<h2><SPAN name="XI" id="XI"></SPAN>XI</h2>
<h3>AN AFTERNOON CALL</h3>
<p>And so the real Christmas rang its joy-bells, passing over the King
household as if such a thing as a holiday was never thought of.</p>
<p>Polly gave her presents to the girls of her set, and in every way she
and the other members of the household kept up all the delights of the
season, so far as it concerned people outside of their family. But when
all the little and big white-papered gifts for her began to pour into
the care of the butler who attended the door, they were carefully
deposited in a little room off from the main hall, set apart for the
purpose, there to lie untouched until "we have <i>our</i> real Christmas,"
she said.</p>
<p>And as it was arranged with Polly's gifts, so it was to be the order of
proceedings in regard to the presents of every other member of the
family; till the little room seemed fit to burst with richness, and even
Hobson despaired of getting much more in.</p>
<p>"We'll have to get some other place, and that's true enough," he said to
himself, with a sigh, and dumping down a huge box just left at the door.</p>
<p>Joel, racing along the hall at the sound of the arrival, panted, "What
is it? Oh, Hobson, who is it for?" all in the same breath.</p>
<p>"Hold on, Master Joel!" cried Hobson, and feeling of his arm gingerly,
after the eager pinch from Joel's fingers. "Well, it was for you, if you
must know," he said irritably. "But you can't go in," twitching the door
in alarm, and trying to turn the key.</p>
<p>"Oh! I will too; it was mine!" cried Joel, very hot and red faced, and
struggling to squeeze by the portly figure of the butler. "You've no
right to put me out," he fumed.</p>
<p>"Mrs. Whitney gave me this key," said the butler, puffing from his
exertions to keep Joel off with one hand, and to adjust the implement in
its lock with the other. "And I, O bless me," as it slipped from his
fingers and jingled to the floor.</p>
<p>"There,—goody,—O jumbo!" exclaimed Joel, pouncing on it where it fell
on the edge of the rug, then he slipped away from the big hand, and,
prancing off, shook the key high in the air in derision. "Now I can go
in whenever I like. Whoop it up! Yes-sir-ee!"</p>
<p>Hobson, beyond answering, made a dive in his direction, which Joel
quickly eluded, and, the bell ringing again, there could be no further
attempt to rescue the key, and Joel danced off, chuckling triumphantly.
And hopping through the back drawing-room on a short cut across to the
side hall, he rushed up almost into the face of a big figure sitting up
in state on one of the high-backed carved chairs.</p>
<p>"O dear me!" exclaimed Joel, backing out summarily.</p>
<p>"I am very glad to see you, Joel," said Madam Van Ruypen, with her best
smile on, "for I'm going to wait until Mrs. Whitney gets home," and
extending her hand.</p>
<p>Joel, forgetting his key, put hand and all into her black glove.</p>
<p>"Dear me," she said, looking at her palm, "what have we here, Joel?"</p>
<p>"It's a key," blurted Joel, recovering it quickly, "and I can't stay,"
feeling questions in the air, and he was for bolting out again.</p>
<p>"Indeed, you will stay," declared Madam Van Ruypen, coolly; "a talk with
you is the very thing I want! Sit down," and she pointed a black-gloved
finger over to an opposite ottoman. And Joel sat down.</p>
<p>"Now, my dear boy," she said as sweetly as if she had come expressly to
see him, and was quite sure of her welcome, "before your aunt comes
home, I want to talk with you."</p>
<p>"Oh, I'll go and put it back," said Joel, supposing it was all about the
key, and beginning to slide off from his ottoman.</p>
<p>"Put what back?" demanded the old lady with sharp eyes full on him.</p>
<p>"The key," said Joel, fumbling it first in one set of fingers, then in
the other. "I'll—" and he was on his feet.</p>
<p>"Sit down," said Madam Van Ruypen, pointing to the ottoman, and again
Joel sat down with a decided conviction that he didn't like afternoon
calls; and he gazed anxiously at the door to see if by any chance Aunty
Whitney would appear.</p>
<p>"You see, Joel, I depend on you," Madam Van Ruypen was saying.</p>
<p>Joel, all his thoughts on the little room off from the hall, and the
desire which now possessed him to get back the key into the butler's
hands before he could go with his story to Mother Fisher, sat and swung
his feet in dismal silence, every word of the old lady's falling on
heedless ears.</p>
<p>At last she stopped short and surveyed him with smart displeasure.</p>
<p>"You haven't heard a word I've said," she declared sharply.</p>
<p>"No'm," said Joel, promptly; and, coming to himself with an awful
