<p>“The next evidence,” said Father Brown, “took some time to find, but it
will not take long to tell. I found at last in an almshouse down in the
Lincolnshire Fens an old soldier who not only was wounded at the Black
River, but had actually knelt beside the colonel of the regiment when he
died. This latter was a certain Colonel Clancy, a big bull of an Irishman;
and it would seem that he died almost as much of rage as of bullets. He,
at any rate, was not responsible for that ridiculous raid; it must have
been imposed on him by the general. His last edifying words, according to
my informant, were these: ‘And there goes the damned old donkey with the
end of his sword knocked off. I wish it was his head.’ You will remark
that everyone seems to have noticed this detail about the broken sword
blade, though most people regard it somewhat more reverently than did the
late Colonel Clancy. And now for the third fragment.”</p>
<p>Their path through the woodland began to go upward, and the speaker paused
a little for breath before he went on. Then he continued in the same
business-like tone:</p>
<p>“Only a month or two ago a certain Brazilian official died in England,
having quarrelled with Olivier and left his country. He was a well-known
figure both here and on the Continent, a Spaniard named Espado; I knew him
myself, a yellow-faced old dandy, with a hooked nose. For various private
reasons I had permission to see the documents he had left; he was a
Catholic, of course, and I had been with him towards the end. There was
nothing of his that lit up any corner of the black St. Clare business,
except five or six common exercise books filled with the diary of some
English soldier. I can only suppose that it was found by the Brazilians on
one of those that fell. Anyhow, it stopped abruptly the night before the
battle.</p>
<p>“But the account of that last day in the poor fellow’s life was certainly
worth reading. I have it on me; but it’s too dark to read it here, and I
will give you a resume. The first part of that entry is full of jokes,
evidently flung about among the men, about somebody called the Vulture. It
does not seem as if this person, whoever he was, was one of themselves,
nor even an Englishman; neither is he exactly spoken of as one of the
enemy. It sounds rather as if he were some local go-between and
non-combatant; perhaps a guide or a journalist. He has been closeted with
old Colonel Clancy; but is more often seen talking to the major. Indeed,
the major is somewhat prominent in this soldier’s narrative; a lean,
dark-haired man, apparently, of the name of Murray—a north of
Ireland man and a Puritan. There are continual jests about the contrast
between this Ulsterman’s austerity and the conviviality of Colonel Clancy.
There is also some joke about the Vulture wearing bright-coloured clothes.</p>
<p>“But all these levities are scattered by what may well be called the note
of a bugle. Behind the English camp and almost parallel to the river ran
one of the few great roads of that district. Westward the road curved
round towards the river, which it crossed by the bridge before mentioned.
To the east the road swept backwards into the wilds, and some two miles
along it was the next English outpost. From this direction there came
along the road that evening a glitter and clatter of light cavalry, in
which even the simple diarist could recognise with astonishment the
general with his staff. He rode the great white horse which you have seen
so often in illustrated papers and Academy pictures; and you may be sure
that the salute they gave him was not merely ceremonial. He, at least,
wasted no time on ceremony, but, springing from the saddle immediately,
mixed with the group of officers, and fell into emphatic though
confidential speech. What struck our friend the diarist most was his
special disposition to discuss matters with Major Murray; but, indeed,
such a selection, so long as it was not marked, was in no way unnatural.
