<p><SPAN name="15"></SPAN> </p>
<h3>Chapter XV<br/> <br/> <span class="smallcaps">Tom Towers, Dr Anticant, and Mr Sentiment</span></h3>
<p> </p>
<p>"Ah, Bold! how are you? You haven't breakfasted?"</p>
<p>"Oh yes, hours ago. And how are you?"</p>
<p>When one Esquimau meets another, do the two, as an
invariable rule, ask after each other's health? is it inherent in
all human nature to make this obliging inquiry? Did any reader
of this tale ever meet any friend or acquaintance without asking
some such question, and did anyone ever listen to the reply?
Sometimes a studiously courteous questioner will show so much
thought in the matter as to answer it himself, by declaring that
had he looked at you he needn't have asked; meaning thereby to
signify that you are an absolute personification of health: but
such persons are only those who premeditate small effects.</p>
<p>"I suppose you're busy?" inquired Bold.</p>
<p>"Why, yes, rather;—or I should say rather not. If I have a
leisure hour in the day, this is it."</p>
<p>"I want to ask you if you can oblige me in a certain matter."</p>
<p>Towers understood in a moment, from the tone of his
friend's voice, that the certain matter referred to the
newspaper. He smiled, and nodded his head, but made no promise.</p>
<p>"You know this lawsuit that I've been engaged in," said Bold.</p>
<p>Tom Towers intimated that he was aware of the action
which was pending about the hospital.</p>
<p>"Well, I've abandoned it."</p>
<p>Tom Towers merely raised his eyebrows, thrust his hands
into his trowsers pockets, and waited for his friend to proceed.</p>
<p>"Yes, I've given it up. I needn't trouble you with all the
history; but the fact is that the conduct of Mr Harding—Mr
Harding is the—"</p>
<p>"Oh yes, the master of the place; the man who takes all
the money and does nothing," said Tom Towers, interrupting him.</p>
<p>"Well, I don't know about that; but his conduct in the
matter has been so excellent, so little selfish, so open, that I
cannot proceed in the matter to his detriment." Bold's heart
misgave him as to Eleanor as he said this; and yet he felt that
what he said was not untrue. "I think nothing should now be
done till the wardenship be vacant."</p>
<p>"And be again filled," said Towers, "as it certainly would,
before anyone heard of the vacancy; and the same objection
would again exist. It's an old story, that of the vested rights of
the incumbent; but suppose the incumbent has only a vested
wrong, and that the poor of the town have a vested right, if they
only knew how to get at it: is not that something the case here?"</p>
<p>Bold couldn't deny it, but thought it was one of those cases
which required a good deal of management before any real
good could be done. It was a pity that he had not considered
this before he crept into the lion's mouth, in the shape of an
attorney's office.</p>
<p>"It will cost you a good deal, I fear," said Towers.</p>
<p>"A few hundreds," said Bold—"perhaps three hundred; I
can't help that, and am prepared for it."</p>
<p>"That's philosophical. It's quite refreshing to hear a man
talking of his hundreds in so purely indifferent a manner.
But I'm sorry you are giving the matter up. It injures a man
to commence a thing of this kind, and not carry it through.
Have you seen that?" and he threw a small pamphlet across
the table, which was all but damp from the press.</p>
<p>Bold had not seen it nor heard of it; but he was well
acquainted with the author of it,—a gentleman whose pamphlets,
condemnatory of all things in these modern days, had been a
good deal talked about of late.</p>
<p>Dr Pessimist Anticant was a Scotchman, who had passed a
great portion of his early days in Germany; he had studied
there with much effect, and had learnt to look with German
subtilty into the root of things, and to examine for himself
their intrinsic worth and worthlessness. No man ever resolved
more bravely than he to accept as good nothing that was
evil; to banish from him as evil nothing that was good.