consciousness that here was something dreadful to add to the matter of
the key that now began to quite weigh him down, he stopped swinging his
feet and sat stiffly on the chair.</p>
<p>"Well, do you come straight here," she demanded; and somehow Joel found
himself off from his chair, and over by the old lady's side.</p>
<p>"No, not there; I want you in front where I can look at you," and she
summarily arranged him to her liking. "There you are! Now, Joel,"—she
surveyed him as long as it suited her, Joel not taking his black eyes
from her face,—"do you know what I want this talk with you for?"</p>
<p>"No'm," said Joel.</p>
<p>"Well, I'll tell you; listen, now."</p>
<p>"Yes'm," said Joel, gripping his key tighter than ever.</p>
<p>"You'd much better give me that key," said Madam Van Ruypen, with a
sudden sharp look down at his clenched hand; "you are not attending at
all to what I am saying, Joel."</p>
<p>"Oh, no, no," cried Joel, quite alarmed, and thrusting his fistful back
of him. "O dear! Let me go, ma'am, <i>please do</i>!"</p>
<p>Instead of this request being complied with, Madam Van Ruypen leaned
over and calmly laid a black glove on his hot little fist. "Give it to
me at once," she commanded; "I'll keep it for you until I've said my
say."</p>
<p>"I can't," screamed Joel; "'tisn't mine. O dear me, I can't." Clapping
his other hand on his fist to hold it tighter yet, he wriggled away in
distress to stand in the middle of the floor, the old lady viewing him
with fast-rising choler; at last she arrived at the height of her
displeasure.</p>
<p>"Go away at once," she said coldly, "and send your brother David here.
He's a boy of sense, and the best one, after all, to deal with, seeing
Ben isn't home."</p>
<p>Joel, nearly blinded by the tears that now ran freely down his cheeks,
stumbled out to do as he was bidden, forgetting in his misery the key
still doubled up in his fist. But search high and low as he might, David
could not be found. And at last Joel, quite gone in distress, rushed
into Mother Fisher's room. There was no one in it, and Joel flung
himself down on the wide old sofa, and cried as if his heart would
break.</p>
<p>Meantime Madam Van Ruypen, despairing of Mrs. Whitney's return, and
despite her summons to servants, unable to find a trace of Joel or
David, swept out of the back drawing-room, got into her carriage, and
was driven off home in a very bad frame of mind.</p>
<p>And Joel sobbed on until he could scarcely see out of his eyes, and
still Mother Fisher didn't come. And the butler crossly set the other
Christmas gifts that kept arriving, in a closet under the hall stairs,
much too small a place for them, and everything was about as bad as it
could be.</p>
<p>A smart clap on the back brought Joel up, but he hid his face behind his
hands.</p>
<p>"Phoh! What are you crying for?" It was Van; and he was so delighted to
catch Joel in this plight that he chortled over and over, "Joe Pepper's
been crying!" and he began to dance around the room.</p>
<p>"I haven't," cried Joel, too wild to think of anything but Van's taunts,
and dashing his hands aside.</p>
<p>"Oh, what an <i>awful</i> whopper!" exclaimed Van, coming quite close to peer
up into Joel's face, "and you don't know how you look,—just like that
baboon at the Zoo, with the little squinched-up eyes!" he added
pleasantly.</p>
<p>"I don't care—go 'way!" said Joel, crossly, and flapping out his hands,
regardless of anything but the wild desire to keep Van from a close
inspection. Something jingled as it fell to the floor.</p>
<p>"What's that?" cried Van, dancing away from Joel, and peering with
bright eyes on the carpet.</p>
<p>"It's nothing," screamed Joel, flying down in front of the sofa, and
pawing wildly along the carpet. "I tell you 'tisn't," he kept on
screaming. "Go 'way this minute."</p>
<p>"Oh, now I know you've got something that doesn't belong to you, and
you're keeping it secret from the rest of us." Van threw himself flat on
the floor and tried to crowd in between Joel and the old sofa.</p>
<p>"I haven't; it's mine, it's—it's—Go right away!"</p>
<p>But struggle and push as he might, Van somehow seemed to wedge himself
in; and Joel's poor eyes not allowing him to see much, it was just one
minute, when—"O goody!" The key was in Van's hand, and he was dancing
again in the middle of the room.</p>
<p>Joel sprang to his feet and tossed his stubby black hair off from his
forehead, "You give that right straight back here, Van Whitney!" he
shouted.</p>
<p>"Catch me!" cried Van. Then he swung the key tauntingly over toward
Joel. "Hoh, don't you wish you may get it, Joe Pepper, don't you, now?"</p>
<p>For answer Joel made a blind rush at him, and there they were, flying
