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Shepherd's Life; Impressions Of The South Wiltshire Downs

<h2> CHAPTER II </h2> <h3> SALISBURY AS I SEE IT </h3> <blockquote> The Salisbury of the villager—The cathedral from the meadows—Walks to Wilton and Old Sarum—The spire and a rainbow—Charm of Old Sarum—The devastation—Salisbury from Old Sarum—Leland's description—Salisbury and the village mind—Market-day—The infirmary—The cathedral—The lesson of a child's desire—In the streets again—An Apollo of the downs </blockquote> To the dwellers on the Plain, Salisbury itself is an exceedingly important place—the most important in the world. For if they have seen a greater—London, let us say—it has left but a confused, a phantasmagoric image on the mind, an impression of endless thoroughfares and of innumerable people all apparently in a desperate hurry to do something, yet doing nothing; a labyrinth of streets and wilderness of houses, swarming with beings who have no definite object and no more to do with realities than so many lunatics, and are unconfined because they are so numerous that all the asylums in the world could not contain them. But of Salisbury they have a very clear image: inexpressibly rich as it is in sights, in wonders, full of people—hundreds of people in the streets and market-place—they can take it all in and know its meaning. Every man and woman, of all classes, in all that concourse, is there for some definite purpose which they can guess and understand; and the busy street and market, and red houses and soaring spire, are all one, and part and parcel too of their own lives in their own distant little village by the Avon or Wylye, or anywhere on the Plain. And that soaring spire which, rising so high above the red town, first catches the eye, the one object which gives unity and distinction to the whole picture, is not more distinct in the mind than the entire Salisbury with its manifold interests and activities. There is nothing in the architecture of England more beautiful than that same spire. I have seen it many times, far and near, from all points of view, and am never in or near the place but I go to some spot where I look at and enjoy the sight; but I will speak here of the two best points of view. The nearest, which is the artist's favourite point, is from the meadows; there, from the waterside, you have the cathedral not too far away nor too near for a picture, whether on canvas or in the mind, standing amidst its great old trees, with nothing but the moist green meadows and the river between. One evening, during the late summer of this wettest season, when the rain was beginning to cease, I went out this way for my stroll, the pleasantest if not the only "walk" there is in Salisbury. It is true, there are two others: one to Wilton by its long, shady avenue; the other to Old Sarum; but these are now motor-roads, and until the loathed hooting and dusting engines are thrust away into roads of their own there is little pleasure in them for the man on foot. The rain ceased, but the sky was still stormy, with a great blackness beyond the cathedral and still other black clouds coming up from the west behind me. Then the sun, near its setting, broke out, sending a flame of orange colour through the dark masses around it, and at the same time flinging a magnificent rainbow on that black cloud against which the immense spire stood wet with rain and flushed with light, so that it looked like a spire built of a stone impregnated with silver. Never had Nature so glorified man's work! It was indeed a marvellous thing to see, an effect so rare that in all the years I had known Salisbury, and the many times I had taken that stroll in all weathers, it was my first experience of such a thing. How lucky, then, was Constable to have seen it, when he set himself to paint his famous picture! And how brave he was and even wise to have attempted such a subject, one which, I am informed by artists with the brush, only a madman would undertake, however great a genius he might be. It was impossible, we know, even to a Constable, but we admire his failure nevertheless, even as we admire Turner's many failures; but when we go back to Nature we are only too glad to forget all about the picture. The view from the meadows will not, in the future, I fear, seem so interesting to me; I shall miss the rainbow, and shall never see again except in that treasured image the great spire as Constable saw and tried to paint it. In like manner, though for a different reason, my future visits to Old Sarum will no longer give me the same pleasure experienced on former occasions. Old Sarum stands over the Avon, a mile and a half from Salisbury; a round chalk hill about 300 feet high, in its round shape and isolation resembling a stupendous tumulus in which the giants of antiquity were buried, its steeply sloping, green sides ringed about with vast, concentric earth-works and ditches, the work of the "old people," as they say on the Plain, when referring to the ancient Britons, but how ancient, whether invading Celts or Aborigines—the true Britons, who possessed the land