'Tis a pity that he should not have recognised the fact, that in
this world no good is unalloyed, and that there is but little evil
that has not in it some seed of what is goodly.</p>
<p>Returning from Germany, he had astonished the reading
public by the vigour of his thoughts, put forth in the quaintest
language. He cannot write English, said the critics. No
matter, said the public; we can read what he does write, and
that without yawning. And so Dr Pessimist Anticant became
popular. Popularity spoilt him for all further real use, as it
has done many another. While, with some diffidence, he
confined his objurgations to the occasional follies or
shortcomings of mankind; while he ridiculed the energy of the
squire devoted to the slaughter of partridges, or the mistake
of some noble patron who turned a poet into a gauger of
beer-barrels, it was all well; we were glad to be told our
faults and to look forward to the coming millennium, when all
men, having sufficiently studied the works of Dr Anticant, would
become truthful and energetic. But the doctor mistook the
signs of the times and the minds of men, instituted himself
censor of things in general, and began the great task of
reprobating everything and everybody, without further promise of
any millennium at all. This was not so well; and, to tell the
truth, our author did not succeed in his undertaking. His
theories were all beautiful, and the code of morals that he
taught us certainly an improvement on the practices of the
age. We all of us could, and many of us did, learn much from
the doctor while he chose to remain vague, mysterious, and
cloudy: but when he became practical, the charm was gone.</p>
<p>His allusion to the poet and the partridges was received
very well. "Oh, my poor brother," said he, "slaughtered
partridges a score of brace to each gun, and poets gauging
ale-barrels, with sixty pounds a year, at Dumfries, are not the
signs of a great era!—perhaps of the smallest possible era yet
written of. Whatever economies we pursue, political or other,
let us see at once that this is the maddest of the uneconomic:
partridges killed by our land magnates at, shall we say, a
guinea a head, to be retailed in Leadenhall at one shilling and
ninepence, with one poacher in limbo for every fifty birds!
our poet, maker, creator, gauging ale, and that badly, with no
leisure for making or creating, only a little leisure for drinking,
and such like beer-barrel avocations! Truly, a cutting of
blocks with fine razors while we scrape our chins so
uncomfortably with rusty knives! Oh, my political economist,
master of supply and demand, division of labour and high
pressure,—oh, my loud-speaking friend, tell me, if so much be
in you, what is the demand for poets in these kingdoms of
Queen Victoria, and what the vouchsafed supply?"</p>
<p>This was all very well: this gave us some hope. We might
do better with our next poet, when we got one; and though
the partridges might not be abandoned, something could perhaps
be done as to the poachers. We were unwilling, however,
to take lessons in politics from so misty a professor; and
when he came to tell us that the heroes of Westminster were
naught, we began to think that he had written enough. His
attack upon despatch boxes was not thought to have much in
it; but as it is short, the doctor shall again be allowed to
speak his sentiments.<br/> </p>
<blockquote><blockquote>
<p>Could utmost ingenuity in the management of red tape avail
anything to men lying gasping,—we may say, all but dead; could
despatch boxes with never-so-much velvet lining and Chubb's patent
be of comfort to a people <i>in extremis</i>, I also, with so many
others, would, with parched tongue, call on the name of Lord John
Russell; or, my brother, at your advice, on Lord Aberdeen; or, my
cousin, on Lord Derby, at yours; being, with my parched tongue,
indifferent to such matters. 'Tis all one. Oh, Derby! Oh,
Gladstone! Oh, Palmerston! Oh, Lord John! Each comes running with
serene face and despatch box. Vain physicians! though there were
hosts of such, no despatch box will cure this disorder! What! are
there other doctors' new names, disciples who have not burdened their
souls with tape? Well, let us call again. Oh, Disraeli, great
oppositionist, man of the bitter brow! or, Oh, Molesworth, great
reformer, thou who promisest Utopia. They come; each with that serene
