begged. "I will meet you at the head
of the corridor with the keys."</p>
<p>I was in hopes she would be long enough in obtaining them to allow me to
stroll along the front hall to the opening into the corridor I was so
anxious to enter. But the spryness I showed, seemed to have a
corresponding effect upon her, for she almost flew down the passageway
before me and was back at my side before I could take a step in the
coveted direction.</p>
<p>"These will take you into any room on the first floor," said she. "You
will meet with dust and Lucetta's abhorrence, spiders, but for these I
shall make no apologies. Girls who cannot provide comforts for the few
rooms they utilize, cannot be expected to keep in order the large and
disused apartments of a former generation."</p>
<p>"I hate dirt and despise spiders," was my dry retort, "but I am willing
to brave both for the pleasure of satisfying my love for the antique."
At which she handed me the keys, with a calm smile which was not without
its element of sadness.</p>
<p>"I will be here on your return," she said, leaning over the banisters to
speak to me as I took my first steps down. "I shall want to hear whether
you are repaid for your trouble."</p>
<p>I thanked her and proceeded on my way, somewhat doubtful whether by so
doing I was making the best possible use of my opportunities.</p>
<hr style="width: 65%;" />
<h2><SPAN name="XVII" id="XVII"></SPAN>XVII</h2>
<h3>THE FLOWER PARLOR</h3>
<p>The lower hall did not correspond exactly with the one above. It was
larger, and through its connection with the front door, presented the
shape of a letter T—that is, to the superficial observer who was not
acquainted with the size of the house and had not had the opportunity of
remarking that at the extremities of the upper hall making this T, were
two imposing doors usually found shut except at meal-times, when the
left-hand one was thrown open, disclosing a long and dismal corridor
similar to the ones above. Half-way down this corridor was the
dining-room, into which I had now been taken three times.</p>
<p>The right-hand one, I had no doubt, led the way into the great
drawing-room or dancing-hall which I had started out to see.</p>
<p>Proceeding first to the front of the house, where some glimmer of light
penetrated from the open sitting-room door, I looked the keys over and
read what was written on the several tags attached to them. They were
seven in number, and bore some such names as these: "Blue Chamber,"
"Library," "Flower Parlor," "Shell Cabinet," "Dark Parlor"—all of which
was very suggestive, and, to an antiquarian like myself, most alluring.</p>
<p>But it was upon a key marked "A" I first fixed my attention. This, I had
been told, would open the large door at the extremity of the upper hall,
and when I made a trial with it I found it to move easily, though
somewhat gratingly, in the lock, releasing the great doors, which in
another moment swung inward with a growling sound which might have been
startling to a nervous person filled with the legends of the place.</p>
<p>But in me the only emotion awakened was one of disgust at the nauseous
character of the air which instantly enveloped me. Had I wished for any
further proof than was afforded by the warning given me by the condition
of the hinges, that the foot of man had not lately invaded these
precincts, I would have had it in the mouldy atmosphere and smell of
dust that greeted me on the threshold. Neither human breath nor a ray of
outdoor sunshine seemed to have disturbed its gloomy quiet for years,
and when I moved, as I presently did, to open one of the windows I dimly
discerned at my right, I felt such a movement of something foul and
noisome amid the decaying rags of the carpet through which I was
stumbling that I had to call into use the stronger elements of my
character not to back out of a place so given over to rot and the
creatures that infest it.</p>
<p>"What a spot," thought I, "for Amelia Butterworth to find herself in!"
and wondered if I could ever wear again the three-dollar-a-yard silk
dress in which I was then enveloped. Of my shoes I took no account. They
were ruined, of course.</p>
<p>I reached the window in safety, but could not open it; neither could I
move the adjoining one. There were sixteen in all, or so I afterwards
found, and not till I reached the last (you see, I am very persistent)
did I succeed in loosening the bar that held its inner shutter in place.
This done, I was able to lift the window, and for the first time in
years, perhaps, let in a ray of light into this desolated apartment.</p>
<p>The result was disappointing. Mouldy walls, worm-eaten hangings, two
very ancient and quaint fireplaces, met my eyes, and nothing more. The
room was absolutely empty. For a few minutes I allowed my eyes to roam
over the great rectangular space in which so much that was curious and
interesting had once taken place, and then, with a vague sense of
defeat, turned my eyes outward, anxious to see what view could be
obtained from the window I had opened. To my astonishment, I saw before
me a high wall with here and there a window in it, all tightly barred
and closed, till by a careful inspection about me I realized that I was
looking upon the other wing of the building, and that between these
wings extended a court so narrow and long that it gave to the building
the shape, as I have before said, of the letter U. A dreary prospect,
reminding one of the view from a prison, but it had its point of
interest, for in the court below me, the brick pavement of which was
half obliterated by grass, I caught sight of William in an attitude so
different from any I had hitherto seen him assume that I found it
difficult to account for it till I caught sight of the jaws of a dog
protruding from under his arms, and then I realized he was hugging
Saracen.</p>
<p>The dog was tied, but the comfort which William seemed to take in just
this physical contact with his rough skin was something worth seeing. It
made me quite thoughtful for a moment.</p>
<p>I detest dogs, and it gives me a creepy sensation to see them fondled,
but sincerity of feeling appeals to me, and no one could watch William
Knollys with his dogs without seeing that he really loved the brutes.