from neolithic times—even the anthropologists, the wise men of to-day, are unable to tell us. Later, it was a Roman station, one of the most important, and in after ages a great Norman castle and cathedral city, until early in the thirteenth century, when the old church was pulled down and a new and better one to last for ever was built in the green plain by many running waters. Church and people gone, the castle fell into ruin, though some believe it existed down to the fifteenth century; but from that time onwards the site has been a place of historical memories and a wilderness. Nature had made it a sweet and beautiful spot; the earth over the old buried ruins was covered with an elastic turf, jewelled with the bright little flowers of the chalk, the ramparts and ditches being all overgrown with a dense thicket of thorn, holly, elder, bramble, and ash, tangled up with ivy, briony, and traveller's-joy. Once only during the last five or six centuries some slight excavations were made when, in 1834, as the result of an excessively dry summer, the lines of the cathedral foundations were discernible on the surface. But it will no longer be the place it was, the Society of Antiquaries having received permission from the Dean and Chapter of Salisbury to work their sweet will on the site. That ancient, beautiful carcass, which had long made their mouths water, on which they have now fallen like a pack of hungry hyenas to tear off the old hide of green turf and burrow down to open to the light or drag out the deep, stony framework. The beautiful surrounding thickets, too, must go, they tell me, since you cannot turn the hill inside out without destroying the trees and bushes that crown it. What person who has known it and has often sought that spot for the sake of its ancient associations, and of the sweet solace they have found in the solitude, or for the noble view of the sacred city from its summit, will not deplore this fatal amiability of the authorities, this weak desire to please every one and inability to say no to such a proposal! But let me now return to the object which brings me to this spot; it was not to lament the loss of the beautiful, which cannot be preserved in our age—even this best one of all which Salisbury possessed cannot be preserved—but to look at Salisbury from this point of view. It is not as from "the meadows" a view of the cathedral only, but of the whole town, amidst its circle of vast green downs. It has a beautiful aspect from that point: a red-brick and red-tiled town, set low on that circumscribed space, whose soft, brilliant green is in lovely contrast with the paler hue of the downs beyond, the perennial moist green of its water-meadows. For many swift, clear currents flow around and through Salisbury, and doubtless in former days there were many more channels in the town itself. Leland's description is worth quoting: "There be many fair streates in the Cite Saresbyri, and especially the High Streate and Castle Streate.... Al the Streates in a maner, in New Saresbyri, hath little streamlettes and arms derivyd out of Avon that runneth through them. The site of the very town of Saresbyri and much ground thereabout is playne and low, and as a pan or receyvor of most part of the waters of Wiltshire." On this scene, this red town with the great spire, set down among water-meadows, encircled by paler green chalk hills, I look from the top of the inner and highest rampart or earth-work; or going a little distance down sit at ease on the turf to gaze at it by the hour. Nor could a sweeter resting-place be found, especially at the time of ripe elder-berries, when the thickets are purple with their clusters and the starlings come in flocks to feed on them, and feeding keep up a perpetual, low musical jangle about me. It is not, however, of "New Saresbyri" as seen by the tourist, with a mind full of history, archaeology, and the aesthetic delight in cathedrals, that I desire to write, but of Salisbury as it appears to the dweller on the Plain. For Salisbury is the capital of the Plain, the head and heart of all those villages, too many to count, scattered far and wide over the surrounding country. It is the villager's own peculiar city, and even as the spot it stands upon is the "pan or receyvor of most part of the waters of Wiltshire," so is it the receyvor of all he accomplishes in his laborious life, and thitherward flow all his thoughts and ambitions. Perhaps it is not so difficult for me as it would be for most persons who are not natives to identify myself with him and see it as he sees it. That greater place we have been in, that mighty, monstrous London, is ever present to the mind and is like a mist before the sight when we look at other places; but for me there is no such mist, no image so immense and persistent as to cover and obscure all others, and no such mental habit as that of regarding people as a mere crowd, a mass, a monstrous organism, in and on which each individual is but a cell, a scale. This feeling troubles and confuses my mind when I am in London, where we live "too thick"; but quitting it I am absolutely