face, and each,—alas, me! alas, my country!—each with a despatch
box!</p>
<p>Oh, the serenity of Downing Street!</p>
<p>My brothers, when hope was over on the battle-field, when
no dimmest chance of victory remained, the ancient Roman
could hide his face within his toga, and die gracefully. Can
you and I do so now? If so, 'twere best for us; if not, oh my
brothers, we must die disgracefully, for hope of life and victory
I see none left to us in this world below. I for one cannot trust
much to serene face and despatch box!<br/> </p>
</blockquote></blockquote>
<p>There might be truth in this, there might be depth of reasoning;
but Englishmen did not see enough in the argument to
induce them to withdraw their confidence from the present
arrangements of the government, and Dr Anticant's monthly
pamphlet on the decay of the world did not receive so much
attention as his earlier works. He did not confine himself to
politics in these publications, but roamed at large over all
matters of public interest, and found everything bad. According
to him nobody was true, and not only nobody, but nothing;
a man could not take off his hat to a lady without telling
a lie;—the lady would lie again in smiling. The ruffles of the
gentleman's shirt would be fraught with deceit, and the lady's
flounces full of falsehood. Was ever anything more severe than
that attack of his on chip bonnets, or the anathemas with which
he endeavoured to dust the powder out of the bishops' wigs?</p>
<p>The pamphlet which Tom Towers now pushed across the
table was entitled "Modern Charity," and was written with the
view of proving how much in the way of charity was done by
our predecessors,—how little by the present age; and it ended
by a comparison between ancient and modern times, very
little to the credit of the latter.</p>
<p>"Look at this," said Towers, getting up and turning over the
pages of the pamphlet, and pointing to a passage near the end.
"Your friend the warden, who is so little selfish, won't like that,
I fear." Bold read as follows—<br/> </p>
<blockquote><blockquote>
<p>Heavens, what a sight! Let us with eyes wide open see the
godly man of four centuries since, the man of the dark ages;
let us see how he does his godlike work, and, again, how the
godly man of these latter days does his.</p>
<p>Shall we say that the former is one walking painfully
through the world, regarding, as a prudent man, his worldly
work, prospering in it as a diligent man will prosper, but
always with an eye to that better treasure to which thieves do
not creep in? Is there not much nobility in that old man, as,
leaning on his oaken staff, he walks down the High Street of his
native town, and receives from all courteous salutation and
acknowledgment of his worth? A noble old man, my august
inhabitants of Belgrave Square and such like vicinity,—a very
noble old man, though employed no better than in the wholesale
carding of wool.</p>
<p>This carding of wool, however, did in those days bring with
it much profit, so that our ancient friend, when dying, was
declared, in whatever slang then prevailed, to cut up exceeding
well. For sons and daughters there was ample sustenance with
assistance of due industry; for friends and relatives some relief
for grief at this great loss; for aged dependents comfort in
declining years. This was much for one old man to get done
in that dark fifteenth century. But this was not all: coming
generations of poor wool-carders should bless the name of this
rich one; and a hospital should be founded and endowed with
his wealth for the feeding of such of the trade as could not, by
diligent carding, any longer duly feed themselves.</p>
<p>'Twas thus that an old man in the fifteenth century did his
godlike work to the best of his power, and not ignobly, as
appears to me.</p>
<p>We will now take our godly man of latter days. He shall
no longer be a wool-carder, for such are not now men of mark.
We will suppose him to be one of the best of the good, one who
has lacked no opportunities. Our old friend was, after all, but
illiterate; our modern friend shall be a man educated in all
seemly knowledge; he shall, in short, be that blessed being,—a
clergyman of the Church of England!</p>
<p>And now, in what perfectest manner does he in this
lower world get his godlike work done and put out of hand?