The two men were made for sympathy; they were men who ‘read their Bibles’;
they were both the old Evangelical type of officer. However this may be,
it is certain that when the general mounted again he was still talking
earnestly to Murray; and that as he walked his horse slowly down the road
towards the river, the tall Ulsterman still walked by his bridle rein in
earnest debate. The soldiers watched the two until they vanished behind a
clump of trees where the road turned towards the river. The colonel had
gone back to his tent, and the men to their pickets; the man with the
diary lingered for another four minutes, and saw a marvellous sight.</p>
<p>“The great white horse which had marched slowly down the road, as it had
marched in so many processions, flew back, galloping up the road towards
them as if it were mad to win a race. At first they thought it had run
away with the man on its back; but they soon saw that the general, a fine
rider, was himself urging it to full speed. Horse and man swept up to them
like a whirlwind; and then, reining up the reeling charger, the general
turned on them a face like flame, and called for the colonel like the
trumpet that wakes the dead.</p>
<p>“I conceive that all the earthquake events of that catastrophe tumbled on
top of each other rather like lumber in the minds of men such as our
friend with the diary. With the dazed excitement of a dream, they found
themselves falling—literally falling—into their ranks, and
learned that an attack was to be led at once across the river. The general
and the major, it was said, had found out something at the bridge, and
there was only just time to strike for life. The major had gone back at
once to call up the reserve along the road behind; it was doubtful if even
with that prompt appeal help could reach them in time. But they must pass
the stream that night, and seize the heights by morning. It is with the
very stir and throb of that romantic nocturnal march that the diary
suddenly ends.”</p>
<p>Father Brown had mounted ahead; for the woodland path grew smaller,
steeper, and more twisted, till they felt as if they were ascending a
winding staircase. The priest’s voice came from above out of the darkness.</p>
<p>“There was one other little and enormous thing. When the general urged
them to their chivalric charge he half drew his sword from the scabbard;
and then, as if ashamed of such melodrama, thrust it back again. The sword
again, you see.”</p>
<p>A half-light broke through the network of boughs above them, flinging the
ghost of a net about their feet; for they were mounting again to the faint
luminosity of the naked night. Flambeau felt truth all round him as an
atmosphere, but not as an idea. He answered with bewildered brain: “Well,
what’s the matter with the sword? Officers generally have swords, don’t
they?”</p>
<p>“They are not often mentioned in modern war,” said the other
dispassionately; “but in this affair one falls over the blessed sword
everywhere.”</p>
<p>“Well, what is there in that?” growled Flambeau; “it was a twopence
coloured sort of incident; the old man’s blade breaking in his last
battle. Anyone might bet the papers would get hold of it, as they have. On
all these tombs and things it’s shown broken at the point. I hope you
haven’t dragged me through this Polar expedition merely because two men
with an eye for a picture saw St. Clare’s broken sword.”</p>
<p>“No,” cried Father Brown, with a sharp voice like a pistol shot; “but who
saw his unbroken sword?”</p>
<p>“What do you mean?” cried the other, and stood still under the stars. They
had come abruptly out of the grey gates of the wood.</p>
<p>“I say, who saw his unbroken sword?” repeated Father Brown obstinately.
“Not the writer of the diary, anyhow; the general sheathed it in time.”</p>
<p>Flambeau looked about him in the moonlight, as a man struck blind might
look in the sun; and his friend went on, for the first time with
eagerness:</p>
<p>“Flambeau,” he cried, “I cannot prove it, even after hunting through the
tombs. But I am sure of it. Let me add just one more tiny fact that tips
the whole thing over. The colonel, by a strange chance, was one of the
first struck by a bullet. He was struck long before the troops came to
close quarters. But he saw St. Clare’s sword broken. Why was it broken?
How was it broken? My friend, it was broken before the battle.”</p>
<p>“Oh!” said his friend, with a sort of forlorn jocularity; “and pray where
is the other piece?”</p>
<p>“I can tell you,” said the priest promptly. “In the northeast corner of
the cemetery of the Protestant Cathedral at Belfast.”</p>
<p>“Indeed?” inquired the other. “Have you looked for it?”</p>
<p>“I couldn’t,” replied Brown, with frank regret. “There’s a great marble
monument on top of it; a monument to the heroic Major Murray, who fell
fighting gloriously at the famous Battle of the Black River.”</p>
<p>Flambeau seemed suddenly galvanised into existence. “You mean,” he cried
hoarsely, “that General St. Clare hated Murray, and murdered him on the
field of battle because—”</p>
<p>“You are still full of good and pure thoughts,” said the other. “It was
worse than that.”</p>
<p>“Well,” said the large man, “my stock of evil imagination is used up.”</p>
<p>The priest seemed really doubtful where to begin, and at last he said
again:</p>
<p>“Where would a wise man hide a leaf? In the forest.”</p>
<p>The other did not answer.</p>
<p>“If there were no forest, he would make a forest. And if he wished to hide
a dead leaf, he would make a dead forest.”</p>
<p>There was still no reply, and the priest added still more mildly and
quietly:</p>
<p>“And if a man had to hide a dead body, he would make a field of dead
bodies to hide it in.”</p>
<p>Flambeau began to stamp forward with an intolerance of delay in time or
space; but Father Brown went on as if he were continuing the last
sentence:</p>
<p>“Sir Arthur St. Clare, as I have already said, was a man who read his
Bible. That was what was the matter with him. When will people understand
that it is useless for a man to read his Bible unless he also reads
everybody else’s Bible? A printer reads a Bible for misprints. A Mormon
reads his Bible, and finds polygamy; a Christian Scientist reads his, and
finds we have no arms and legs. St. Clare was an old Anglo-Indian
Protestant soldier. Now, just think what that might mean; and, for
Heaven’s sake, don’t cant about it. It might mean a man physically
formidable living under a tropic sun in an Oriental society, and soaking
himself without sense or guidance in an Oriental Book. Of course, he read
the Old Testament rather than the New. Of course, he found in the Old
Testament anything that he wanted—lust, tyranny, treason. Oh, I dare
say he was honest, as you call it. But what is the good of a man being
honest in his worship of dishonesty?</p>
<p>“In each of the hot and secret countries to which the man went he kept a
harem, he tortured witnesses, he amassed shameful gold; but certainly he
would have said with steady eyes that he did it to the glory of the Lord.