free; it has not entered my soul and coloured me with its colour or shut me out from those who have never known it, even of the simplest dwellers on the soil who, to our sophisticated minds, may seem like beings of another species. This is my happiness—to feel, in all places, that I am one with them. To say, for instance, that I am going to Salisbury to-morrow, and catch the gleam in the children's eye and watch them, furtively watching me, whisper to one another that there will be something for them, too, on the morrow. To set out betimes and overtake the early carriers' carts on the road, each with its little cargo of packages and women with baskets and an old man or two, to recognize acquaintances among those who sit in front, and as I go on overtaking and passing carriers and the half-gipsy, little "general dealer" in his dirty, ramshackle, little cart drawn by a rough, fast-trotting pony, all of us intent on business and pleasure, bound for Salisbury—the great market and emporium and place of all delights for all the great Plain. I remember that on my very last expedition, when I had come twelve miles in the rain and was standing at a street corner, wet to the skin, waiting for my carrier, a man in a hurry said to me, "I say, just keep an eye on my cart for a minute or two while I run round to see somebody. I've got some fowls in it, and if you see anyone come poking round just ask them what they want—you can't trust every one. I'll be back in a minute." And he was gone, and I was very pleased to watch his cart and fowls till he came back. Business is business and must be attended to, in fair or foul weather, but for business with pleasure we prefer it fine on market-day. The one great and chief pleasure, in which all participate, is just to be there, to be in the crowd—a joyful occasion which gives a festive look to every face. The mere sight of it exhilarates like wine. The numbers—the people and the animals! The carriers' carts drawn up in rows on rows—carriers from a hundred little villages on the Bourne, the Avon, the Wylye, the Nadder, the Ebble, and from all over the Plain, each bringing its little contingent. Hundreds and hundreds more coming by train; you see them pouring down Fisherton Street in a continuous procession, all hurrying market-wards. And what a lively scene the market presents now, full of cattle and sheep and pigs and crowds of people standing round the shouting auctioneers! And horses, too, the beribboned hacks, and ponderous draught horses with manes and tails decorated with golden straw, thundering over the stone pavement as they are trotted up and down! And what a profusion of fruit and vegetables, fish and meat, and all kinds of provisions on the stalls, where women with baskets on their arms are jostling and bargaining! The Corn Exchange is like a huge beehive, humming with the noise of talk, full of brown-faced farmers in their riding and driving clothes and leggings, standing in knots or thrusting their hands into sacks of oats and barley. You would think that all the farmers from all the Plain were congregated there. There is a joyful contagion in it all. Even the depressed young lover, the forlornest of beings, repairs his wasted spirits and takes heart again. Why, if I've seen a girl with a pretty face to-day I've seen a hundred—and more. And she thinks they be so few she can treat me like that and barely give me a pleasant word in a month! Let her come to Salisbury and see how many there be! And so with every one in that vast assemblage—vast to the dweller in the Plain. Each one is present as it were in two places, since each has in his or her heart the constant image of home—the little, peaceful village in the remote valley; of father and mother and neighbours and children, in school just now, or at play, or home to dinner—home cares and concerns and the business in Salisbury. The selling and buying; friends and relations to visit or to meet in the market-place, and—how often!—the sick one to be seen at the Infirmary. This home of the injured and ailing, which is in the mind of so many of the people gathered together, is indeed the cord that draws and binds the city and the village closest together and makes the two like one. That great, comely building of warm, red brick in Fisherton Street, set well back so that you can see it as a whole, behind its cedar and beech-trees—how familiar it is to the villagers! In numberless humble homes, in hundreds of villages of the Plain, and all over the surrounding country, the "Infirmary" is a name of the deepest meaning, and a place of many gad and tender and beautiful associations. I heard it spoken of in a manner which surprised me at first, for I know some of the London poor and am accustomed to their attitude towards the metropolitan hospitals. The Londoner uses them very freely; they have come to be as necessary to him as the grocer's shop and the public-house, but for all the benefits he receives from them he has no faintest sense of gratitude, and it is my experience that if you speak to him of this he is roused to anger and demands, "What are they for?" So far is he from