Heavens! in the strangest of manners. Oh, my brother! in
a manner not at all to be believed, but by the most minute
testimony of eyesight. He does it by the magnitude of his
appetite,—by the power of his gorge; his only occupation is
to swallow the bread prepared with so much anxious care for
these impoverished carders of wool,—that, and to sing
indifferently through his nose once in the week some psalm
more or less long,—the shorter the better, we should be
inclined to say.</p>
<p>Oh, my civilised friends!—great Britons that never will be
slaves, men advanced to infinite state of freedom and knowledge
of good and evil;—tell me, will you, what becoming
monument you will erect to an highly-educated clergyman of
the Church of England?<br/> </p>
</blockquote></blockquote>
<p>Bold certainly thought that his friend would not like that:
he could not conceive anything that he would like less than
this. To what a world of toil and trouble had he, Bold, given
rise by his indiscreet attack upon the hospital!</p>
<p>"You see," said Towers, "that this affair has been much
talked of, and the public are with you. I am sorry you should
give the matter up. Have you seen the first number of 'The
Almshouse'?"</p>
<p>No; Bold had not seen "The Almshouse." He had seen
advertisements of Mr Popular Sentiment's new novel of that
name, but had in no way connected it with Barchester Hospital,
and had never thought a moment on the subject.</p>
<p>"It's a direct attack on the whole system," said Towers.
"It'll go a long way to put down Rochester, and Barchester,
and Dulwich, and St Cross, and all such hotbeds of peculation.
It's very clear that Sentiment has been down to Barchester,
and got up the whole story there; indeed, I thought he must
have had it all from you; it's very well done, as you'll see: his
first numbers always are."</p>
<p>Bold declared that Mr Sentiment had got nothing from
him, and that he was deeply grieved to find that the case had
become so notorious.</p>
<p>"The fire has gone too far to be quenched," said Towers;
"the building must go now; and as the timbers are all rotten,
why, I should be inclined to say, the sooner the better. I
expected to see you get some <i>éclat</i> in the matter."</p>
<p>This was all wormwood to Bold. He had done enough to
make his friend the warden miserable for life, and had then
backed out just when the success of his project was sufficient
to make the question one of real interest. How weakly he had
managed his business! he had already done the harm, and
then stayed his hand when the good which he had in view was
to be commenced. How delightful would it have been to have
employed all his energy in such a cause,—to have been backed
by <i>The Jupiter</i>, and written up to by
two of the most popular
authors of the day! The idea opened a view into the very
world in which he wished to live. To what might it not have
given rise? what delightful intimacies,—what public praise,—to
what Athenian banquets and rich flavour of Attic salt?</p>
<p>This, however, was now past hope. He had pledged himself
to abandon the cause; and could he have forgotten the pledge,
he had gone too far to retreat. He was now, this moment,
sitting in Tom Towers' room with the object of deprecating
any further articles in <i>The Jupiter</i>, and,
greatly as he disliked
the job, his petition to that effect must be made.</p>
<p>"I couldn't continue it," said he, "because I found I was in
the wrong."</p>
<p>Tom Towers shrugged his shoulders. How could a successful
man be in the wrong! "In that case," said he, "of course
you must abandon it."</p>
<p>"And I called this morning to ask you also to abandon it,"
said Bold.</p>
<p>"To ask me," said Tom Towers, with the most placid of
smiles, and a consummate look of gentle surprise, as though
Tom Towers was well aware that he of all men was the last
to meddle in such matters.</p>
<p>"Yes," said Bold, almost trembling with hesitation.
"<i>The Jupiter</i>, you know, has taken
the matter up very strongly.
Mr Harding has felt what it has said deeply; and I thought
that if I could explain to you that he personally has not been
to blame, these articles might be discontinued."</p>
<p>How calmly impassive was Tom Towers' face, as this
innocent little proposition was made! Had Bold addressed
himself to the doorposts in Mount Olympus, they would have
shown as much outward sign of assent or dissent. His quiescence
was quite admirable; his discretion certainly more than human.</p>
<p>"My dear fellow," said he, when Bold had quite done
speaking, "I really cannot answer for <i>The Jupiter</i>."</p>
<p>"But if you saw that these articles were unjust, I think that
you would endeavour to put a stop to them. Of course nobody
doubts that you could, if you chose."</p>
<p>"Nobody and everybody are always very kind, but unfortunately
are generally very wrong."</p>
<p>"Come, come, Towers," said Bold, plucking up his courage,
and remembering that for Eleanor's sake he was bound to
make his best exertion; "I have no doubt in my own mind but
that you wrote the articles yourself, and very well written they
were: it will be a great favour if you will in future abstain
from any personal allusion to poor Harding."</p>
<p>"My dear Bold," said Tom Towers, "I have a sincere regard
for you. I have known you for many years, and value your
friendship; I hope you will let me explain to you, without
offence, that none who are connected with the public press
can with propriety listen to interference."</p>
<p>"Interference!" said Bold, "I don't want to interfere."</p>
<p>"Ah, but, my dear fellow, you do; what else is it? You
think that I am able to keep certain remarks out of a newspaper.