My own theology is sufficiently expressed by asking which Lord? Anyhow,
there is this about such evil, that it opens door after door in hell, and
always into smaller and smaller chambers. This is the real case against
crime, that a man does not become wilder and wilder, but only meaner and
meaner. St. Clare was soon suffocated by difficulties of bribery and
blackmail; and needed more and more cash. And by the time of the Battle of
the Black River he had fallen from world to world to that place which
Dante makes the lowest floor of the universe.”</p>
<p>“What do you mean?” asked his friend again.</p>
<p>“I mean that,” retorted the cleric, and suddenly pointed at a puddle
sealed with ice that shone in the moon. “Do you remember whom Dante put in
the last circle of ice?”</p>
<p>“The traitors,” said Flambeau, and shuddered. As he looked around at the
inhuman landscape of trees, with taunting and almost obscene outlines, he
could almost fancy he was Dante, and the priest with the rivulet of a
voice was, indeed, a Virgil leading him through a land of eternal sins.</p>
<p>The voice went on: “Olivier, as you know, was quixotic, and would not
permit a secret service and spies. The thing, however, was done, like many
other things, behind his back. It was managed by my old friend Espado; he
was the bright-clad fop, whose hook nose got him called the Vulture.
Posing as a sort of philanthropist at the front, he felt his way through
the English Army, and at last got his fingers on its one corrupt man—please
God!—and that man at the top. St. Clare was in foul need of money,
and mountains of it. The discredited family doctor was threatening those
extraordinary exposures that afterwards began and were broken off; tales
of monstrous and prehistoric things in Park Lane; things done by an
English Evangelist that smelt like human sacrifice and hordes of slaves.
Money was wanted, too, for his daughter’s dowry; for to him the fame of
wealth was as sweet as wealth itself. He snapped the last thread,
whispered the word to Brazil, and wealth poured in from the enemies of
England. But another man had talked to Espado the Vulture as well as he.
Somehow the dark, grim young major from Ulster had guessed the hideous
truth; and when they walked slowly together down that road towards the
bridge Murray was telling the general that he must resign instantly, or be
court-martialled and shot. The general temporised with him till they came
to the fringe of tropic trees by the bridge; and there by the singing
river and the sunlit palms (for I can see the picture) the general drew
his sabre and plunged it through the body of the major.”</p>
<p>The wintry road curved over a ridge in cutting frost, with cruel black
shapes of bush and thicket; but Flambeau fancied that he saw beyond it
faintly the edge of an aureole that was not starlight and moonlight, but
some fire such as is made by men. He watched it as the tale drew to its
close.</p>
<p>“St. Clare was a hell-hound, but he was a hound of breed. Never, I’ll
swear, was he so lucid and so strong as when poor Murray lay a cold lump
at his feet. Never in all his triumphs, as Captain Keith said truly, was
the great man so great as he was in this last world-despised defeat. He
looked coolly at his weapon to wipe off the blood; he saw the point he had
planted between his victim’s shoulders had broken off in the body. He saw
quite calmly, as through a club windowpane, all that must follow. He saw
that men must find the unaccountable corpse; must extract the
unaccountable sword-point; must notice the unaccountable broken sword—or
absence of sword. He had killed, but not silenced. But his imperious
intellect rose against the facer; there was one way yet. He could make the
corpse less unaccountable. He could create a hill of corpses to cover this
one. In twenty minutes eight hundred English soldiers were marching down
to their death.”</p>
<p>The warmer glow behind the black winter wood grew richer and brighter, and
Flambeau strode on to reach it. Father Brown also quickened his stride;
but he seemed merely absorbed in his tale.</p>
<p>“Such was the valour of that English thousand, and such the genius of
their commander, that if they had at once attacked the hill, even their
mad march might have met some luck. But the evil mind that played with
them like pawns had other aims and reasons. They must remain in the
marshes by the bridge at least till British corpses should be a common
sight there. Then for the last grand scene; the silver-haired
soldier-saint would give up his shattered sword to save further slaughter.