Thus in one day I had witnessed the best and worst side of this man. But
wait! Had I seen the worst? I was not so sure that I had.</p>
<p>He had not noticed my peering, for which I was duly thankful, and after
another fruitless survey of the windows in the wall before me, I drew
back and prepared to leave the place. This was by no means a pleasant
undertaking. I could now see what I had only felt before, and to
traverse the space before me amid beetles and spiders required a
determination of no ordinary nature. I was glad when I reached the great
doors and more than glad when they closed behind me.</p>
<p>"So much for Room A," thought I.</p>
<p>The next most promising apartment was in the same corridor as the
dining-room. It was called the Dark Parlor. Entering it, I found it dark
indeed, but not because of lack of light, but because its hangings were
all of a dismal red and its furniture of the blackest ebony. As this
mainly consisted of shelves and cabinets placed against three of its
four walls, the effect was gloomy indeed, and fully accounted for the
name which the room had received. I lingered in it, however, longer than
I had in the big drawing-room, chiefly because the shelves contained
books.</p>
<p>Had anything better offered I might not have continued my explorations,
but not seeing exactly how I could pass away the time more profitably, I
chose out another key and began to search for the Flower Parlor. I found
it beyond the dining-room in the same hall as the Dark Parlor.</p>
<p>It was, as I might have expected from the name, the brightest and most
cheerful spot I had yet found in the whole house. The air in it was even
good, as if sunshine and breeze had not been altogether shut out of it,
yet I had no sooner taken one look at its flower-painted walls and
pretty furniture than I felt an oppression difficult to account for.
Something was wrong about this room. I am not superstitious and have no
faith in premonitions, but once seized by a conviction, I have never
known myself to be mistaken as to its import. Something was wrong about
this room—what, it was my business to discover.</p>
<p>Letting in more light, I took a closer survey of the objects I had
hitherto seen but dimly. They were many and somewhat contradictory in
character. The floor was bare—the first bare floor I had come upon—but
the shades in the windows, the chintz-covered lounges drawn up beside
tables bestrewn with books and other objects of comfort and luxury,
bespoke a place in common if not every-day use.</p>
<p>A faint smell of tobacco assured me in whose use, and from the minute I
recognized that this was William's sanctum, my curiosity grew unbounded
and I neglected nothing which would be likely to attract the
keenest-eyed detective in Mr. Gryce's force. There were several things
to be noted there: First, that this lumbering lout of a man read, but
only on one topic—vivisection; secondly, that he was not a reader
merely, for there were instruments in the cases heaped up on the tables
about me, and in one corner—it made me a little sick, but I persevered
in searching out the corners—a glass case with certain horrors in it
which I took care to note, but which it is not necessary for me to
describe. Another corner was blocked up by a closet which stood out in
the room in a way to convince me it had been built in after the room was
otherwise finished. As I crossed over to examine the door, which did not
appear to me to be quite closed, I noticed on the floor at my feet a
huge discoloration. This was the worst thing I had yet encountered, and
while I did not feel quite justified in giving it a name, I could not
but feel some regret for the worm-eaten rags of the drawing-room, which,
after all, are more comfortable underfoot than bare boards with such
suggestive marks upon them as these.</p>
<p>The door to the closet was, as I had expected, slightly ajar, a fact for
which I was profoundly grateful, for, set it down to breeding or a
natural recognition of other people's rights, I would have found it most
difficult to turn the knob of a closet door, inspection of which had not
been offered me.</p>
<p>But finding it open, I gave it just a little pull and found—well, it
was a surprise, much more so than the sight of a skeleton would have
been—that the whole interior was taken up by a small circular staircase
such as you find in public libraries where the books are piled up in
tiers. It stretched from the floor to the ceiling, and dark as it was I
thought I detected the outlines of a trap-door by means of which
communication was established with the room above. Anxious to be
convinced of this, I consulted with myself as to what a detective would
do in my place. The answer came readily enough: "Mount the stairs and
feel for yourself whether there is a lock there." But my delicacy
or—shall I acknowledge it for once?—an instinct of timidity seemed to
restrain me, till a remembrance of Mr. Gryce's sarcastic look which I
had seen honoring lesser occasions than these, came to nerve me, and I
put foot on the stairs which had last been trod—by whom, shall I say?
William? Let us hope by William, and William only.</p>
<p>Being tall, I had to mount but a few steps before reaching the ceiling.