having any thankful thoughts for all that has been given him for nothing and done for him and for his, if he has anything to say at all on the matter it is to find fault with the hospitals and cast blame on them for not having healed him more quickly or thoroughly. This country town hospital and infirmary is differently regarded by the villagers of the Plain. It is curious to find how many among them are personally acquainted with it; perhaps it is not easy for anyone, even in this most healthy district, to get through life without sickness, and all are liable to accidents. The injured or afflicted youth, taken straight from his rough, hard life and poor cottage, wonders at the place he finds himself in—the wide, clean, airy room and white, easy bed, the care and skill of the doctors, the tender nursing by women, and comforts and luxuries, all without payment, but given as it seems to him out of pure divine love and compassion—all this comes to him as something strange, almost incredible. He suffers much perhaps, but can bear pain stoically and forget it when it is past, but the loving kindness he has experienced is remembered. That is one of the very great things Salisbury has for the villagers, and there are many more which may not be spoken of, since we do not want to lose sight of the wood on account of the trees; only one must be mentioned for a special reason, and that is the cathedral. The villager is extremely familiar with it as he sees it from the market and the street and from a distance, from all the roads which lead him to Salisbury. Seeing it he sees everything beneath it—all the familiar places and objects, all the streets—High and Castle and Crane Streets, and many others, including Endless Street, which reminds one of Sydney Smith's last flicker of fun before that candle went out; and the "White Hart" and the "Angel" and "Old George," and the humbler "Goat" and "Green Man" and "Shoulder of Mutton," with many besides; and the great, red building with its cedar-tree, and the knot of men and boys standing on the bridge gazing down on the trout in the swift river below; and the market-place and its busy crowds—all the familiar sights and scenes that come under the spire like a flock of sheep on a burning day in summer, grouped about a great tree growing in the pasture-land. But he is not familiar with the interior of the great fane; it fails to draw him, doubtless because he has no time in his busy, practical life for the cultivation of the aesthetic faculties. There is a crust over that part of his mind; but it need not always and ever be so; the crust is not on the mind of the child. Before a stall in the market-place a child is standing with her mother—a commonplace-looking, little girl of about twelve, blue-eyed, light-haired, with thin arms and legs, dressed, poorly enough, for her holiday. The mother, stoutish, in her best but much-worn black gown and a brown straw, out-of-shape hat, decorated with bits of ribbon and a few soiled and frayed artificial flowers. Probably she is the wife of a labourer who works hard to keep himself and family on fourteen shillings a week; and she, too, shows, in her hard hands and sunburnt face, with little wrinkles appearing, that she is a hard worker; but she is very jolly, for she is in Salisbury on market-day, in fine weather, with several shillings in her purse—a shilling for the fares, and perhaps eightpence for refreshments, and the rest to be expended in necessaries for the house. And now to increase the pleasure of the day she has unexpectedly run against a friend! There they stand, the two friends, basket on arm, right in the midst of the jostling crowd, talking in their loud, tinny voices at a tremendous rate; while the girl, with a half-eager, half-listless expression, stands by with her hand on her mother's dress, and every time there is a second's pause in the eager talk she gives a little tug at the gown and ejaculates "Mother!" The woman impatiently shakes off the hand and says sharply, "What now, Marty! Can't 'ee let me say just a word without bothering!" and on the talk runs again; then another tug and "Mother!" and then, "You promised, mother," and by and by, "Mother, you said you'd take me to the cathedral next time." Having heard so much I wanted to hear more, and addressing the woman I asked her why her child wanted to go. She answered me with a good-humoured laugh, "'Tis all because she heard 'em talking about it last winter, and she'd never been, and I says to her, 'Never you mind, Marty, I'll take you there the next time I go to Salisbury.'" "And she's never forgot it," said the other woman. "Not she—Marty ain't one to forget." "And you been four times, mother," put in the girl. "Have I now! Well, 'tis too late now—half-past two, and we must be't' Goat' at four." "Oh, mother, you promised!" "Well, then, come along, you worriting child, and let's have it over or you'll give me no peace"; and away they went. And I would have followed to know the result if it had been in my power to look into that young brain and see the thoughts and feelings there as the crystal-gazer sees things in a