Your information is probably incorrect, as most public gossip
on such subjects is; but, at any rate, you think I have such
power, and you ask me to use it: now that is interference."</p>
<p>"Well, if you choose to call it so."</p>
<p>"And now suppose for a moment that I had this power, and
used it as you wish: isn't it clear that it would be a great
abuse? Certain men are employed in writing for the public
press; and if they are induced either to write or to abstain
from writing by private motives, surely the public press would
soon be of little value. Look at the recognised worth of
different newspapers, and see if it does not mainly depend on the
assurance which the public feel that such a paper is, or is not,
independent. You alluded to <i>The Jupiter</i>: surely
you cannot but see that the weight of <i>The
Jupiter</i> is too great to be moved
by any private request, even though it should be made to a
much more influential person than myself: you've only to
think of this, and you'll see that I am right."</p>
<p>The discretion of Tom Towers was boundless: there was no
contradicting what he said, no arguing against such propositions.
He took such high ground that there was no getting on to
it. "The public is defrauded," said he, "whenever private
considerations are allowed to have weight." Quite true, thou
greatest oracle of the middle of the nineteenth century, thou
sententious proclaimer of the purity of the press;—the public
is defrauded when it is purposely misled. Poor public! how
often is it misled! against what a world of fraud has it to
contend!</p>
<p>Bold took his leave, and got out of the room as quickly as he
could, inwardly denouncing his friend Tom Towers as a prig
and a humbug. "I know he wrote those articles," said Bold to
himself. "I know he got his information from me. He was
ready enough to take my word for gospel when it suited his
own views, and to set Mr Harding up before the public as an
impostor on no other testimony than my chance conversation;
but when I offer him real evidence opposed to his own views,
he tells me that private motives are detrimental to public
justice! Confound his arrogance! What is any public question
but a conglomeration of private interests? What is any
newspaper article but an expression of the views taken by one
side? Truth! it takes an age to ascertain the truth of any
question! The idea of Tom Towers talking of public motives and
purity of purpose! Why, it wouldn't give him a moment's uneasiness
to change his politics to-morrow, if the paper required it."</p>
<p>Such were John Bold's inward exclamations as he made his
way out of the quiet labyrinth of the Temple; and yet there
was no position of worldly power so coveted in Bold's ambition
as that held by the man of whom he was thinking. It was the
impregnability of the place which made Bold so angry with
the possessor of it, and it was the same quality which made it
appear so desirable.</p>
<p>Passing into the Strand, he saw in a bookseller's window an
announcement of the first number of "The Almshouse;" so he
purchased a copy, and hurrying back to his lodgings, proceeded
to ascertain what Mr Popular Sentiment had to say to the
public on the subject which had lately occupied so much
of his own attention.</p>
<p>In former times great objects were attained by great work.
When evils were to be reformed, reformers set about their
heavy task with grave decorum and laborious argument. An
age was occupied in proving a grievance, and philosophical
researches were printed in folio pages, which it took a life to
write, and an eternity to read. We get on now with a lighter
step, and quicker: ridicule is found to be more convincing
than argument, imaginary agonies touch more than true
sorrows, and monthly novels convince, when learned quartos
fail to do so. If the world is to be set right, the work will
be done by shilling numbers.</p>
<p>Of all such reformers Mr Sentiment is the most powerful.