Pausing for breath, the air being close and the stairs steep, I reached
up and felt for the hinge or clasp I had every reason to expect to
encounter. I found it almost immediately, and, satisfied now that
nothing but a board separated me from the room above, I tried that board
with my finger and was astonished to feel it yield. As this was a wholly
unexpected discovery I drew back and asked myself if it would be wise to
pursue it to the point of raising this door, and had hardly settled the
question in my own mind, when the sound of a voice raised in a soothing
murmur, revealed the fact that the room above was not empty, and that I
would be committing a grave indiscretion in thus tampering with a means
of entrance possibly under the very eye of the person speaking.</p>
<p>If the voice I had heard had been all that had come to my ears, I might
have ventured after a moment of hesitation to brave the displeasure of
Miss Knollys by an attempt which would have at once satisfied me as to
the correctness of the suspicions which were congealing my blood as I
stood there, but another voice—the heavy and threatening voice of
William—had broken into this murmur, and I knew that if I so much as
awakened in him the least suspicion of my whereabouts, I would have to
dread an anger that might not know where to stop.</p>
<p>I therefore rested from further efforts in this direction, and fearing
he might bethink him of some errand which would bring him to the
trap-door himself, I began a retreat which I made slow only from my
desire not to make any noise. I succeeded as well as if my feet had been
shod in velvet and my dress had been made of wool instead of a rustling
silk, and when once again I found myself planted in the centre of the
Flower Parlor, the closet door closed, and no evidence remaining of my
late attempt to probe this family secret, I drew a deep breath of relief
that was but a symbol of my devout thankfulness.</p>
<p>I did not mean to remain much longer in this spot of evil suggestions,
but spying the corner of a book protruding from under a cushion of one
of the lounges, I had a curiosity to see if it were similar to the
others I had handled. Drawing it out, I took one look at it.</p>
<p>I need not tell what it was, but after a hasty glance here and there
through its pages, I put it back, shuddering. If any doubt remained in
my breast that William was one of those monsters who feed their morbid
cravings by experiments upon the weak and defenceless, it had been
dispelled by what I had just seen in this book.</p>
<p>However, I did not leave the room immediately. As it was of the greatest
importance that I should be able to locate in which of the many
apartments on the floor above, the supposed prisoner was lodged, I cast
about me for the means of doing this through the location of the room in
which I then was. As this could only be done by affixing some token to
the window, which could be recognized from without, I thought, first, of
thrusting the end of my handkerchief through one of the slats of the
outside blinds; secondly, of simply leaving one of these blinds ajar;
and finally, of chipping off a piece with the penknife I always carry
with innumerable other small things in the bag I invariably wear at my
side. (Fashion, I hold, counts for nothing against convenience.)</p>
<p>This last seemed by much the best device. A handkerchief could be
discovered and pulled out, an open blind could be shut, but a sliver
once separated from the wood of the casement, nothing could replace it
or even cover it up without itself attracting attention.</p>
<p>Taking out my knife, I glanced at the door leading into the hall, found
it still shut and everything quiet behind it. Then I took a look into
the shrubs and bushes of the yard outside, and, observing nothing to
disturb me, snipped off a bit from one of the outer edges of the slats
and then carefully reclosed the blinds and the window.</p>
<p>I was crossing the threshold when I heard a rapid footstep in the hall.
Miss Knollys was hastening down the hall to my side.</p>
<p>"Oh, Miss Butterworth," she exclaimed, with one quick look into the room
I was leaving, "this is William's den, the one spot he never allows any
of us to enter. I don't know how the key came to be upon the string. It
never was before, and I am afraid he never will forgive me."</p>
<p>"He need never know that I have been the victim of such a mistake," said
I. "My feet leave no trail, and as I use no perfumes he will never
suspect that I have enjoyed a glimpse of these old-fashioned walls and
ancient cabinets."</p>
<p>"The slats of the blinds are a little open," she remarked, her eyes
searching my face for some sign that I am sure she did not find there.
"Were they so when you came in?"</p>
<p>"I hardly think so; it was very dark. Shall I put them as I found them?"</p>
<p>"No. He will not notice." And she hurried me out, still eying me
breathlessly as if she half distrusted my composure.</p>
<p>"Come, Amelia," I now whispered in self-admonition, "the time for
exertion has come. Show this young woman, who is not much behind you in
self-control, some of the lighter phases of your character. Charm her,
Amelia, charm her, or you may live to rue this invasion into family
secrets more than you may like to acknowledge at the present moment."</p>
<p>A task of some difficulty, but I rejoice in difficult tasks, and before
another half-hour had passed, I had the satisfaction of seeing Miss
Knollys entirely restored to that state of placid melancholy which was
the natural expression of her calm but unhappy nature.</p>
<p>We visited the Shell Cabinet, the Blue Parlor, and another room, the
peculiarities of which I have forgotten. Frightened by the result of
leaving me to my own devices, she did not quit me for an instant, and
when, my curiosity quite satisfied, I hinted that a short nap in my own
room would rest me for the evening, she proceeded with me to the door of
my apartment.</p>
<p>"The locksmith whom I saw this morning has not kept his word," I
remarked as she was turning away.</p>
<p>"None of the tradesmen here do that," was her cold answer. "I have given
up expecting having any attention paid to my wants."</p>
<p>"Humph," thought I. "Another pleasant admission. Amelia Butterworth,
this has not been a cheerful day."</p>
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<h2><SPAN name="XVIII" id="XVIII"></SPAN>XVIII</h2>
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