crystal. In a vague way, with some very early memories to help me, I can imagine it—the shock of pleased wonder at the sight of that immense interior, that far-extending nave with pillars that stand like the tall trunks of pines and beeches, and at the end the light screen which allows the eye to travel on through the rich choir, to see, with fresh wonder and delight, high up and far off, that glory of coloured glass as of a window half-open to an unimaginable place beyond—a heavenly cathedral to which all this is but a dim porch or passage! We do not properly appreciate the educational value of such early experiences; and I use that dismal word not because it is perfectly right or for want of a better one, but because it is in everybody's mouth and understood by all. For all I know to the contrary, village schools may be bundled in and out of the cathedral from time to time, but that is not the right way, seeing that the child's mind is not the crowd-of-children's mind. But I can imagine that when we have a wiser, better system of education in the villages, in which books will not be everything, and to be shut up six or seven hours every day to prevent the children from learning the things that matter most—I can imagine at such a time that the schoolmaster or mistress will say to the village woman, "I hear you are going to Salisbury to-morrow, or next Tuesday, and I want you to take Janie or little Dan or Peter, and leave him for an hour to play about on the cathedral green and watch the daws flying round the spire, and take a peep inside while you are doing your marketing." Back from the cathedral once more, from the infirmary, and from shops and refreshment-houses, out in the sun among the busy people, let us delay a little longer for the sake of our last scene. It was past noon on a hot, brilliant day in August, and that splendid weather had brought in more people than I had ever before seen congregated in Salisbury, and never had the people seemed so talkative and merry and full of life as on that day. I was standing at a busy spot by a row of carriers' carts drawn up at the side of the pavement, just where there are three public-houses close together, when I caught sight of a young man of about twenty-two or twenty-three, a shepherd in a grey suit and thick, iron-shod, old boots and brown leggings, with a soft felt hat thrust jauntily on the back of his head, coming along towards me with that half-slouching, half-swinging gait peculiar to the men of the downs, especially when they are in the town on pleasure bent. Decidedly he was there on pleasure and had been indulging in a glass or two of beer (perhaps three) and was very happy, trolling out a song in a pleasant, musical voice as he swung along, taking no notice of the people stopping and turning round to stare after him, or of those of his own party who were following and trying to keep up with him, calling to him all the time to stop, to wait, to go slow, and give them a chance. There were seven following him: a stout, middle-aged woman, then a grey-haired old woman and two girls, and last a youngish, married woman with a small boy by the hand; and the stout woman, with a red, laughing face, cried out, "Oh, Dave, do stop, can't 'ee! Where be going so fast, man—don't 'ee see we can't keep up with 'ee?" But he would not stop nor listen. It was his day out, his great day in Salisbury, a very rare occasion, and he was very happy. Then she would turn back to the others and cry, "'Tisn't no use, he won't bide for us—did 'ee ever see such a boy!" and laughing and perspiring she would start on after him again. Now this incident would have been too trivial to relate had it not been for the appearance of the man himself—his powerful and perfect physique and marvellously handsome face—such a face as the old Greek sculptors have left to the world to be universally regarded and admired for all time as the most perfect. I do not think that this was my feeling only; I imagine that the others in that street who were standing still and staring after him had something of the same sense of surprise and admiration he excited in me. Just then it happened that there was a great commotion outside one of the public-houses, where a considerable party of gipsies in their little carts had drawn up, and were all engaged in a violent, confused altercation. Probably they, or one of them, had just disposed of a couple of stolen ducks, or a sheepskin, or a few rabbits, and they were quarrelling over the division of the spoil. At all events they were violently excited, scowling at each other and one or two in a dancing rage, and had collected a crowd of amused lookers-on; but when the young man came singing by they all turned to stare at him. As he came on I placed myself directly in his path and stared straight into his eyes—grey eyes and very beautiful; but he refused to see me; he stared through me like an animal when you try to catch its eyes, and went by still trolling out his song, with all the others streaming after him.         <div style="break-after:column;"></div>

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