It is incredible the number of evil practices he has put down:
it is to be feared he will soon lack subjects, and that when he
has made the working classes comfortable, and got bitter beer
put into proper-sized pint bottles, there will be nothing further
for him left to do. Mr Sentiment is certainly a very powerful
man, and perhaps not the less so that his good poor people are
so very good; his hard rich people so very hard; and the
genuinely honest so very honest. Namby-pamby in these days
is not thrown away if it be introduced in the proper quarters.
Divine peeresses are no longer interesting, though possessed of
every virtue; but a pattern peasant or an immaculate manufacturing
hero may talk as much twaddle as one of Mrs Ratcliffe's
heroines, and still be listened to. Perhaps, however, Mr
Sentiment's great attraction is in his second-rate characters.
If his heroes and heroines walk upon stilts, as heroes
and heroines, I fear, ever must, their attendant satellites are
as natural as though one met them in the street: they walk
and talk like men and women, and live among our friends a
rattling, lively life; yes, live, and will live till the names of
their calling shall be forgotten in their own, and Buckett and
Mrs Gamp will be the only words left to us to signify a detective
police officer or a monthly nurse.</p>
<p>"The Almshouse" opened with a scene in a clergyman's house.
Every luxury to be purchased by wealth was described as being
there: all the appearances of household indulgence generally
found amongst the most self-indulgent of the rich were crowded
into this abode. Here the reader was introduced to the demon
of the book, the Mephistopheles of the drama. What story
was ever written without a demon? What novel, what history,
what work of any sort, what world, would be perfect without
existing principles both of good and evil? The demon of "The
Almshouse" was the clerical owner of this comfortable abode.
He was a man well stricken in years, but still strong to do evil:
he was one who looked cruelly out of a hot, passionate, bloodshot
eye; who had a huge red nose with a carbuncle, thick lips,
and a great double, flabby chin, which swelled out into
solid substance, like a turkey-cock's comb, when sudden anger
inspired him: he had a hot, furrowed, low brow, from which
a few grizzled hairs were not yet rubbed off by the friction of
his handkerchief: he wore a loose unstarched white handkerchief,
black loose ill-made clothes, and huge loose shoes,
adapted to many corns and various bunions: his husky voice
told tales of much daily port wine, and his language was not
so decorous as became a clergyman. Such was the master of
Mr Sentiment's "Almshouse." He was a widower, but at present
accompanied by two daughters, and a thin and somewhat
insipid curate. One of the young ladies was devoted to her
father and the fashionable world, and she of course was the
favourite; the other was equally addicted to Puseyism and
the curate.</p>
<p>The second chapter of course introduced the reader to the
more especial inmates of the hospital. Here were discovered
eight old men; and it was given to be understood that four
vacancies remained unfilled, through the perverse ill-nature
of the clerical gentleman with the double chin. The state of
these eight paupers was touchingly dreadful: sixpence-farthing
a day had been sufficient for their diet when the almshouse was
founded; and on sixpence-farthing a day were they still
doomed to starve, though food was four times as dear, and
money four times as plentiful. It was shocking to find how the
conversation of these eight starved old men in their dormitory
shamed that of the clergyman's family in his rich drawing-room.
The absolute words they uttered were not perhaps
spoken in the purest English, and it might be difficult to
distinguish from their dialect to what part of the country they
belonged; the beauty of the sentiment, however, amply
atoned for the imperfection of the language; and it was really
a pity that these eight old men could not be sent through the
country as moral missionaries, instead of being immured and
starved in that wretched almshouse.</p>
<p>Bold finished the number; and as he threw it aside, he
thought that that at least had no direct appliance to Mr Harding,
and that the absurdly strong colouring of the picture would
disenable the work from doing either good or harm. He was
wrong. The artist who paints for the million must use glaring
colours, as no one knew better than Mr Sentiment when he
described the inhabitants of his almshouse; and the radical
reform which has now swept over such establishments has
owed more to the twenty numbers of Mr Sentiment's novel,
than to all the true complaints which have escaped from the
public for the last half century.</p>
<p> </p>
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