Oh, it was well organised for an impromptu. But I think (I cannot prove),
I think that it was while they stuck there in the bloody mire that someone
doubted—and someone guessed.”</p>
<p>He was mute a moment, and then said: “There is a voice from nowhere that
tells me the man who guessed was the lover... the man to wed the old man’s
child.”</p>
<p>“But what about Olivier and the hanging?” asked Flambeau.</p>
<p>“Olivier, partly from chivalry, partly from policy, seldom encumbered his
march with captives,” explained the narrator. “He released everybody in
most cases. He released everybody in this case.”</p>
<p>“Everybody but the general,” said the tall man.</p>
<p>“Everybody,” said the priest.</p>
<p>Flambeau knit his black brows. “I don’t grasp it all yet,” he said.</p>
<p>“There is another picture, Flambeau,” said Brown in his more mystical
undertone. “I can’t prove it; but I can do more—I can see it. There
is a camp breaking up on the bare, torrid hills at morning, and Brazilian
uniforms massed in blocks and columns to march. There is the red shirt and
long black beard of Olivier, which blows as he stands, his broad-brimmed
hat in his hand. He is saying farewell to the great enemy he is setting
free—the simple, snow-headed English veteran, who thanks him in the
name of his men. The English remnant stand behind at attention; beside
them are stores and vehicles for the retreat. The drums roll; the
Brazilians are moving; the English are still like statues. So they abide
till the last hum and flash of the enemy have faded from the tropic
horizon. Then they alter their postures all at once, like dead men coming
to life; they turn their fifty faces upon the general—faces not to
be forgotten.”</p>
<p>Flambeau gave a great jump. “Ah,” he cried, “you don’t mean—”</p>
<p>“Yes,” said Father Brown in a deep, moving voice. “It was an English hand
that put the rope round St. Clare’s neck; I believe the hand that put the
ring on his daughter’s finger. They were English hands that dragged him up
to the tree of shame; the hands of men that had adored him and followed
him to victory. And they were English souls (God pardon and endure us
all!) who stared at him swinging in that foreign sun on the green gallows
of palm, and prayed in their hatred that he might drop off it into hell.”</p>
<p>As the two topped the ridge there burst on them the strong scarlet light
of a red-curtained English inn. It stood sideways in the road, as if
standing aside in the amplitude of hospitality. Its three doors stood open
with invitation; and even where they stood they could hear the hum and
laughter of humanity happy for a night.</p>
<p>“I need not tell you more,” said Father Brown. “They tried him in the
wilderness and destroyed him; and then, for the honour of England and of
his daughter, they took an oath to seal up for ever the story of the
traitor’s purse and the assassin’s sword blade. Perhaps—Heaven help
them—they tried to forget it. Let us try to forget it, anyhow; here
is our inn.”</p>
<p>“With all my heart,” said Flambeau, and was just striding into the bright,
noisy bar when he stepped back and almost fell on the road.</p>
<p>“Look there, in the devil’s name!” he cried, and pointed rigidly at the
square wooden sign that overhung the road. It showed dimly the crude shape
of a sabre hilt and a shortened blade; and was inscribed in false archaic
lettering, “The Sign of the Broken Sword.”</p>
<p>“Were you not prepared?” asked Father Brown gently. “He is the god of this
country; half the inns and parks and streets are named after him and his
story.”</p>
<p>“I thought we had done with the leper,” cried Flambeau, and spat on the
road.</p>
<p>“You will never have done with him in England,” said the priest, looking
down, “while brass is strong and stone abides. His marble statues will
erect the souls of proud, innocent boys for centuries, his village tomb
will smell of loyalty as of lilies. Millions who never knew him shall love
him like a father—this man whom the last few that knew him dealt
with like dung. He shall be a saint; and the truth shall never be told of
him, because I have made up my mind at last. There is so much good and
evil in breaking secrets, that I put my conduct to a test. All these
newspapers will perish; the anti-Brazil boom is already over; Olivier is
already honoured everywhere. But I told myself that if anywhere, by name,
in metal or marble that will endure like the pyramids, Colonel Clancy, or
Captain Keith, or President Olivier, or any innocent man was wrongly
blamed, then I would speak. If it were only that St. Clare was wrongly
praised, I would be silent. And I will.”</p>
<p>They plunged into the red-curtained tavern, which was not only cosy, but
even luxurious inside. On a table stood a silver model of the tomb of St.
Clare, the silver head bowed, the silver sword broken. On the walls were
coloured photographs of the same scene, and of the system of wagonettes
that took tourists to see it. They sat down on the comfortable padded
benches.</p>
<p>“Come, it’s cold,” cried Father Brown; “let’s have some wine or beer.”</p>
<p>“Or brandy,” said Flambeau.</p>
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