around and around in Mother Fisher's room, Van now having all he could
do to look out for himself and keep away from Joel's sturdy fists,
without the care of keys. So he flung his captured prize as far as he
could over into the opposite corner. And hearing it land somewhere, Joel
released him, and ran blindly over where it appeared to strike. And as
Van followed quickly, there really didn't seem to be any chance of
recovering it, at least in peace, with another on its trail who had a
sharp pair of eyes in his head.</p>
<p>Joel turned suddenly, and before Van had the least idea what he was
about, he was seized and hustled off to Mother Fisher's closet, bundled
in, the door slammed to, the key turned in the lock, and there he was.</p>
<p>"Now," said Joel, drawing the first long breath, "I'll get that key easy
enough," and he rushed over to begin operations.</p>
<p>"<i>Let me out!</i>" screamed Van, in muffled accents, and banging on the
closet door.</p>
<p>"Don't you wish you may?" Joel, pawing and prowling frantically along
the floor, found time to hurl him this over his shoulder. Then he rubbed
his smarting eyes and set to work with fresh vigor, not paying any
further attention to Van's entreaties. At last, when it really seemed as
if that key had been possessed of little fairy legs and run off, Joel
pushed aside Mother Fisher's big workstand, a thing he had done at least
three times before, and there it was shining up at him where it had
hidden behind one of the legs!</p>
<p>"I've got you now," cried Joel, jubilantly pouncing on it. And this
time, not daring to trust it in his hands, he thrust it deep within his
pocket, and with never a thought of Van, who had stopped his cries to
listen to Joel, he tore out of the room, and down the stairs, three at a
time.</p>
<p>"Has any one seen Mamsie?" he cried of the first person he met, one of
the under servants passing through the back hall.</p>
<p>"Why, she's gone out with Mrs. Whitney," said the maid.</p>
<p>"Bother!" exploded Joel, dancing impatiently from one foot to the other.</p>
<p>"Yes, they've gone out making calls, I s'pose," said the maid, delighted
to think she had any news to impart.</p>
<p>Joel made a grimace at that, not having at any time a reason for liking
calls, and this afternoon with a positive aversion to them. And that
brought back Madam Van Ruypen unpleasantly to his mind.</p>
<p>"Has she gone?" he asked in a dreadful whisper; and clutching the maid's
arm, "has she, Hannah?"</p>
<p>"Ow!" exclaimed Hannah, edging off quickly. "Yes, I told you she had;
she and Mrs. Whitney, too. You don't need to pinch me to death, Master
Joel, to find out."</p>
<p>"Oh, I don't mean Mamsie," cried Joel, impatiently. "I mean <i>she</i>,—has
<i>she</i> gone?" and pointing off toward the back drawing-room, "Say,
Hannah, has she?"</p>
<p>"Whoever do you mean?" demanded Hannah, glancing over her shoulder in
the direction indicated.</p>
<p>"Why, <i>she</i>," repeated Joel, stamping impatiently to enforce his words,
"Madam Van Ruypen, of course."</p>
<p>"I didn't know she was there," said Hannah, "I'll go and see," and she
started for the back drawing-room door.</p>
<p>"Oh, no, no," cried Joel, in a lively terror, and running after her, he
laid hold of her apron string; "I don't want to know, Hannah; I don't,
really."</p>
<p>"Why, you asked me," snapped Hannah, twitching away the apron string;
"there, now, you've mussed it all up," she added in vexation, and now
quite determined, if for no other reason than to spite Joel, to explore
the back drawing-room, she opened the door and went in.</p>
<p>Joel, seeing she had escaped him, fled precipitately and, not waiting to
restore the key to Hobson, a thing he had intended to do if he couldn't
find Mamsie, now considered out of doors to be the only safe place for
him. For of course Hannah would come for him to go back to Madam Van
Ruypen sitting in dreadful state to receive him. It sent cold chills
down his spine just to think of it! And he rushed madly along down by a
cross cut to the green wicket gate on his way over to Larry Keep's.</p>
<p>"Hullo! Well, you needn't knock a chap down," as some one bumped into
him.</p>
<p>"I didn't. 'Twas you knocked me."</p>
<p>"No such thing," said Larry, recovering himself, "and I was going for
you; and Van, too."</p>
<p>At mention of Van, Joel's face dropped, and all the color rushed out of
it. "O dear me, I forgot; he's in the closet."</p>
<p>"<i>In the closet?</i>" repeated Larry, his blue eyes opening their widest.</p>
<p>"Yes, I shut him up. Oh, come with me." In his distress he seized
Larry's arm, and together they raced, Joel far in advance, up to the big
house.</p>
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